scholarly journals Politics, Policy, and Inequality in South Africa Under COVID-19

2020 ◽  
Vol 9 (3) ◽  
pp. 342-355
Author(s):  
David Francis ◽  
Imraan Valodia ◽  
Edward Webster
Keyword(s):  
South Africa ◽  
Turning Point ◽  
Global South ◽  
The Other ◽  
Egalitarian Society ◽  
The Future ◽  
Global North ◽  
The One ◽  
The Impact

The COVID-19 pandemic has highlighted and exacerbated inequalities in South Africa. The question posed in this article is whether the pandemic and its associated responses offer the opportunity for a more egalitarian society in South Africa, or a more intensively unequal society. The future is contested. On the one hand, there is the consolidation of labor displacement, a growth in unemployment, and a deepening of inequality. On the other, there is the possibility of a turning point toward significant advances in the de-commodification of education, health, and transport. But as with much of the Global South, South Africa has relatively high levels of informality compared to the Global North, which has implications for the impact of the pandemic and the structure of the responses.

scholarly journals “A Sense of an Absent Future.” Pervading Post-apartheid South African Literature: Re-conceptualisations of Temporality in André Brink’s Transitional Writings

Werkwinkel ◽  
2019 ◽  
Vol 14 (1-2) ◽  
pp. 37-58
Author(s):  
Paulina Grzęda
Keyword(s):  
South Africa ◽  
South African ◽  
African Literature ◽  
Global South ◽  
The Other ◽  
South Africans ◽  
The Enlightenment ◽  
Realist Novels ◽  
The Future ◽  
South African Literature

AbstractNumerous commentators have recently indicated a prevailing sense among South africans of a historical repetition, a pervasive sentiment that the country has failed to shake off the legacy of apartheid, which extends into the present, and possibly also the future. 1 Such an observation has led South African psychologist, derek Hook, to conclude that in order to adequately address the post-apartheid reality and allow the process of working through trauma, there is a need to abandon the linear Judeo-Christian model of time derived from the Enlightenment. Instead, Hook advocates to start thinking of post-apartheid South Africa not as a socio-economically or racially stratified society, but rather as a country of unsynchronized, split, often overlapping temporalities. Thus, he offers to perceive of ‘chaffing temporalities’ of the contemporary predicament. Resende and Thies, on the other hand, call for a need for a reconceptualised approach to temporality not only when dealing with heavily traumatized postcolonial countries such as South Africa, but more generally when addressing the geopolitics of all the countries of the so-called ‘Global South.’ My paper will discuss the manner in which reconceptualised postcolonial temporality has been addressed by South African transitional writings by André Brink. I will argue that, although Brink’s magical realist novels of the 1990s imaginatively engage with ‘the chaffing temporalities’ of the post-apartheid predicament, their refusal to project any viable visions of the country’s future might ultimately problematise the thorough embrace of Hook’s ‘ethics of temporality.’

Introduction

2016 ◽  
Author(s):  
Fiona Price
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Historical Fiction ◽  
Historical Novel ◽  
The Other ◽  
The Future ◽  
The One ◽  
Historical Past ◽  
The Impact

The historical novel has often been defined in the terms set by Walter Scott’s fiction, as a reflection on a clear break or change between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty explores this often neglected and misunderstood genre by reconstructing how conservatives and radicals fought through the medium of the historical past over the future of Britain. Aware of the events of the Civil War and 1688, witness to the American and French Revolutions, Scott’s precursors realized the dangers of absolutism, on the one hand, and political breakage, on the other. Interrogating the impact of commercial modernity, the works considered here do not adopt the familiar nineteenth-century Whig narrative of history as progress but instead imagine and reimagine the possibilities of transition. As such, they lay the groundwork for the British myth of political gradualism, while problematizing the rise of capital.

scholarly journals Wallander's Dark Geopolitics

2020 ◽  
Vol 41 (s1) ◽  
pp. 29-42
Author(s):  
Jakob Stougaard-Nielsen
Keyword(s):  
Cold War ◽  
Global South ◽  
Crime Fiction ◽  
The Other ◽  
Fault Line ◽  
Post Cold War ◽  
Global North ◽  
The One ◽  
National Stereotypes ◽  
A Current

