Arts-based health research and academic legitimacy: transcending hegemonic conventions

2016 ◽  
Vol 16 (6) ◽  
pp. 681-700 ◽  
Author(s):  
Katherine M Boydell ◽  
Michael Hodgins ◽  
Brenda M Gladstone ◽  
Elaine Stasiulis ◽  
Geroge Belliveau ◽  
...  

Using the Canadian context as a case study, the research reported here focuses on in-depth qualitative interviews with 36 researchers, artists and trainees engaged in ‘doing’ arts-based health research (ABHR). We begin to address the gap in ABHR knowledge by engaging in a critical inquiry regarding the issues, challenges and benefits of ABHR methodologies. Specifically, this paper focuses on the tensions experienced regarding academic legitimacy and the use of the arts in producing and disseminating research. Four central areas of tension associated with academic legitimacy are described: balancing structure versus openness and flexibility; academic obligations of truth and accuracy; resisting typical notions of what counts in academia; and expectations vis-à-vis measuring the impact of ABHR. We argue for the need to reconsider what counts as knowledge and to reconceptualize notions of evaluation and rigor in order to effectively support the effective production and dissemination of ABHR.

2021 ◽  
Author(s):  
Miranda Feasey

This Major Research Paper investigates Street Voices Magazine as an instrument and communications tool to engage and empower street youth in Toronto. The following questions guided my study: What are the ways in which Street Voices Magazine gives voice to the marginalized and silenced? Why is Street Voices Magazine an appropriate medium for connecting with street youth? A mixed-method approach was used to analyze the texts and images in three issues of the magazine to determine the effectiveness of the print medium, what these texts and images suggest about the motivations of the contributors, and whether the magazine meets its objective of serving street youth. The study suggests that the transformative potential of the arts, the role of the magazine in fostering in the contributors the identity of an artist, and the lack of other spaces for expression are significant themes that underpin Street Voices Magazine’s appeal and effectiveness. The study also leads to suggestions for further research, which could improve an understanding of this diverse demographic and confirm the impact of Street Voices Magazine.


2013 ◽  
Vol 16 (3) ◽  
pp. 50-64
Author(s):  
Anna Heyman

This article draws on in-depth qualitative interviews with ten practitioners who specialise in working with young carers, to examine how members of the emerging profession of ‘young carers’ worker’ view their partnerships with social services. It focuses particularly on one case study area (Town Z), where partnerships between social services and the voluntary sector around young carers were relatively highly developed. It explores the practitioners’ comments about the impact of their organisations’ partnerships with social services on their work. This is done in the context of their conceptualisations of care and family relationships. In particular, the themes of identifying young carers and working with the family as a whole are discussed, and young carers’ workers views are compared to the conceptualisations that come across in literature from both disability studies and social work perspectives. It is concluded that young carers’ workers conceptualisations of care and disability do differ markedly from the perspectives that appear to dominate both social work theory and practice, and that this impacting on how the former view their partnerships with the latter.


INVENSI ◽  
2017 ◽  
Vol 1 (1) ◽  
pp. 109-127
Author(s):  
Octalyna Puspa Wardany

The implementation acceleration of ASEAN Economic Community from 2020 to be 2015 is not only impacted on economic and politic. It also brings the impact on the freedom of cultural flow. This situation then need the method and tool to creating arts which enable the artists and the actors in arts to works in other countries or places within ASEAN scope which material is the community reality as fusion form between social and cultural (in this term is arts) and also possible with other fields. Through this paper, the researcher would like to propose a method of creating artworks that is the art project which reveals the reality in community as an effort to contribute in advance and develop Indonesia arts world and unearth the arts in terms of ideas of working, creating process, and artworks. This research method is case study of Tentang Hutan Art Project of gerimisUngu Production by reference review, field research and empirical experience, observation, and interview. Based on this case, it found that (1) The Art Project is a method of creating artworks which based on currently reality in the community that is already examined using scientific research; (2) The Art Project is able to be implemented at any location, including MEA context and for any type of arts; (3) The Art Project is enable arts including their artworks become unity with the live; (4) The Art Project does not abandon the aesthetic values as the content of the artworks.


