scholarly journals The Santiago de Compostela Pilgrim Routes: The Development of European Cultural Heritage Policy and Practice from a Critical Perspective

2010 ◽  
Vol 13 (1) ◽  
pp. 89-116 ◽  
Author(s):  
Sven Grabow
Keyword(s):  
Cultural Heritage ◽  
Historical Context ◽  
Critical Examination ◽  
Critical Perspective ◽  
Policy And Practice ◽  
Santiago De Compostela ◽  
Specific Implementation ◽  
Cultural Routes ◽  
Heritage Policy

Using the case study of the Council of Europe's European Cultural Routes Project, this article examines if and how far supra-national rhetorics of cultural openness, inclusivity, and diversity become reality in terms of actual cultural heritage projects. Against this background, it conducts a critical examination of what is considered one of the flagships of European supranational cultural heritage projects, the Council of Europe's Santiago de Compostela Pilgrim Routes. It focuses on the specific implementation of the Council of Europe's supra-national message of cultural heritage in this project and in its accompanying guidebook. By placing the project in its historical context and comparing it to later additions to the European Cultural Routes Project, this article reflects on the development of a pan-European cultural identity paradigm over the last two decades.

scholarly journals Distribution and Integration of Military Settlements’ Cultural Heritage in the Large Pass City of the Great Wall in the Ming Dynasty: A Case Study of Juyong Pass Defense Area

2021 ◽  
Vol 13 (13) ◽  
pp. 7166
Author(s):  
Yukun Zhang ◽  
Songyang Li ◽  
Lifeng Tan ◽  
Jiayin Zhou
Keyword(s):  
Cultural Heritage ◽  
Ming Dynasty ◽  
Conservation Strategy ◽  
Defense System ◽  
Current Conservation ◽  
North West ◽  
Cultural Routes ◽  
Great Wall ◽  
The Ming Dynasty

The Great Wall of China is more than a wall: it is an extensive cultural route. Pass cities, which are usually large defensive fortresses overseeing an entire fortified area, are an essential part of this heritage and are at the core of the Great Wall’s defense system. Juyong Pass was the closest Pass city to Beijing during the Ming Dynasty when the Great Wall reached its peak. It consisted of five regions—south, east, north, west, and central—that form three fortification levels: core castle, Bao city, and End facility. Based on the Juyong defense area military settlements database, this paper applied spatial analysis methods and found that more than half of the military’s resources for the whole defense area were focused on the western part of the wall, which formed another military core alongside Juyong Pass city. However, the current conservation strategy only focuses on Juyong Pass itself, neglecting the settlements in the western part, thereby destroying the integrity of the Great Wall’s heritage. By clarifying the distribution of cultural heritage in this area, we hope to encourage the preservation of many fortifications according to their authentic historical sphere of control and provide a reference for the sustainable integration of resources along the significant cultural routes of the Great Wall.

Intangible Cultural Heritage in a Modernizing Bhutan: The Question of Remaining Viable and Dynamic

2011 ◽  
Vol 18 (2) ◽  
pp. 179-200 ◽  
Author(s):  
Emma Lees
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Intangible Cultural Heritage ◽  
Policy And Practice ◽  
Gross National Happiness ◽  
The People ◽  
Cultural Isolation ◽  
Cloth Production ◽  
History Of

AbstractThis article considers the measures being taken in Bhutan to support the cultural practices and traditions of weaving as Bhutan rapidly moves to modernize. Woven cloth is one of a number of artisan practices in Bhutan that contribute to a unique body of intangible cultural heritage, and a distinctive and instantly recognizable Bhutanese identity. Cloth and cloth production have come to have significant influence on the cultural, socioeconomic and political, as well as the ceremonial and religious life of the people of Bhutan. However with modernization and an increasingly global outlook, many socioeconomic transformations are taking place, challenging traditional cultural practices to remain relevant and viable to younger generations. Bhutan offers a unique case study as a country engaging only relatively recently with globalization after a long history of cultural isolation. Bhutan also offers up a unique policy response to modernization, its Gross National Happiness (GNH) measure, which attempts to embody a strong social, cultural, and environmental imperative within the development process. This article will analyze the various measures taking place to maintain cultural identity and cultural practices within the context of development policy and practice, and will link this discussion to measures and approaches taking place at an international level by agencies such as UNESCO.

