scholarly journals From Thebes to Piramesse — and Back: On the Text History of Supplementary Chapter 166 of the Book of the Dead

2020 ◽  
Vol 106 (1-2) ◽  
pp. 133-143
Author(s):  
Harco Willems
Keyword(s):  
Social Context ◽  
Present Article ◽  
The Social ◽  
History Of ◽  
The Dead ◽  
First Dynasty ◽  
Funerary Texts ◽  
Formed Part ◽  
Book Of The Dead

The colophon of BD supplementary chapter 166 states that the text had been found at the neck of Ramses II’s mummy. Dahms, Pehal, and Willems had argued in JEA 100 (2014) that the original document had not formed part of the original tomb equipment of Ramses II, but had been added in the course of the Twenty-First Dynasty after the tomb robberies in the Valley of the Kings. In 2016, J. Quack raised fundamental criticism against this interpretation, arguing that the text dates to the early Ramesside Period and had probably been applied in Piramesse to the mummy of Ramses II. The present article offers a critical reassessment of Quack’s paper. The linguistic register of funerary texts, the development of the negative aorist, and contextual indications strengthen the idea that the text was written in Thebes in the Twenty-First Dynasty in the social context of the Amun priesthood.

Female Christian prose today: A failed search for new women’s subjectivity?

2020 ◽  
Vol 1 (1) ◽  
pp. 132-149
Author(s):  
E. Chelpanova
Keyword(s):  
Social Context ◽  
Social System ◽  
Family Values ◽  
The State ◽  
Current Work ◽  
Conservative Approach ◽  
Female Subjectivity ◽  
Female Characters ◽  
The Social ◽  
History Of

In her analysis of books by Maya Kucherskaya, Olesya Nikolaeva, and Yulia Voznesenskaya, the author investigates the history of female Christian prose from the 1990s until the present day. According to the author, it was in the 1990s, the period of crisis and transformation of the social system, that female Christian writers were more vocal, than today, on the issues of the new post-Soviet female subjectivity, drawing on folklore imagery and contrasting the folk, pagan philosophy with the Christian one, defined by an established set of rules and limitations for the principal female roles. Thus, the folklore elements in Kucherskaya’s early works are considered as an attempt to represent female subjectivity. However, the author argues that, in their current work, Kucherskaya and other representatives of the so-called female Christian prose tend to choose different, objectivizing methods to represent female characters. This new and conservative approach may have come from a wider social context, including the state-imposed ‘family values’ program.

Urban Change in Early Medieval Italy: The Example of Pavia

1966 ◽  
Vol 34 ◽  
pp. 82-130 ◽  
Author(s):  
D. A. Bullough
Keyword(s):  
Present Article ◽  
Social History ◽  
Middle Ages ◽  
Early Medieval ◽  
Medieval Studies ◽  
Medieval Italy ◽  
Warm Hospitality ◽  
The Social ◽  
History Of ◽  
The City

Prefatory Note.—My interest in Pavia goes back at least to 1951 when I was elected Rome Scholar in Medieval Studies. I began seriously to collect material for the history of the city in the early Middle Ages in the winter and spring of 1953 when I enjoyed the warm hospitality of the Collegio Ghislieri, thanks to the efforts made on my behalf by the late Hugh Last, to whose memory this article is dedicated. The published proceedings of the Reichenau and Spoleto congresses on ‘The early medieval town’ in the 1950s clearly underlined the need for detailed studies of particular towns; but the lack of adequate archaeological evidence discouraged me from attempting such a study of early medieval Pavia. In 1964, however, Dr. A. Peroni, Director of the Museo Civico invited me to read a supplementary paper on this topic to the Convegno di Studio sul Centro Storico di Pavia held in the Università degli Studi at Pavia on July 4th and 5th of that year. The present article is an amplified and corrected version of that paper: I have made no substantial alterations to my account of the ‘urbanistica’ of early medieval Pavia—written for an audience of architects and art-historians as well as of historians—but have dealt more fully with the social history of the city in this period. Professor Richard Krautheimer read a draft of the revised version and made some pointed and helpful comments. I am greatly indebted to Dr. Peroni, not merely for the invitation to present the original paper but also for supplying illustrations and answering queries at a time when he and his staff were engaged in helping to repair the ravages of the Florence floods.

Lithium: evidence reconsidered

1997 ◽  
Vol 171 (2) ◽  
pp. 113-119 ◽  
Author(s):  
Joanna Moncrieff
Keyword(s):  
Social Context ◽  
Potential Role ◽  
Scientific Evidence ◽  
Main Current ◽  
The Social ◽  
Overall Evaluation ◽  
History Of ◽  
Role Based

This review examines the evidence for the main current recommendations for lithium use in psychiatry and briefly summarises the literature on its adverse consequences, in an attempt to develop an overall evaluation of its potential role based on available evidence. An introduction to the history of lithium is given because it is suggested that in both the 19th and 20th centuries the social context in which lithium emerged, rather than the quality of the scientific evidence, was decisive in determining its adoption as a treatment.

