scholarly journals From Libidines nefandæ to sexual perversions

2020 ◽  
Vol 31 (4) ◽  
pp. 421-439 ◽  
Author(s):  
Diederik F Janssen

A conceptual evolution is traceable from early modern classifications of libido nefanda (execrable lust) to early nineteenth-century allusions to ‘perversion of the sexual instinct’, via pluralizing notions of coitus nefandus/sodomiticus in Martin Schurig’s work, and of sodomia impropria in seventeenth- through late eighteenth-century legal medicine. Johann Valentin Müller’s early breakdown of various unnatural penchants seemingly inspired similar lists in works by Johann Christoph Fahner and Johann Josef Bernt, and ultimately Heinrich Kaan. This allows an ante-dating of the ‘specification of the perverted’ (Foucault) often located in the late nineteenth century, and appreciation of pygmalionism and necrophilia as instances of ‘perverted sexual instinct’. In this light, Kaan’s early psychopathia sexualis was less innovative and more ambivalent than previously thought.

Author(s):  
Antony Polonsky

This introductory chapter provides an overview of the Jewish population of Poland–Lithuania. During the years of its flourishing, it gave rise to a unique religious and secular culture in Hebrew and Yiddish and enjoyed an unprecedented degree of self-government. Even after the upheavals which marked the beginning of the downfall of the Polish–Lithuanian Commonwealth, the Jewish community continued to grow and even to recover some of its vitality. In the late eighteenth century these lands saw the birth and development of hasidism, an innovative revivalist movement, which was eventually to win the allegiance of a large proportion of the Jewish population and which remains very much alive in the Jewish world today. The partitions of Poland at the end of the eighteenth century and again in 1815 divided Polish Jewry between the tsarist, Habsburg, and Prussian states. In all these areas, and particularly in the Pale of Settlement, the late nineteenth century saw the appearance and increasing ascendancy of ethnic and national conceptions of Jewish self-identification, in particular Zionism and Jewish autonomism.


2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.


2019 ◽  
Vol 31 (2) ◽  
pp. 347-368
Author(s):  
Matthew Ylitalo

From the late eighteenth century until the early twentieth century, British Arctic whaling vessels called at the Shetland Islands to hire additional crew members. Whalers valued Shetlanders for their boat-handling expertise, and Shetlanders benefitted from earning cash wages. After 1872, local documentation on Shetlanders in Arctic whaling becomes scarcer. This article traces social, economic and environmental factors to contextualise Shetland’s involvement in Arctic whaling during its last decades. It draws information from British merchant marine crew agreements to identify prosopographical characteristics of Shetlanders joining the whalers, and it links this information to other Shetland sources to understand how whaling influenced Shetland’s society and economy. The article also demonstrates the value of using crew agreements to develop alternative perspectives of social, economic and labour histories across a multiscalar range of local, regional and transoceanic histories.


1996 ◽  
Vol 9 (4) ◽  
pp. 541-553
Author(s):  
Alexandre Métraux

Jean-Baptiste Lamarck (1744–1829) was a prolific writer, a multifaceted naturalist, and a zoologist by second profession. Throughout his adult life he lived up to his passion of politely contributing to the advancement of natural philosophy by publishing more than 30,000 pages, probably too much for even the most scrupulous (and persevering) historians of science who seek to reconstruct his theories and to shed some light on the role he played in late eighteenth-century and early nineteenth-century biology.


2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Maureen Perrie

This article is devoted to an Old Believer work about Peter the Great, known as A Compilation from Holy Scripture about the Antichrist, which was first published in 1861. Some scholars have suggested that the work dates back to Peter’s reign, when many traditionally minded Orthodox Christians regarded the tsar as the Antichrist. The author of this article argues, however, that the work dates from the early nineteenth century, and that the case it makes for Peter’s identity as Antichrist is based primarily on tales about the tsar which were published in the late eighteenth century. On the basis of anecdotes about Peter’s conception, for example, the author of the Compilation drew a comparison with the Annunciation, the Epiphany, and the Feast of the Circumcision, to demonstrate a sacrilegious parallel between Peter’s biography and that of Christ, which “proved” that Peter was the Antichrist. The Compilation also cites works which seem to blasphemously suggest that Peter was God incarnate, in order to argue that the tsar was the embodiment not of God, but of Satan. Finally, when one work praised Catherine the Great for representing “the spirit of Peter the Great”, the compiler concluded that the spirit of all subsequent Russian rulers was also the spirit of Peter, that is, the spirit of the Antichrist. This is an idiosyncratic version of the argument made in the late eighteenth century by Evfimii, the founder of the Old Believer sect of the beguny, that Peter had founded a dynasty of Antichrists, and that all “true Christians” should flee from his realm. The distinguished Russian scholars Viktor Zhivov and Boris Uspenskii have argued that the metaphorical sacralisation of the monarch, in secular eighteenth-century panegyrics, was interpreted literally by some Old Believers and contributed to their identification of Peter as the Antichrist. The author of this article suggests that a similar role was played by more popular works such as the collections of anecdotes which presented the tsar as a God-like figure.


