Intimate Borders and the Sense of Never-Quite-Being: A Dystopic (Non-)Fiction

2021 ◽  
pp. 153270862110377
Author(s):  
Michael Lechuga

Today’s academy is a dystopia. Many scholars of color and international scholars face the daunting challenge of navigating neoliberal state institutions that are often built on legacies of racism, colonialism, and classism. This essay brings attention to the feelings of despair, anxiety, and paranoia felt by many scholars of color in the fields of humanities and social sciences, but whose narratives too often become ones of abrupt exit from the Ministry of Knowledge (and) Entrepreneurship (MKE). The essay relies on a discussion of Anzaldúa’s intimate terrorism, the composition of today’s academy, and the sense of never-quite-being. These themes emerge out of a dialogue with Anzaldúa, Deleuze, and Harney and Moten, who each have something to say about navigating institutions of power from a position of in-betweenness. Then, I assemble themes from contemporary popular dystopia films to develop a performative fiction—a narrative of never-quite-being that embodies the critical theory and dystopic themes woven through the experiences of a border-body in the academy. The essay ends with a discussion of what being intimate looks like for someone that never-quite-is, informed by Anzaldúa’s concept of mestizaje and Deleuze’s nomad thought.

The three texts of this chapter are taken from the posthumous volume Langage, Histoire, une même théorie (Lagrasse: Verdier, 2012). They represent the ambition of Meschonnic’s work from its very beginning, that is, to develop a theory of language that establishes a new basis for all the humanities and social sciences by overthrowing the reign of the sign in our episteme. He focuses here on the connection between language and history through his notion of historicity which is a situatedness that constantly leaves this situation and remains active in the presence. Only poetics, an awareness of what language is and does, he argues, enables to think beyond the sign and to develop a critical theory, that is, a theory aware of its situatedness. Meschonnic connects language to historicity, the political and the ethical.


2016 ◽  
Vol 24 (2) ◽  
pp. 277-284
Author(s):  
Christoph Bode

While Past Narratives have events as their basic units, Future Narratives characteristically operate with nodes. A node is a situation that allows for more than just one continuation. Therefore, by definition, Past Narratives are uni-linear, while Future Narratives are multi-linear. Thus, by operating with nodes, Future Narratives cannot only talk about the future, but they perform aspects of futurity that seem essential: its openness, its contingency, and the fact that behind each present moment there opens up a space of possibilities that has not yet coagulated into actuality. Since Future Narratives can be found in all genres and media and, what is more, bridge the fiction/non-fiction divide, the impact of Future Narratives and their conceptualization is across the board and of greatest importance not only to media studies and teaching, but also to any kind of communicating about the future.


2015 ◽  
Vol 3 (2) ◽  
pp. 256-261
Author(s):  
Zaka Rauf ◽  
MUSA YUSUF

Attempts of undue separation of the philosophy of education and curriculum theory and development in the teaching of systematic functional education have been seriously criticized. This has been so because it is not in the best interest in the teaching of an intelligent and national curriculum which forms the bedrock to the development of a truly vibrant educational system in Nigeria. This paper, therefore, is an attempt to investigate the relevance of the philosophy of education to the development of an intelligent curriculum which is imperative to the teaching of functional education in the technical, the sciences, the humanities and social sciences towards the revitalization of the Nigerian educational sector. 


2019 ◽  
Vol 62 (11) ◽  
pp. 144-153
Author(s):  
Alexander S. Zapesotsky

Book Review: P.P. Tolochko. Ukraine between Russia and the West: Historical and Nonfiction Essays. Saint Petersburg: Saint Petersburg University of Humanities and Social Sciences, 2018. - 592 pp. ISBN 978-5-7621-0973-4This author discusses the problem of scientific objectivity and reviews a book written by the medievalist-historian P.P. Tolochko, full member of the National Academy of Sciences of Ukraine (NASU), honorable director of the NASU Institute of Archaeology. The book was published by the Saint Petersburg University of Humanities and Social Sciences in the autumn of 2018. The book presents a collection of articles and reports devoted to processes in Ukraine and, first of all, in Ukrainian historical science, which, at the moment, is experiencing an era of serious reformation of its interpretative models. The author of the book shows that these models are being reformed to suit the requirements of the new ideology, with an obvious disregard for the conduct of objective scientific research. In this regard, the problem of objectivity of scientific research becomes the subject of this review because the requirement of objectivity can be viewed not only as a methodological requirement but also as a moral and political position, opposing the rigor of scientific research to the impact of ideological, political and moral systems and judgments. It is concluded that in this sense the position of P.P. Tolochko can be considered as the act of profound ethical choice.


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