scholarly journals INFORMATIVE MODELS OF CULTURAL HERITAGE. THE “UNFINISHED” CHURCH OF BRENDOLA.

2021 ◽  
Author(s):  
Emanuela Sorbo ◽  
Gianluca Spironelli
Keyword(s):  
Cultural Heritage ◽  
Building Materials ◽  
Historical Context ◽  
Open Data ◽  
Point Of View ◽  
Data Repository ◽  
Research Activity ◽  
Research Activities ◽  
Landscape Heritage

The paper is an initial form of dissemination of the research activities carried out by the IUAV University of Venice working group which, on behalf of the Municipal administration of Brendola, seeks to delineate the application of a methodology for the study and analysis of the architectural and landscape heritage of significant cultural interest that is in a state of abandonment. The case study application is the church of San Michele Arcangelo in Brendola (Vicenza), known as the “Incompiuta” (“Unfinished”). The case study proposed is an interesting exemplar of ecclesiastical architecture, designed by engineer-architect Fausto Franco, in which its characteristics of being unfinished and in a state of ruin contribute to redefining the image of a work that fits in a historical context of architectural and technical experimentation, where the reference to historical architecture is mediated by contemporary forms and by the use of modern building materials, among which, the use of reinforced bricks is noteworthy. The research activity, which is taking place in the context of the COVID-19 health emergency, aims at putting a series of strategies and operational practices based on the digitisation of data to the test, so as to allow increased interoperability and sharing through the building of an online open data repository addressed to the actors involved in the conservation process and to the community. In the processes of conservation and valorisation, in-depth knowledge and documentation of the materials and construction techniques involves multidisciplinary areas; effectively organising them in a system that regulates their collection, cataloguing, processing and archiving according to shared procedures, therefore becomes a fundamental prerequisite for the development of operational planning of the valorisation strategies. All the instruments that make it possible to collect data and reach a true knowledge of the object therefore become indispensable. From this point of view, the push towards the digitisation of the data that emerged during the pandemic phase plays a fundamental role in the range of application possibilities, from the survey to the mechanisms for the conservation and management of the cultural heritage.

scholarly journals «Historia är något som konstrueras, det här är ett val» – om kritisk granskning i danshistorieundervisning

2020 ◽  
Vol 11 (2) ◽  
pp. 20-29
Author(s):  
Saga Samuelson
Keyword(s):  
Secondary School ◽  
Historical Context ◽  
Critical Examination ◽  
General Knowledge ◽  
Upper Secondary School ◽  
Critical Perspective ◽  
Dance History ◽  
Upper Secondary ◽  
Critical Perspectives

Abstract This article examines and discusses how teachers at upper secondary school relate to teaching dance history within the course Dance Theory, focusing on the aim that students critically examine various dance history writings. The study uses interviews and open-ended questionnaires, and the material has been analysed qualitatively and discussed in relation to historiographical and norm-critical perspectives. The study shows that a historiographic perspective is important to teachers when they describe their teaching but less important when describing what they think students should gain from their studies. Instead, a general knowledge of dance history and an ability to connect one’s dancing to a historical context are central. The norm-critical perspective is manifested mainly in the teachers’ positioning of themselves, but as I understand it, the critical examination primarily lies within the norm rather than providing a means of looking outside the Western box. The next challenge is therefore to not only review the conditions in which history is created but also question and change the structures that create knowledge.

scholarly journals The Role of Trust in Sustainable Heritage Management Networks. Case Study of Selected Cultural Routes in Poland

