Maritime labour and economic opportunity: Shetlanders and the Dundee Arctic whaling trade during the late nineteenth century

2019 ◽  
Vol 31 (2) ◽  
pp. 347-368
Author(s):  
Matthew Ylitalo
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Environmental Factors ◽  
Social Economic ◽  
Economic Opportunity ◽  
Late Nineteenth Century ◽  
Shetland Islands ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Late Nineteenth

From the late eighteenth century until the early twentieth century, British Arctic whaling vessels called at the Shetland Islands to hire additional crew members. Whalers valued Shetlanders for their boat-handling expertise, and Shetlanders benefitted from earning cash wages. After 1872, local documentation on Shetlanders in Arctic whaling becomes scarcer. This article traces social, economic and environmental factors to contextualise Shetland’s involvement in Arctic whaling during its last decades. It draws information from British merchant marine crew agreements to identify prosopographical characteristics of Shetlanders joining the whalers, and it links this information to other Shetland sources to understand how whaling influenced Shetland’s society and economy. The article also demonstrates the value of using crew agreements to develop alternative perspectives of social, economic and labour histories across a multiscalar range of local, regional and transoceanic histories.

scholarly journals From Libidines nefandæ to sexual perversions

2020 ◽  
Vol 31 (4) ◽  
pp. 421-439 ◽  
Author(s):  
Diederik F Janssen
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Early Modern ◽  
Legal Medicine ◽  
Late Nineteenth Century ◽  
Early Nineteenth Century ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Late Nineteenth ◽  
Conceptual Evolution

A conceptual evolution is traceable from early modern classifications of libido nefanda (execrable lust) to early nineteenth-century allusions to ‘perversion of the sexual instinct’, via pluralizing notions of coitus nefandus/sodomiticus in Martin Schurig’s work, and of sodomia impropria in seventeenth- through late eighteenth-century legal medicine. Johann Valentin Müller’s early breakdown of various unnatural penchants seemingly inspired similar lists in works by Johann Christoph Fahner and Johann Josef Bernt, and ultimately Heinrich Kaan. This allows an ante-dating of the ‘specification of the perverted’ (Foucault) often located in the late nineteenth century, and appreciation of pygmalionism and necrophilia as instances of ‘perverted sexual instinct’. In this light, Kaan’s early psychopathia sexualis was less innovative and more ambivalent than previously thought.

scholarly journals Genealogies of “Verification”: Policing the Master–Servant Relationship in Colonial and Postcolonial India

2021 ◽  
pp. 1-33
Author(s):  
Nitin Sinha
Keyword(s):  
Eighteenth Century ◽  
Subsequent Development ◽  
Late Nineteenth Century ◽  
Domestic Servants ◽  
Colonial Legacy ◽  
Legal Provisions ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
Late Nineteenth

Abstract Police verification of domestic servants has become standard practice in many cities in contemporary India. However, the regularization of work, which brings domestic servants under protective labour laws, is still a work in progress. Examining a long timespan, this article shows how policing of the servant, through practices of identification and verification, came to be institutionalized. It looks at the history of registration within the larger mechanism of regulation that emerged for domestic servants in the late eighteenth century. However, the establishment of control over servants was not linear in its subsequent development; registration as a tool of control took on different meanings within the changing ecosystem of legal provisions. In the late eighteenth century, it was discussed as being directly embedded in the logic of master–servant regulation, a template that was borrowed from English law. In the late nineteenth century, it was increasingly seen as a proxy for formal means of regulation, although this viewpoint was not universally accepted. Charting this history of changing structures of inclusion and exclusion within the law, the article argues that overt policing of servants is a manifestation of the colonial legacy, in which the identity of the servant is fused with potential criminality.

