‘Are You a Good Female Citizen?’: Media Discourses on Self-Governing Represented in Popular Korean Weight-Loss Reality TV Shows

2018 ◽  
Vol 24 (2) ◽  
pp. 154-166
Author(s):  
Yoonso Choi

Based on Foucault’s work on governmentality, the purpose of this study is to examine the socio-cultural influences of media discourses that have been reproduced and spread in Korea’s neo-liberal society through weight-loss reality TV shows. After neo-liberalism was established as a political ideology in Korea, weight-loss reality programs, which contain significant neo-liberal characteristics, have risen in popularity among ordinary Korean women. The popularity of female-oriented pop media culture has generated the idea of self-body care that now plays a powerful role in efficiently reproducing good female citizens who are able to be governed at a distance. This study particularly focuses on analyzing significant media discourse that tends to prompt ordinary girls and women into donning the role of a neo-liberal subject by taking care of their bodies. The major points include (1) producing a feminized, skinny body, rather than a healthy body; (2) defining clear boundaries between the normal and abnormal body by clothing size; (3) re-generating dominant female body discourse by a group of lifestyle designers; and (4) labeling female bodies that have failed in body-care. In conclusion, the study emphasizes significant cultural influences of the diet reality shows that operate as a cultural medium to efficiently produce a neo-liberal body.

2018 ◽  
Vol 54 (8) ◽  
pp. 1005-1019
Author(s):  
Yoonso Choi

This study examines gender politics from a feminist perspective by analysing significant discourses on body care, which are regenerated through female-targeted Korean weight-loss reality television shows. Three key discourses have implicitly reinforced gender politics within Korean culture. First, weight-loss reality television shows tend to expand the abnormal category of the Korean female body by only focusing on ordinary females, regardless of body size. Second, Korean female body care has been affected by the idea of ‘saving face’, which is regarded as a unique historical national characteristic. Lastly, these diet television shows create a significant discourse called ‘diet pornography’ by emphasizing ‘after’ diet results, such as toned and idealized body shapes, while minimizing the ‘before’ diet, such as the harsh processes and desperate efforts of the ordinary participants. The body-care discourses represented in Korean weight-loss reality television shows play a significant role in defining the gender politics that reinforce the idea that Korean females must modify their bodies as a duty and good habit.


2015 ◽  
Vol 20 (6) ◽  
pp. 639-646 ◽  
Author(s):  
Lori A. Klos ◽  
Christy Greenleaf ◽  
Natalie Paly ◽  
Molly M. Kessler ◽  
Colby G. Shoemaker ◽  
...  

2021 ◽  
Vol 2 (2) ◽  
pp. 40-46
Author(s):  
Oloo Oloo

In recent years, the Chinese media has grown vastly with the country’s interest in the investment in the developing countries. As the relationship with these countries become, so as the influence of Chinese culture towards the nations through the ever-growing Chinese media. Since the implementation of significant projects in Africa, Caribbean and Asia countries by Chinese government, the Chinese media have been characterized in localizing their TV contents to compete with the host countries and stretching their sense of soft power to these nations. Although they have faced significant challenges in terms of cultural difference, and technological development, the Chinese reality TV shows have continued to be part of the regular host countries' TV program diet while facing fierce standpoint from the initial global dominant media in these markets. This paper analyses these trends in focus on the Chinese reality TV shows that have hit the host countries' market as well as the motivation of their evolution. The article traces the extent of these strategies to be leveraged by states to balance their local production and foster cordial relation with China in a context of edutainment. It is imperative to analyze the development of this crucial phenomenon in the ontological perspective of the internationalization and marketization of products. The article addresses these issues by drawing attention from different players in this conspicuous field.


SURG Journal ◽  
2014 ◽  
Vol 7 (3) ◽  
pp. 5-14
Author(s):  
Sarah McGuire

This article uses key terms and concepts from Television Studies to “close read” the reality TV show Duck Dynasty in its visual form. This article questions not only how Duck Dynasty represents rednecks, but also how the representation of the “redneck” is understood by the TV audience. It explores the success of Duck Dynasty as a reality TV show and argues that it redeems “rednecks” from Hollywood’s previous portrayals of the overly caricatured redneck stereotype. The Robertsons have the ability to convey truth – even if it is through a partially fake/mediated realm – and what they actually represent is a more subdued, modern form of redneck identity in comparison to classic Hollywood depictions. However, viewers cannot trust reality TV to wholly or singularly inform how they understand other social groups despite how “real” reality may appear on reality TV shows. Instead of viewing the redneck jokes and portrayal on reality TV as offensive, Duck Dynasty’s jokes and portrayals can be powerful tools for exposing the absurdity of the stereotypes previously perpetuated by Hollywood and can help subvert them. Keywords: Duck Dynasty; Duck Commander; Buck Commander; Robertson; redneck (representations of); reality TV; television studies; hillbilly; Southern culture; stereotypes; sitcom; American dream; American television


Kultura ◽  
2020 ◽  
pp. 170-192
Author(s):  
Goran Gavrić
Keyword(s):  

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