2020 ◽  
Vol 15 (1) ◽  
pp. 119-132
Author(s):  
Sharon Yeung ◽  
Heather Castleden ◽  
Pictou Landing First Nation

With over three decades of attention drawn to the health of Indigenous peoples in Canada and around the world, an outpouring of health research has been undertaken, much of which has emphasized the experience of disparity at the expense of recognizing strengths. In this case study, we challenge the damage-centred rhetoric of mainstream health research by reporting the findings of 20 qualitative interviews on community strength and health with members of Pictou Landing First Nation, a Mi’kmaw nation located in Nova Scotia, Canada. We then relate and compare these findings with the emerging conceptualization of Indigenous social capital, which is a concept that has been associated with positive health outcomes in a variety of contexts. Our findings indicate that Pictou Landing First Nation is strengthened by qualities of familiarity, reciprocity, safety, and solidarity, which are rooted in the value of family and embedded within a broader Mi’kmaw worldview. The nature of these strengths aligns in part with the concept of Indigenous social capital, which we suggest may be better harnessed to be a means for conducting strengths-based health research. To this end, our findings support the need for reworking social capital conceptualizations to more strongly centralize cultural identities and worldviews in order to authentically and comprehensively affirm Indigenous and decolonizing health research practices.


2021 ◽  
Author(s):  
Natalia Markman

This study analyzed the impact of multiple immigration experiences in childhood on ethnic self-identity of a group of immigrants who were born in Former Soviet Union states, who immigrated to Israel in childhood and immigrated to Canada as teenagers. The research question was: “What is the ethnic self-identity of Russian-speaking Canadian immigrants born in FSU countries who also lived in Israel and what contributes to it? Qualitative interviews with 8 participants were conducted and analyzed. Results showed that the majority of participants have mixed identities (often with strong connection to their FSU country of origin) developed due to the factors such as their immigration experiences, influence of their family, peer-groups and both negative (i.e. bullying) and positive experiences within the neighborhoods in which they resided. Few participants chose a single ethnic identity. Length of time residing in Israel seemed to matter in whether Israeli was part of their identity.


2017 ◽  
Vol 20 (4) ◽  
pp. 164-174 ◽  
Author(s):  
Dana Davis ◽  
Mary Hawk ◽  
Dana Winkler

Purpose Eliciting client narratives and creating community-informed interventions have been effective methods of engaging those who are unstably housed in care. Previous studies have shown that these approaches foster client empowerment and provide insight as to the importance of creating community-driven solutions. However, few studies report the impact of these methods on homeless people living with HIV. The purpose of this paper is to describe methods used to engage consumers in sharing their stories, including formative focus groups, qualitative interviews, and feedback from peer staff. Design/methodology/approach Data for the case study were derived from program notes, board minutes, and feedback from founding board members of The Open Door. Two researchers who were involved with the program from its inception reviewed these data and then developed a schematic of the methods used to develop and inform the program itself. The authors determined that three methods were used to elicit client and community narratives to inform program decisions. These include a formative focus group that helped to structure and implement the program in its earliest stages; qualitative interviews, which helped to pinpoint effective program components and enabled the rapid expansion of the service delivery model; and feedback from peer staff, which has consistently allowed for the refinement and prioritization of services. Data were collected for the purposes of program development and improvement but since qualitative interviews were conducted by faculty affiliated with an academic institution, the institutional review board of that institution was consulted and the qualitative interviews were determined to be exempt from review. Findings The focus group informed the authors that they wanted to live in their own apartments but have on-site supports. They also indicated that traditional housing program rules such as abstinence were too restrictive for them to navigate. In the qualitative interviews, the clients reported an increased sense of community with peers and peer staff members, which helped to reduce stigma. Second, residents reported that supportive services helped them to connect to and maintain in HIV clinical care. Third, residents reported that the representative payee services were a key factor in helping them improve housing and financial stability. Research limitations/implications There are a number of limitations to this case study that demand the need for caution in interpreting results. Although the authors used several different methods to elicit client narratives and community feedback, sample sizes were small, control groups were not utilized, and data were specific to individuals receiving services through one housing program. Thus, results are not generalizable. In addition, the methods reported herein mix those conducted for the purposes of research (in-depth qualitative interviews) with others conducted specifically to inform program delivery and improvement (focus group and peer staff feedback). Thus, rigor is not equally applied across all methods. In addition, the individuals conducting research and authoring this paper were directly involved with the creation of the program and ongoing service delivery. Therefore, interviewer and reporting bias also present threats to validity. Practical implications There are many strengths involved in utilizing the narrative feedback of the residents and peer staff to inform the practice. One is that this method is an incredibly cost-efficient way to assess client and program needs to inform intervention development and improvement. The results are also very transparent and easily translatable to the agency’s everyday work. These methods are practical in both their approach to clients and their ability to be easily incorporated into the daily work of clients and staff. These methods allow for rapid application as results are immediate and feedback can be implemented quickly. Social implications When seeking client and staff feedback, it is important to be cognizant of believing the client and recognizing that all people have their own personal perspectives, including their own version of the “truth.” Eliciting this type of feedback puts individuals in a vulnerable place, so it is critical to guarantee their safety. All information solicited must be regarded in a positive light to inform improved service delivery and not as a means to receive information that “tells on” clients or peer staff. Feedback should be reviewed as an opportunity for learning and not as a mechanism for retaliation. Originality/value The clients and staff have been significantly marginalized in the society. It is possible that having providers be kind and respectful to them and asking for their opinions is a very new experience which might make them feel grateful and more likely to be favorable in their responses. Clients may feel loyal to the program and be much more likely to speak of it positively. Regardless of these potential biases, the quantitative results of improved health outcomes published elsewhere indicate that the clients may not just be being nice, but may in fact be receiving interventions that are working.