Introduction

2013 ◽  
pp. 1-2
Author(s):  
Antony Polonsky
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Jewish Community ◽  
Jewish Population ◽  
Late Nineteenth Century ◽  
Secular Culture ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Late Nineteenth

This introductory chapter provides an overview of the Jewish population of Poland–Lithuania. During the years of its flourishing, it gave rise to a unique religious and secular culture in Hebrew and Yiddish and enjoyed an unprecedented degree of self-government. Even after the upheavals which marked the beginning of the downfall of the Polish–Lithuanian Commonwealth, the Jewish community continued to grow and even to recover some of its vitality. In the late eighteenth century these lands saw the birth and development of hasidism, an innovative revivalist movement, which was eventually to win the allegiance of a large proportion of the Jewish population and which remains very much alive in the Jewish world today. The partitions of Poland at the end of the eighteenth century and again in 1815 divided Polish Jewry between the tsarist, Habsburg, and Prussian states. In all these areas, and particularly in the Pale of Settlement, the late nineteenth century saw the appearance and increasing ascendancy of ethnic and national conceptions of Jewish self-identification, in particular Zionism and Jewish autonomism.

scholarly journals On the Changing Use of the Major and Minor Modes 1750–1900

2015 ◽  
Vol 21 (1) ◽  
Author(s):  
Katelyn Horn ◽  
David Huron
Keyword(s):  
Cluster Analysis ◽  
Eighteenth Century ◽  
Random Sample ◽  
Art Music ◽  
Late Nineteenth Century ◽  
Western Art ◽  
Minor Mode ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Late Nineteenth

Historical changes in the use of the major and minor modes are traced in Western art music for the period 1750–1900 using cluster analysis methods. The analysis focuses exclusively on the interrelationships between modality, dynamics, tempo, and articulation in a random sample of 750 notated works. The resulting clusters are consistent with several affective or expressive categories, deemedjoyful, regal, tender/lyrical, light/effervescent, serious, passionate, sneaky,andsad/relaxed. Changes across time are consistent with common intuitions regarding the shift from Classical to Romantic musical languages. Specifically, thelight/effervescentcategory which dominates the late eighteenth century shrinks dramatically by the late nineteenth century, whereas thetender/lyricalandsad/relaxedcategories increase. In general, use of the minor mode increases considerably over the 150-year period.

Matter, Form, Abstraction

2020 ◽  
pp. 145-202
Author(s):  
Jonah Siegel
Keyword(s):  
Eighteenth Century ◽  
Visual Arts ◽  
Henry James ◽  
George Eliot ◽  
Literary Texts ◽  
New Creation ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Late Nineteenth

This chapter addresses the constantly shifting forms that mediated audiences’ experiences of admired antiquities from the late eighteenth century to the late nineteenth. Literary texts and reproductive prints not only diffused knowledge of ancient art, but shaped new creation in literature and the visual arts, which in turn contributed to the establishment of new aesthetic norms. Through analyses of authors ranging from Lessing to Winckelmann, from Coleridge to Blake, from George Eliot to Henry James, and culminating with Ruskin and Pater, this chapter argues that the emergence of an ever-more abstract and formalist vision of antiquity was shaped by the ongoing shifts in the cultural presence of antique objects.

scholarly journals The urge to begin anew: Visions of America in some American long poems

Literator ◽  
1997 ◽  
Vol 18 (1) ◽  
pp. 93-110
Author(s):  
T. Ullyatt
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Leaves Of Grass ◽  
Philip Freneau ◽  
Late Eighteenth ◽  
Historical Importance ◽  
Basic Purpose ◽  
Late Nineteenth ◽  
Long Poems

The basic purpose of this article is to survey the visions of America embodied in a number of American long poems from different literary periods. Since there have been a considerable number of long poems written in America during its almost 350-year history, it has been necessary to make some stringent selections. The texts used here have been chosen for their literary-historical importance. Starting with Michael Wigglesworth's 1662 poem, The Day of Doom, the article proceeds to the work of Joel Barlow and, to a lesser extent, Philip Freneau from the late eighteenth and early nineteenth centuries before approaching Walt Whitman’s Leaves of Grass from the late nineteenth century, and Alien Ginsberg's poem. Howl, from the mid-twentieth century.

scholarly journals Fantasy Flowers and Mysterious Cities: Winter Carl Hansson and Dalecarlian Folk Art circa 1800

