scholarly journals A matter of presence: A qualitative study on teaching individual and collective music classes

2018 ◽  
Vol 24 (3) ◽  
pp. 356-376 ◽  
Author(s):  
Andrea Schiavio ◽  
Michele Biasutti ◽  
Dylan van der Schyff ◽  
Richard Parncutt

In the current study, 11 expert music teachers were asked to reflect on their own practice and compare their experience of individual and collective teaching settings. Adopting an approach based on grounded theory, two interrelated themes were identified in the raw data: teaching issues and professional development. In both categories, the notion of ‘presence’ emerged as a defining feature of the comparison. Teachers reported to be less present in collective settings, whereas one would expect that the higher (cognitive, teaching, etc.) demands associated with more learners would result in teachers being instead more involved in the unfolding dynamics of the lesson. Inspired by the conceptual tools offered by the Extended Mind (ExM) approach, we suggest that in collective settings teachers feel less present because they can offload the cognitive role of ‘teacher’ onto the learners, giving rise to a hybrid extended system that fosters a shared sense of responsibility, where pedagogical dynamics are functionally distributed across the whole group. In reporting excepts from music teachers, and adopting a novel perspective to frame our discussion, our research may contribute to existing literature in (collective) music pedagogy.

2003 ◽  
Vol 51 (4) ◽  
pp. 289-301 ◽  
Author(s):  
William I. Bauer ◽  
Sam Reese ◽  
Peter A. McAllister

The purpose of this study was to determine if 1-week technology workshops can be an effective means for the professional development of music teachers in using technology for instruction. The results indicate that three indicators of effectiveness—teacher knowledge, teacher comfort, and frequency of teacher use—can he significantly improved in these settings. Participants ( N = 63) were music teachers enrolled in summer music technology workshops. At the beginning of the workshops, participants completed a questionnaire designed to provide demographic information and assess their knowledge of music technology, degree of comfort with music technology, and the frequency with which they used music technology in their teaching. Following an intensive weeklong workshop dealing with strategies for teaching music to K—12 students using music technology, participants completed a second questionnaire that was parallel to the first. Participants completed another similar questionnaire 9 to 10 months after the workshop. Significant differences were found between the pre-and. postworkshop questionnaires, between the preworkshop and follow-up questionnaires, and, between the postworkshop and follow-up questionnaires in all three areas. There was also a moderate correlation ( r = .43, p = .00) between participants' frequency of technological use and the degree to which they reported their access to technological resources.


2017 ◽  
Vol 23 (2) ◽  
pp. 231-249 ◽  
Author(s):  
Lilian Lima Simones

A framework for studying teachers’ hand gestures in instrumental music pedagogy is proposed, focusing on teachers’ teaching behaviours as a context-dependent basis for understanding the meaning and functionality of their gestures. The application of the Teacher Behaviour and Gesture framework across instrumental music pedagogical settings (one-to-one, small and large teaching groups and across singing, woodwind, brass, strings, and other pedagogical contexts) will bring understandings on the role of teachers’ gestures in their pedagogical interactions with students, with implications for student learning and instrumental music teachers’ teaching and education.


Author(s):  
Natalie B. Milman ◽  
Clare R. Kilbane

This paper reports the findings of a qualitative study examining the role of digital teaching portfolios in teachers’ professional development and classroom practice. The participants, all teachers, took part in a formal course in which they develop a digital teaching portfolio. The findings suggest that the processes involved in creating digital teaching portfolios fostered their authentic professional development, and were a catalyst for their ongoing professional development. Furthermore, engagement in creating a portfolio was instrumental in these teachers’ self-discovery and learning.


Author(s):  
Elizabeth Chase

This paper shares the process of an enhanced member check in a qualitative study about the schooling experiences of teenage mothers. The process of co-creating a participant narrative is presented as an alternative to traditional methods of member checking and data analysis. In the collaborative process presented in this article, the researcher and participant worked together to develop interpretations of interview data and to collaborate on a final narrative. The author developed a member checking process that included iterative rounds of collaboration in the liminal space between raw data and final narrative. This paper provides an example of evaluating and augmenting the role of the participant in the process of inquiry. This process offers possibilities for enhanced member checks that interrupt the traditional power dynamics in participant-researcher relationships. This paper ends with an exploration of issues of power that arose in the researcher-participant relationship and an examination of how alternative forms of member checks can provide room for new understandings of participant experiences.


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