Cultural Deference, Community Survival

After the military defeat of the Tamil insurgency in Sri Lanka, nationalist sectors backed by Sinhala Buddhist ideology turned to religious minorities in search of new enemies of the State. These have included Muslims and Evangelical Christians who are described as foreign intruders that contaminate the traditions of the nation. Catholics have been spared of accusations of proselytism and the introduction of foreign cultures partly due to the Church leadership’s explicit stance against Evangelical missionary activities and its support of Sinhala nationalist discourse. Catholic communities of Sri Lanka thus find themselves in an ambiguous position: incorporated into the national citizenry, yet a visible minority anxious not to become marginalized like other religious minorities.

Who the hell is Hades? An examination of Hades' reception within modern film

<p>This thesis seeks to engage with modern receptions of Hades, the ancient god of the underworld, within the medium of film. Although reception studies encompasses a broad variety of themes and subject matters, filmic characterisation (especially that of a deity) is presently an under-represented topic. Hades’ unique persona provides further incentive for this study; not only does he hold an ambiguous position within antiquity but this is similarly echoed throughout much of Hollywood’s own history, up until the turn of the 21st century. Hades’ filmic persona has, however, received a revitalisation within modern blockbusters which draw their inspiration from ancient Greek mythology. With prominent appearances in the likes of Disney’s Hercules (1997), Percy Jackson and the Lightning Thief (2010), Clash of the Titans (2010) and Wrath of the Titans (2012), Hades has now become a staple character within the film industry. Hades’ recent stardom is not without issues. It appears that mass culture has freely refashioned Hades’ mythic persona in order to better fit a particular cinematic presentation, epitomised by Hades’ association with the Judeo-Christian Devil. I will argue, however, that the figure which has resulted does not have to be viewed as marking a rupture with classical thought but should be seen rather as a continuation of Greek mythological concerns. While this suggestion, following Martin Winkler’s theory of neo-mythologism, is not particularly original, I seek to explore it in an entirely new manner, highlighting the iconographical and narrative tropes which define Hades’ filmic persona. This requires a unique approach, one not yet found within contemporary scholarship. In drawing upon modern film theory for inspiration, this thesis seeks to engage with Hades’ reception while letting the medium in question shape the methodology. Such considerations should be fundamental to reception studies.</p>

Who the hell is Hades? An examination of Hades' reception within modern film

<p>This thesis seeks to engage with modern receptions of Hades, the ancient god of the underworld, within the medium of film. Although reception studies encompasses a broad variety of themes and subject matters, filmic characterisation (especially that of a deity) is presently an under-represented topic. Hades’ unique persona provides further incentive for this study; not only does he hold an ambiguous position within antiquity but this is similarly echoed throughout much of Hollywood’s own history, up until the turn of the 21st century. Hades’ filmic persona has, however, received a revitalisation within modern blockbusters which draw their inspiration from ancient Greek mythology. With prominent appearances in the likes of Disney’s Hercules (1997), Percy Jackson and the Lightning Thief (2010), Clash of the Titans (2010) and Wrath of the Titans (2012), Hades has now become a staple character within the film industry. Hades’ recent stardom is not without issues. It appears that mass culture has freely refashioned Hades’ mythic persona in order to better fit a particular cinematic presentation, epitomised by Hades’ association with the Judeo-Christian Devil. I will argue, however, that the figure which has resulted does not have to be viewed as marking a rupture with classical thought but should be seen rather as a continuation of Greek mythological concerns. While this suggestion, following Martin Winkler’s theory of neo-mythologism, is not particularly original, I seek to explore it in an entirely new manner, highlighting the iconographical and narrative tropes which define Hades’ filmic persona. This requires a unique approach, one not yet found within contemporary scholarship. In drawing upon modern film theory for inspiration, this thesis seeks to engage with Hades’ reception while letting the medium in question shape the methodology. Such considerations should be fundamental to reception studies.</p>

Biohacking, Bodies and Do-It-Yourself

From self-help books and nootropics, to self-tracking and home health tests, to the tinkering with technology and biological particles - biohacking brings biology, medicine, and the material foundation of life into the sphere of »do-it-yourself«. This trend has the potential to fundamentally change people's relationship with their bodies and biology but it also creates new cultural narratives of responsibility, authority, and differentiation. Covering a broad range of examples, this book explores practices and representations of biohacking in popular culture, discussing their ambiguous position between empowerment and requirement, promise and prescription.

Taxonomic Revision of Hook-Forming Acrosorium (Delesseriaceae, Rhodophyta) from the Northwestern Pacific Based on Morphology and Molecular Data

Cosmopolitan Acrosorium species with hook-forming thalli have been merged under the name of Acrosorium ciliolatum (Harvey) Kylin through a long and complicated nomenclatural history. We examined the specimens of ‘A. ciliolatum’ and related taxa from the northwestern (NW) Pacific, the UK, southern Spain, Australia, New Zealand, and Chile, using morphological and molecular analyses. We confirmed that these specimens are separated into four clades based on rbcL phylogeny, and the absence or presence of terminal hook-like structures represent intraspecific variation. Our results indicated that Acrosorium flabellatum Yamada, Cryptopleura hayamensis Yamada, Cryptopleura membranacea Yamada and the entities known as ‘A. ciliolatum’ in the NW Pacific are conspecific; the name A. flabellatum is the oldest and has priority. This taxon exhibits extreme variations in external blade morphology. We also confirmed that the position of the tetrasporangial sori is a valuable diagnostic characteristic for distinguishing A. flabellatum in the NW Pacific. We also discussed the need for further study of European and southern hemisphere specimens from type localities, as well as the ambiguous position of California specimens.