Author(s):  
Andrew Smith

This chapter examines the relationship between late eighteenth- and early nineteenth-century gothic, the sensation fiction of the middle decades of the nineteenth century, fin-de-siècle gothic works and modernism. It argues that in the late nineteenth century a distinctive, but implicit, gothic aesthetic developed which was characterised by a concern with divided selves, fragmented narratives and science. It also shows that this aesthetic was distinguished by optimistic narratives about adaptability and the presence of a mystical or spiritual world.


Author(s):  
Louis E. Fenech

This chapter begins with a summary of the early- to mid-eighteenth-century historical context, which was marked by a decline in the power and authority of the Mughal court and the gradual rise of Sikh power in the Punjab. It then moves on to examine the formation of the Panj Piare construct in the context of the rise of various armed ascetic movements in the late eighteenth century, many of which competed for resources with the various Khalsa Sikhs of the period. It ends by examining the origin story of the Five Beloved in early-nineteenth-century Sikh texts such as Gur-panth Prakāś, Siṅgh Sāgar, and the Sūraj Prakāś.


Author(s):  
Nitin Sinha

Abstract Police verification of domestic servants has become standard practice in many cities in contemporary India. However, the regularization of work, which brings domestic servants under protective labour laws, is still a work in progress. Examining a long timespan, this article shows how policing of the servant, through practices of identification and verification, came to be institutionalized. It looks at the history of registration within the larger mechanism of regulation that emerged for domestic servants in the late eighteenth century. However, the establishment of control over servants was not linear in its subsequent development; registration as a tool of control took on different meanings within the changing ecosystem of legal provisions. In the late eighteenth century, it was discussed as being directly embedded in the logic of master–servant regulation, a template that was borrowed from English law. In the late nineteenth century, it was increasingly seen as a proxy for formal means of regulation, although this viewpoint was not universally accepted. Charting this history of changing structures of inclusion and exclusion within the law, the article argues that overt policing of servants is a manifestation of the colonial legacy, in which the identity of the servant is fused with potential criminality.


2020 ◽  
pp. 33-88
Author(s):  
Kamilla Elliott

Chapter 2 documents that, in contrast to more recent theories that have rendered adaptation a bad theoretical object, prior to the late eighteenth century, adaptation was theorized as a good theoretical object, fostering an innovative, progressive, national aesthetic culture and situating artists in a long lineage reaching back to classical Greece. Subsequently, late eighteenth-century Romantic theories of originality and theories of the arts as separate species militated against adaptation in the same way that theologies of original creation and scientific theories of separate species would militate against theories of biological adaptation in the late nineteenth century. Even so, some nineteenth-century theorists continued to valorize adaptation equivocally as a means of civilizing the lower classes and foreign cultures, even as its aesthetic deficiencies offended the higher ranked, fiercely nationalist arbiters of civilization and culture. Copyright laws, which did not apply when a work changed medium until the early twentieth century in Britain and other nations, intensified the opprobrium cast upon adaptation in a rhetoric of theft at home and piracy abroad. Even so, some critics maintained that adaptation is original when created by an original genius; others valorized intermedial adaptation in a pseudo-religious discourse of realization of the word made flesh; yet others pitted sister arts theories against theories of the arts as separate species that cannot mate to produce adaptation, although both militated against the reproductive, generative capacities of adaptation. These discourses were not limited to academics and reviewers, but extended to the adaptation industry.


Author(s):  
Peter Otto

Abstract The panorama is usually identified as the culmination, for the late eighteenth- and early nineteenth-century, of Enlightenment attempts to produce a “second-order reality in which to play with or practice upon the first order”. It is therefore aligned with the modern attempt to contain everything within a single view or picture. In contrast, this paper argues that in the late eighteenth- and early nineteenth-century the panorama and the hyper-realistic illusions it conjured, paradoxically relied on and at the same time intensified the late eighteenth-century sense that first and second order realities (the “physical environment in which one is really present” and the environments presented by material or textual media) had diverged to a degree that was unprecedented. This at first somewhat counter-intuitive phenomenon occurs not despite but because of the panorama’s ability to simulate the real. The hyper-realistic virtual realities of the early panorama intensified late eighteenth-century interest in the observation of observation; presented perception as an event that did not require the presence of its apparent object, thus radicalising the achievements of Trompe l’Oeil painting; drew attention to the figural space of representation; and provided new evidence for the constructed and contingent nature of the real. The paper takes as its key foci Caspar David Friedrich’s “The Wanderer above a sea of Mists” (1818), the Leicester Square Panorama (opened 1793), and Barker’s panorama of London (1791 and 1795).


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