The social context of iron forging on the Kenya coast

Africa ◽  
1996 ◽  
Vol 66 (3) ◽  
pp. 386-410 ◽  
Author(s):  
Chapurukha M. Kusimba
Keyword(s):  
Life Cycle ◽  
Social Context ◽  
Social Power ◽  
High Status ◽  
Detailed Understanding ◽  
The Social ◽  
The Future ◽  
History Of ◽  
Ambiguous Position

Ironsmiths occupy an important yet ambiguous position in many African societies. They are both revered and feared, because they wield social power which arises from their access to occult knowledge, not only of metallurgy but of healing, divination, circumcision and peacemaking. In some societies smiths enjoy high status and are the wealthiest people. In others they are feared, covertly maligned, and blamed for societal misfortunes. In still others the smiths' position is often marginal except when they are needed to intercede on their society's behalf to solve natural or cultural predicaments. The forge or smithy plays a central role in the community as tool-making centre, a place of refuge from violence, of purification, and for healing. This article examines the social context of iron forging among the ironsmiths of the Kenya coast, focusing on the role of iron forging in the coastal economy, the forge, the smiths' life cycle, the institution of apprenticeship, the ritual and technical power of smiths, the role of women in the smiths' community, and the future of iron forging on the coast. It is argued that, while coastal smiths are marginal and despised, they hold important ritual and spiritual powers in coastal society. The article concludes that a detailed understanding of the traditional crafts historically practised on the coast can do much to illuminate the complex history of coastal society.

Political Economy: History with the Politics Left Out?

2012 ◽  
Vol 20 (3) ◽  
pp. 24-38 ◽  
Author(s):  
Roger Backhouse
Keyword(s):  
Political Economy ◽  
Social Context ◽  
The Political ◽  
The Social ◽  
History Of

AbstractThis paper argues that Milonakis and Fine, in their bookFrom Political Economy to Economics, offer an account of history that systematically omits discussion of how economics has been shaped by the political and social context in which it developed. This contrasts with work by intellectual historians who have argued that such factors were crucial to understanding the history of economic ideas. It is ironic given that Milonakis and Fine are criticising economists for excluding the political and the social from economics.

Near Eastern Precedents of the “Orphic” Gold Tablets: The Phoenician Missing Link

2015 ◽  
Vol 15 (1) ◽  
pp. 52-91
Author(s):  
Carolina López-Ruiz
Keyword(s):  
Southern Italy ◽  
Missing Link ◽  
North West ◽  
Near Eastern ◽  
Magna Graecia ◽  
The Dead ◽  
Egyptian Iconography ◽  
Funerary Texts ◽  
Book Of The Dead ◽  
Close Parallel

The Greek Gold Tablets (also called “Orphic Gold Tablets”), have often been compared with Egyptian funerary texts, especially those comprising theBook of the Dead. At the same time, North-West Semitic gold and silver leaves (Phoenician-Punic and Hebrew) with protective formulae offer a close parallel to them in aspects of their function and form. Although this group of funerary amulets are also said to follow Egyptian models, the three corpora have never been discussed together. Egyptian afterlife motifs and magical technologies may have indirectly influenced Greek Orphic funerary ideas and practices. I suggest, however, that this transmission happened through adaptations of Egyptian materials in the Phoenician-Punic realm, with evidence pointing to southern Italy and Sicily (Magna Graecia) as likely scenarios for this exchange. Intersections between Orphic and Phoenician cosmogony and the selective use of Egyptian iconography in Phoenician funerary amulets reinforce this hypothesis.

scholarly journals ¡No lo haré más!: la sociedad española en El verdugo de Berlanga

2014 ◽  
Author(s):  
Marcos Rafael Cañas Pelayo
Keyword(s):  
Social Context ◽  
Present Article ◽  
Historical Context ◽  
Social Aspects ◽  
Spanish Society ◽  
The Social

Recientemente, la influencia del director Luis García Berlanga ha sido destacada por crítica y público. Generalmente asociado por su colaboración con el guionista Rafael Azcona, Berlanga fue un cineasta atípico cuyas películas han sido irónicas, pero serios exponentes de la evolución de la sociedad española durante el pasado siglo. En el presente artículo, intentaremos mostrar uno de sus más importantes trabajos, El Verdugo, analizando no solamente sus aspectos sociales, sino incluyendo un estudio del lenguaje cinematográfico empleado para ello y el particular estilo con el que el director abordó algunos de los temas más controvertidos de su tiempo.Abstract:The influential of the director Luis García Berlanga has been recently increased by critics and public. Generally associated with the script-player Rafael Azcona, Berlanga was an unusual artist which films have been and ironical but serious example of the changes and the evolution of the Spanish society during the last century. In the present article, we will try to show the social aspects of one of his most important masterpieces, El verdugo, analyzing not only the historical context, but also including his cinematographically language and particular style for translate to the big screen some controversial realities of their time.Palabras clave:Berlanga; Azcona; contexto social; ironía; El Verdugo.Keywords: Berlanga; Azona; Social Context; Irony; El Verdugo.

Sign in / Sign up

Export Citation Format

Share Document