2016 ◽  
Vol 23 (1) ◽  
pp. 85-96 ◽  
Author(s):  
Ian Fillis ◽  
Kim Lehman ◽  
Morgan P Miles

Entrepreneurial marketing is used to understand new venture creation in the vacation tourism sector through a case study of private art museum in Tasmania that has become a tourist destination of major international significance. The Museum of Old and New Art (MONA) has emerged as a major driver of tourism in the region. Interrogation of the arts and cultural tourism literature sets up a key research proposition – in arts and cultural tourism, the unique artistic tastes of the entrepreneur often trump customer needs and preferences by shaping the visitor’s experience through creative artistic innovation. The findings support our proposition, with additional grounding through the impact of the owner/manager and associated entrepreneurial marketing and effectuation impacts.


2006 ◽  
Vol 31 (1) ◽  
Author(s):  
Sharon Fernandez

Abstract: Desh Pardesh was a Toronto-based arts festival that strove to bring forward the voices of those who are most silenced inside the South Asian community and society at large: gays, lesbians, bisexuals and trans-gendered people. This article tells the story of Desh and discusses the impact of the organization/festival through a focus on three themes: the building of alliances to foster community resistance through the arts, the link between cultural and civic participation, and the notion of “home away from home” belonging. In putting together this case study the author draws on mainstream and ‘alternative’ print media sources, post-colonial theory, her own experience and solicited observations from individuals closely involved with Desh Pardesh throughout its 13-year existence. Resume: Desh Pardesh est un festival des arts, situé à Toronto, dont le but était de donner une voix aux membres de la communauté de l’Asie du Sud et du grand public qui sont particulièrement aphones : c’est-à-dire les personnes gaies, lesbiennes, bisexuelles et transgenres. Cet article raconte l’histoire de Desh et analyse l’impacte qu’ont eu l’organisation et le festival, en se concentrant sur trois thèmes : la formation d’alliances susceptibles de favoriser un esprit de résistance communautaire à travers les arts, le lien entre la participation culturelle et civique, et la notion d’appartenance « home away from home ». Dans l’élaboration de cette étude, l’auteure utilise les ressources suivantes : certains textes médiatiques dominants et alternatifs, la théorie postcoloniale, ainsi que sa propre expérience et ses observations recueillies chez certains individus intimement impliqués avec Desh Pardesh pendant les treize années de son existence.


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