Reviews : The Sáhitya-Darpana and the History of Sanskrit Poetics. BY P. V. KANE (3d ed.) Bombay, I95I. Pp. 433+64+345. 8°. Comparative Aesthetics BY K. C. PANDEY. Vol. I. Indian Aesthetics ('Chowkhamba Sanskrit Series', Studies, Vol II). Benares, I950. Pp. 486. 8°

Diogenes ◽  
1953 ◽  
Vol 1 (1) ◽  
pp. 127-130
Author(s):  
Louis Renou
1942 ◽  
Vol 10 (4) ◽  
pp. 1031-1049
Author(s):  
Betty Heimann

Author(s):  
Rembert Lutjeharms

This chapter introduces the main themes of the book—Kavikarṇapūra, theology, Sanskrit poetry, and Sanskrit poetics—and provides an overview of each chapter. It briefly highlights the importance of the practice of poetry for the Caitanya Vaiṣṇava tradition, places Kavikarṇapūra in the (political) history of sixteenth‐century Bengal and Orissa as well as sketches his place in the early developments of the Caitanya Vaiṣṇava tradition (a topic more fully explored in Chapter 1). The chapter also reflects more generally on the nature of both his poetry and poetics, and highlights the way Kavikarṇapūra has so far been studied in modern scholarship.


1961 ◽  
Vol 81 (4) ◽  
pp. 434
Author(s):  
M. B. Emeneau ◽  
Sushil Kumar De
Keyword(s):  

Religions ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 384
Author(s):  
Abhishek Ghosh

This article is about sahaja-jñāna, or ‘innate intuition’, as a form of Brahmo and Vaiṣṇava epistemology—a foundational invention within the development of modern Hinduism. I examine its nineteenth-century intellectual history in Bengal in the works of the Vaiṣṇava theologian Kedarnath Datta Bhaktivinoda (1838–1914) and trace it back to two of his contemporaries, Keshub Chandra Sen (1838–1884) and a senior leader of the Brahmo Samaj whom they both knew, Debendranath Tagore (1817–1905). This relatively understudied yet epistemologically significant term within modern Hinduism has its roots in the pre-colonial sahajiyā movements and bears a conceptual resemblance to the idea of pratibhā in ancient Indian aesthetics, philosophy, and grammar. The idea of sahaja is key among the sahajiyā Vaiṣṇavas, a so-called heterodox group that Western-educated, middle-class Bengali bhadraloks, including Bhaktivinoda, vehemently disassociated themselves from due to the social stigma attached to its sexo-yogic practices. Furthermore, I argue that Bhaktivinoda’s concept of sahaja-jñāna departs significantly from both sahajiyā and Brahmo versions of sahaja-jñāna and represents an innovation within the ambit of Vaiṣṇava Vedanta, which accepts verbal testimony (śabda or śāstra) as the only valid form of epistemology. In documenting the intellectual history of a significant idea, I contend that the bhadralok Bengali Vaiṣṇava leaders arrogate, desexualize, and Vedānticize a term as a form of experimentation during the construction of modern Hinduism.


2021 ◽  
pp. 37-44
Author(s):  
E. H. Rick Jarow

Chapter three surveys classical Indian literary theory and looks at how rasa (liquid meaning) became considered to be the goal of the literary work of art. The chapter considers a vision of the poetic work of art that is radically different from the models of private, silent reading that most Westerners have been brought up with. The text discusses how rasa is achieved through resonant suggestion, and how the meaning of a poem is understood in terms of its taste. The production of rasa is viewed through classical Indian aesthetics as well as though works of Western literary critics who have put forth resonant ideas. The Meghadūta is seen as an exemplary work in this regard.


Author(s):  
Prabha Shankar Dwivedi ◽  

This book can be seen as a response to a severe demand in the field of Indian poetics for an introductory book that provides an overview of all the seminal schools of Indian poetical thoughts, keeping in view both the theories and the theoreticians. This book, in the words of authors, is meant to be “An introduction to the world of Sanskrit poetics, explaining its major concepts lucidly for even those who do not know Sanskrit. It offers a comprehensive historical and conceptual overview of all the major schools in Sanskrit poetics…. It is meant to be a beginners’ guide to the awe-inspiring immensity of Sanskrit literature and literary thought, the first step in a journey that should ideally lead to the profundities of ancient thought.” (Chandran et al 2021, p. xii). The discussion in the book progresses with varied theoretical perspectives on Indian aesthetics in a well laid historico-conceptual order. Though the book briefly talks about Tamil poetics putting it parallel to Sanskrit poetics by comparing Tolk?ppiyam with N??ya??stra in the preface, it primarily serves to be an introductory handbook of Sanskrit poetics for the non-Sanskrit University students at various levels. This book succeeds in providing clearer idea of Indian poetical thoughts to its readers.


2021 ◽  
Vol 10 (1) ◽  
pp. 37-41
Author(s):  
T R Deepak

Indian literature has provided a platform for the writers to highlight the virtues of human civilization. The diversified attitude of people is emanated with the purpose of reviewing social, political and historical characteristics. Vikram Seth is one of the protuberant novelists of Indian literary consequence. He has exerted on the ideals of human virtues and principles in his colossal expression A Suitable Boy (1993). The novel deals with the post-independent groundswell of cultural India. He has interlaced the epitomes of society, politics and history bearing in mind the rootedness of common folk. The insight of the novel generates a kind of impulse among the bibliophiles with a sequence of queries and assumptions about the animation of social order. It also shed light on the identity, religious and national predicaments which are treated as inherent in India. The novel is an embodiment of satires perceived in the history of Indian humanity. It also embarks on the subjects of Indian National Politics till the period of first post-independent elections. The antagonism between Hindus and Muslims, workers and landlords, liberation of women and academic activities are interwoven in the literary output. Lata, the protagonist has been able to sustain the Indian aesthetics and illustrates the motivation in ascertaining her discrete aspiration. Love is the most important aspiration of human endurance, but it should not be the final optimal. An individual must be prepared to reform his choice and brand life as a meaningful one. Hence, the research paper makes an effort to demonstrate the Indian virtues in Vikram Seth’s A Suitable Boy within the modern context.


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