Reconceptualising Copyright Markets: Disseminative Competition as a Key Functional Dimension

The notion of ‘markets’ occupies a prominent yet ambiguous position in copyright discourse. When the term is raised, the copyright owner’s market tends to be taken as its implicit meaning, perpetuating an assumption that the market needs to be protected solely to preserve incentives to create. This dominant narrative overshadows an important dimension of copyright markets – disseminative competition, which is characterised by rival disseminators competing for inputs (copyright content) and audiences (copyright consumers). With the aid of competition law principles, this article distinguishes competition for dissemination of content from competition for the creation of content. It underscores the importance of dissemination markets to a well-functioning copyright system and shows how certain copyright doctrines substantively impact on disseminative competition. In reframing contemporary understandings of copyright markets, this article highlights the biases in copyright infringement analysis that may favour incumbent content disseminators to the detriment of a vibrant and innovative digital economy.

THE REPRESENTATION OF INDONESIAN WOMEN IN CONTEMPORARY TRAVEL WRITING: A STUDY OF DISCOURSE ON GENDER AND TRAVEL WRITING

This research aims to examine the representation of Indonesian women in contemporary travel writings. The rise of globalization has challenged the domination of discourses that tend to place Indonesian women in the subordinate position. However, the challenge does not warrant a symmetrical relation between genders, as it sometimes blurs the relation as a result of clashes between discourses. This study, then, provides an overview of how discourses have shaped the representation of Indonesian women by revealing images that appear explicitly and implicitly in travel stories. Using the Foucauldian discourse analysis approach allowed the writers to exclude subjects, objects, and meanings to discover a comprehensive web of image construction. This research found that Indonesian women’s representation is stuck in an ambiguous position as it strives to be an independent individual subject. Penelitian ini bertujuan untuk menjelaskan representasi perempuan Indonesia melalui cerita perjalanan kontemporer. Pada dasarnya, globalisasi telah menantang kuasa hegemoni wacana yang cenderung menempatkan perempuan Indonesia pada posisi kedua. Akan tetapi, hal tersebut tidak menjamin kesetaraan antara hubungan gender, melainkan terkadang menjadikannya semakin kabur sebagai konsekuensi adanya pertentangan antar wacana. Kajian ini memberikan gambaran bagaimana wacana membentuk representasi perempuan Indonesia dengan menunjukkan citra-citra yang hadir secara eksplisit maupun implisit dalam cerita perjalanan. Dengan menggunakan pendekatan analisis Foucauldian memberikan sebuah kemungkinan kepada kita untuk memisahkan antara subjek, objek dan makna dan untuk menemukan jaring-jaring konstruksi citra yang komprehensif. Penelitian ini menemukan bahwa representasi perempuan Indonesia terjebak dalam posisi yang ambigu yang tampaknya mencoba untuk hadir sebagai subjek independen.

Comparing the racialization of Central-East European migrants in Japan and the UK

The article deploys the lens of the race-migration nexus (Erel et al., Ethnic and Racial Studies 39:1339–1360, 2016) to compare the racialization of migrants in the UK and Japan. It draws on qualitative data on the experiences of Central-East European (CEE) migrants in the two countries to unpack how whiteness is constructed in relation to different histories and patterns of immigration in each national context. While CEE migrants in Japan benefit from being perceived as implicitly white and Western ‘foreigners’, their whiteness represents a form of enduring exclusion from the ethno-nationalist Japanese society. In the UK, changing political contexts and internal European hierarchies of whiteness contribute to CEE migrants’ ambiguous position in an increasingly anti-migrant society. By comparing the mechanisms of racialization in each country through the analytics of visibility and exclusion, the article furthers ongoing debates about the intersections of race and migration. It furthermore extends the comparative analysis of whiteness to a non-Western setting, making a significant contribution to the study of local/global articulations of race.

The Carter administration and the "communist question" in Italy. The political development and action, 1976-1978

Jimmy Carter was elected President of the United States in November 1976. A few months earlier, the Italian elections marked an extraordinary result for the Italian Communist Party (PCI), and some of its members obtained institutional roles. During the electoral campaign, members of Carter's entourage released declarations that seemed to prelude to abandoning the anti-communist veto posed by previous governments. For a year after the inauguration, the US administration maintained an ambiguous position. Nonetheless, on 12 January 1978, the United States reiterated its opposition to any forms of participation of communists in the Italian government. Drawing on a varied set of sources and analysing the role of non-state actors, including think tanks and university centres, this article examines the debate on the Italian "communist question" within the Carter administration and among its advisers. Such discussion will be placed within a wider debate that crossed America's liberal culture.

DEVELOPING CRAFT AS A CREATIVE INDUSTRY THROUGH TOURISM

This paper examines the position of crafts within the creative industries and considers how this has been affected by the growing links between the creative industries and tourism. A review of the creative industries concept indicates that crafts occupy an ambiguous position between art and tradition, which problematises their relationship with the creative industries. This is gradually changing at the creative and tourism sectors become more closely linked, and craft has become an important element of the development of creative tourism experiences. We review the role of craft in creative tourism, including case studies from Brazil, Finland, and Thailand, to examine how tourism can support the creative development of crafts. This analysis indicates that craft can be an important aspect of creative tourism development in different contexts and can provide a strong basis for placemaking initiatives.