2011 ◽  
Vol 8 ◽  
pp. 169
Author(s):  
Barbro Klein
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Cultural Heritage ◽  
Folk Art ◽  
Profound Impact ◽  
Common Features ◽  
Late Eighteenth Century ◽  
Social Concerns ◽  
Late Eighteenth ◽  
The Many

During the late eighteenth century, folk art developed in new and intriguing ways in several Scandinavian regions. This essay concentrates on the developments around Lake Siljan in Dalarna, primarily as they were expressed by Winter Carl Hansson, one of the most accomplished of the artists. In his renditions of biblical topics such as the Workers in the Vineyard and the Descent from the Cross, one may observe a skilful blending of religious mystery and mundane life, as well as complex contrasts between floral arrangements and imposing cities. Through his remarkable ability to enhance common features of Dalecarlian folk art, this unschooled artist communicates striking powers of presence. Ultimately, the new artistic energies - in works by Winter Carl and others - must be understood in light of the influence of the many printed texts and images that were then available. Thus, to the extent that a general breakthrough into new cultural and social concerns took place during the late eighteenth century, this is true also of folk art. Furthermore, the folk art that was shaped at this time had a profound impact in the twentieth century, when it came to signify the most appealing aspects of Sweden's national cultural heritage.

Transcendental Thomisms

2016 ◽  
pp. 700-717
Author(s):  
Declan Marmion
Keyword(s):  
Eighteenth Century ◽  
Great Promise ◽  
Late Nineteenth Century ◽  
Karl Rahner ◽  
Catholic Theology ◽  
Faith And Reason ◽  
Late Eighteenth Century ◽  
Dynamic Vision ◽  
Late Nineteenth ◽  
The Relationship

This chapter locates those known as ‘trasncendental Thomists’ against the broad background, first, of the revival of Thomism in the late nineteenth century and, second, of debates concerning the relationship between faith and reason in Catholic circles since the late eighteenth century. The chapter then explores how Pierre Rousselot and Joseph Maréchal sought to bring Kant’s discussion of the intellect’s dynamism into conversation with Thomas’s philosophy. Karl Rahner was influenced by Maréchal’s work, but developed a far more comprehensive theological project. Lonergan’s own transcendental project focused on a dynamic vision of human knowing and thinking, trying to adapt Thomist thought to a more historicist philosophical context. These two theologians continue to offer great promise for the future of Catholic theology.

Universalizing Dignity in the Nineteenth Century

2017 ◽  
Author(s):  
Mika LaVaque-Manty
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Human Rights ◽  
United Nations ◽  
Human Dignity ◽  
Conceptual History ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
United Nations Declaration

This chapter traces some of the conceptual history from the late eighteenth century, when arguments about equal, intrinsic, and universal human dignity became politically important, to the mid-twentieth century, when the idea of universal human dignity was enshrined in the United Nations Declaration of Human Rights. The chapter argues that this universalization process primarily took place in the nineteenth century, in political controversies around gender, race, and labor. The chapter argues that a particular Christian conception about the dignity of labor, expressed by Pope Leo XII, helped cement the value of inherent human dignity while at the same time weakening its more radical political potential.

Closer Still: The Total Artwork

Lyric Cousins ◽  
2016 ◽  
Author(s):  
Fiona Sampson
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Richard Wagner ◽  
Interior Decoration ◽  
Late Eighteenth Century ◽  
The Arts ◽  
Late Eighteenth ◽  
The Future ◽  
Late Twentieth ◽  
Late Twentieth Century

This chapter considers the Gesamtkunstwerk, which English musicologists translate as ‘total artwork’. Richard Wagner had used the expression to characterise his operas, though he had only ever used the term in two essays, both published in 1849: ‘Art and Revolution’ and ‘The Artwork of the Future’. Moreover, the term did not originate from Wagner himself, and he did not even spell it in the conventional way. Since the late twentieth century ‘Gesamtkunstwerk’ has been applied to other artforms, particularly architecture, which like opera can unite a number of elements. (Architecture, for example, marries engineering, landscaping and interior decoration, among others.) But the term's origins are in the late eighteenth-century notion that all the arts could be unified in poetry.

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