Applicability of traditional storage methods in Indonesia for today’s conservation practice

IFLA Journal ◽  
2021 ◽  
pp. 034003522110230
Author(s):  
Patricia Engel

This contribution aims to distil the experience from several conservation projects in Java, Indonesia, into a summary of methods in an attempt to arrive at some suggestions for best practice for the preservation of cultural heritage items in a tropical country. The related projects concerned a museum of contemporary art, traditional puppet theatre materials, a museum of traditional art and an archive.

2016 ◽  
Vol 3 (2) ◽  
pp. 9
Author(s):  
Christos Merantzas

<p>The paper focuses on the cultural components of a walking trail axed upon the ‘Theodoros Papagiannis’ collection of sculpture. The latter is hosted in the Museum of Contemporary Art of Helliniko, a village tucked within the Municipality of Northern Tzoumerka, Epirus, Greece. While the artist’s sculptures are also found in the Museum’s courtyard are they also admired along a walking trail that begins at the village’s entry point and ends at the Post-Byzantine Monastery of Tsouka. The research is carried out from the perspective of a walking trail’s cultural value. Our trail of interest joins two locations, the one being secular and the other sacred, thus defining an itinerary which unfolds along these two different attraction sites. As a result, the walker/traveler moves from one established location to the other, all the while objectifying the two and defining space under his/her own terms. He/She makes connections between both sites in order to restore the unity of space and thus becomes a travelling witness to the creation of a single narrative. He/She enjoys the privilege of the travelled route, as well as all that exists along this route.</p>


Buildings ◽  
2020 ◽  
Vol 10 (4) ◽  
pp. 73
Author(s):  
Ioannis Vardopoulos ◽  
Christos Stamopoulos ◽  
Georgios Chatzithanasis ◽  
Christos Michalakelis ◽  
Panagiota Giannouli ◽  
...  

This article, as part of the ‘SUMcity’ research program, aims to give a comprehensive account of the regeneration that occurred in Athens by the adaptive reuse of the old FIX Brewery to house the new Hellenic National Museum of Contemporary Art (EMST). Adaptive reuse is an urban sustainability development evolving process, used to manage assets and resources efficiently, resulting in economic development, increased local attraction, and revitalized community engagement. Other than that, modern societies experience the dynamic stream of social media and smart city initiatives, amid a long-discussed and complex cultural heritage preservation backdrop. Notwithstanding the value added to the city, the interaction of sustainable development with adaptive reuse projects, culture, tourism, social media use, and smart city initiatives, along with the impact of this intangible relationship, has yet to be set in a more tangible form. Methodologically, a newly developed conceptual framework is used in order to re-define the (cor)relations among the existent concepts of sustainable development, smart city and cultural heritage. Subsequently, a primary questionnaire-based research is conducted on Instagram users’ geotagging the Hellenic National Museum of Contemporary Art (EMST), analyzing their views in an attempt to demonstrate the arising local potential and sustainability.


2010 ◽  
pp. 459-460
Author(s):  
D Me_trovi_ ◽  
T Landeka

2021 ◽  
Vol 10 (77) ◽  

Traditional arts and professions are the carriers of our culture because they carry historical background. For this reason, traditional arts and professions and cultural heritage are easily transferred to future generations. While knife was a tool that facilitated human life in the early periods, it turned into an art in time. The art of knife and the techniques and methods used in this art have been used for many years in history. Today, there are many artists who want to prevent the art of knife from turning into a craft. They intend to take this art to an even more advanced level. In this study, we interviewed three artists as samples who dealt with knifemaking by addressing the art of knife in Düzce. Interviews and works with the artists are visualized in this work. Thus, what has been done about the art of knife in Düzce, which methods and techniques are applied have been revealed. Along with the previous methods applied to this art, traditional Turkish arts such as marbling, illumination and miniature were used as a surface decoration technique in the art of knife which is a branch of Turkish metal arts. The aim of the study is to show the path that knife art has taken from its historical background to the present day and to show the feasibility of new methods in this field and thus to indicate that knife art is open to development. It is believed that this work, in which interviews and images obtained are evaluated using a descriptive analysis, will contribute to literature related to traditional art and the art of knife. Keywords: Knife art, jewelry, metal art, cultural heritage, traditional art


Geosciences ◽  
2018 ◽  
Vol 8 (8) ◽  
pp. 305 ◽  
Author(s):  
Elena Sesana ◽  
Alexandre Gagnon ◽  
Chiara Bertolin ◽  
John Hughes

Changes in rainfall patterns, humidity, and temperature, as well as greater exposure to severe weather events, has led to the need for adapting cultural heritage to climate change. However, there is limited research accomplished to date on the process of adaptation of cultural heritage to climate change. This paper examines the perceptions of experts involved in the management and preservation of cultural heritage on adaptation to climate change risks. For this purpose, semi-structured interviews were conducted with experts from the UK, Italy, and Norway as well as a participatory workshop with stakeholders. The results indicate that the majority of interviewees believe that adaptation of cultural heritage to climate change is possible. Opportunities for, barriers to, and requirements for adapting cultural heritage to climate change, as perceived by the interviewees, provided a better understanding of what needs to be provided and prioritized for adaptation to take place and in its strategic planning. Knowledge of management methodologies incorporating climate change impacts by the interviewees together with best practice examples in adapting cultural heritage to climate change are also reported. Finally, the interviewees identified the determinant factors for the implementation of climate change adaptation. This paper highlights the need for more research on this topic and the identification and dissemination of practical solutions and tools for the incorporation of climate change adaptation in the preservation and management of cultural heritage.


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