2019 ◽  
Vol 11 (10) ◽  
pp. 2844 ◽  
Author(s):  
Ewa Bogacz-Wojtanowska ◽  
Anna Góral ◽  
Marek Bugdol
Keyword(s):  
Cultural Heritage ◽  
Research Problem ◽  
Heritage Management ◽  
The Novel ◽  
Active Involvement ◽  
Mutual Relations ◽  
Cultural Routes ◽  
Original Concept

Currently, the most common way of managing cultural heritage in a sustainable manner takes the form of cultural routes. The phenomenon of cultural routes mainly results from their innovative organisation, different from the previously adopted institutionalised and formalised heritage management structure that did not align with the contemporary discourse around cultural heritage, which currently constitutes one of the bases of sustainable development. The novel idea focuses on the active involvement of many diverse entities in heritage management: not only public sector organisations with their statutory appointment for this purpose, but, first and foremost, entrepreneurs who create heritage products, tourists visiting sites on the route, or people who create this heritage. Thus, the cultural route acquires the characteristics of a network-points (nodes) that are shaped depending on the needs of the region and its inhabitants, their knowledge, experience, current ideas about a given place, and the way in which specific communities would like to be perceived. The undertaken research problem explores what features cultural route networks have and how they are managed, as well as what values, including trust, are manifested in the mutual relations of route-related entities. An original concept of shaping trust within the network of cultural routes has also been proposed based on the research results.

scholarly journals The American Folklore Society-China Folklore Society Folklore and Intangible Cultural Heritage Project, 2013-2016

2019 ◽  
Vol 13 (1) ◽  
pp. 59-68 ◽  
Author(s):  
C. Kurt Dewhurst ◽  
Timothy Lloyd
Keyword(s):  
Cultural Heritage ◽  
Southwest China ◽  
The United States ◽  
Lessons Learned ◽  
Intangible Cultural Heritage ◽  
Second Phase ◽  
Policy And Practice ◽  
American Folklore ◽  
Henry Luce ◽  
Heritage Policy

Emphasizing its museum-focused sub-project, this report describes the second phase of the China-US Folklore and Intangible Cultural Heritage Project (2013-2016). Supported by the Henry Luce Foundation, the larger project links these two national scholarly societies in a program of professional exchanges, scholarly meetings, and joint inquiry around issues of intangible cultural heritage policy and practice. The museum sub-project has included joint exhibition development work, travel to local communities in the United States and in Southwest China, and other collaborative initiatives. This report describes the project's history, funding, outcomes, and some lessons learned.

The Smithsonian Folklife Festival and Cultural Heritage Policy in Colombia: A Case Study

2014 ◽  
Vol 57 (4) ◽  
pp. 423-436
Author(s):  
Olivia Cadaval ◽  
Cristina Diaz-Carrera
Keyword(s):  
Cultural Heritage ◽  
Heritage Policy

scholarly journals New structure in the historical context case study: contemporary shopping mall in the historic center of Prizren

2020 ◽  
Vol 15 (1) ◽  
pp. 233-240
Author(s):  
Besa Jagxhiu
Keyword(s):  
Cultural Heritage ◽  
Historical Context ◽  
The Other ◽  
Shopping Mall ◽  
Historic Center ◽  
Economic Needs ◽  
Contemporary Architecture ◽  
The City

Abstract The historic centers to retain their liveliness and vibrancy should be able to grow and change. It is a big challenge for the contemporary architecture to balance the socio-economic needs of the city and its community in one hand, and protection of the cultural heritage on the other. The aim of this study is to analyze the incorporation of the new structures in the historical context. How can the new structures harmoniously be incorporated in the historic centers without endangering their cultural heritage values? The paper discusses how to design a new contemporary shopping mall in the Historic Center of Prizren in order to create an attractive area and at the same time avoiding deterioration of the historical place.

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