AbstractA current fault line in the study of crime fiction as a transnational genre is to what extent crime novels offer readers genuine cosmopolitan windows onto other worlds and cultures or whether it simply is bound to reproduce trite imagologies and national stereotypes. The overarching premise for this article is to explore the extent to which Henning Mankell's crime novels and their adaptations engage the character Wallander's own and “other” worlds with a cosmopolitan perspective, by considering the mutations of Wallander's fictional local world as intricately tied to discursive geopolitical realities of the post–Cold War world. More specifically, I consider what may be gained from exploring the Wallander series within two distinct – yet, I shall argue, related – perspectives on geopolitics and crime fiction: on the one hand, the geopolitics of the translation, adaptation, and reception networks that have “worlded” the Wallander series (what I call Wallander's geopolitical adaptation networks), and on the other, the fictional geopolitical networks that weave the Global North and the Global South together in several of Mankell's intricate crime plots (Wallander's dark geopolitics).

scholarly journals The representation of women and the irish nation in Joyce’s A Portrait of the Artist as a Young Man

2010 ◽  
Vol 2 (1-2) ◽  
pp. 101-110 ◽  
Author(s):  
Daniela Ćurko
Keyword(s):  
Early Childhood ◽  
Public Opinion ◽  
Roman Catholic ◽  
The Other ◽  
The Public ◽  
Representation Of Women ◽  
The Future ◽  
Irish Women ◽  
The One ◽  
The Impact

In Joyce’s novel A Portrait of the Artist as a Young Man the representation of the Irish nation is closely interwoven with that of Irish women. Two groups can be distinguished among the women and girl characters: the women who are a symbol of authority and those who embody desire. Stephen’s mother and Dante Riordan, a family relative and re ligious fanatic who closely surveyed and inf luenced his early childhood, symbolize those Irish who firmly supported the dogma that the Irish nation’s identity was not to be sepa rated from the nation’s necessity in being a Roman Catholic one, subdued to the domina tion of both Rome and London. Stephen, after having accepted this view as a child, refuses this standpoint as rigid and narrowminded; in one word, as a dangerous stereotype with disastrous consequences for the future of Ireland as he becomes an adolescent.As for the other group, the girl named (Stephen’s) desire, the one central and recur rent image which appears in its description is that of the “batlike soul”. The metaphor is deeply significant for the theme of this essay, as the girl characters are portrayed as unaware of themselves and only coming to consciousness, just as the Ireland of the epoch was seen and portrayed by young Stephen. The women, object of desire, are also seen as adulterous: but to betray, Stephen soon gets to understand, is the only way to be faithful – to himself and to his vision of what Ireland is yet to become.Thus the representation of the Irish nation is not only in connection with that of Irish women, but also in relation with a process of creation of Stephen’s own identity, as he slowly liberates himself from the public opinion and becomes a free minded and inde pendent adult, aware of the impact and importance his future artist vocation will have for him, as well as for his whole country.

Laughter on the Fringes

2019 ◽  
Author(s):  
Anna Peterson
Keyword(s):  
The Other ◽  
Literary Canon ◽  
Autobiographical Writing ◽  
Treasure Trove ◽  
Old Comedy ◽  
Other Hand ◽  
Aggressive Humor ◽  
The One ◽  
The Individual ◽  
The Impact

This book examines the impact that Athenian Old Comedy had on Greek writers of the Imperial era. It is generally acknowledged that Imperial-era Greeks responded to Athenian Old Comedy in one of two ways: either as a treasure trove of Atticisms, or as a genre defined by and repudiated for its aggressive humor. Worthy of further consideration, however, is how both approaches, and particularly the latter one that relegated Old Comedy to the fringes of the literary canon, led authors to engage with the ironic and self-reflexive humor of Aristophanes, Eupolis, and Cratinus. Authors ranging from serious moralizers (Plutarch and Aelius Aristides) to comic writers in their own right (Lucian, Alciphron), to other figures not often associated with Old Comedy (Libanius) adopted aspects of the genre to negotiate power struggles, facilitate literary and sophistic rivalries, and provide a model for autobiographical writing. To varying degrees, these writers wove recognizable features of the genre (e.g., the parabasis, its agonistic language, the stage biographies of the individual poets) into their writings. The image of Old Comedy that emerges from this time is that of a genre in transition. It was, on the one hand, with the exception of Aristophanes’s extant plays, on the verge of being almost completely lost; on the other hand, its reputation and several of its most characteristic elements were being renegotiated and reinvented.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

Monotheism in Isaiah

2020 ◽  
pp. 218-248
Author(s):  
Matthias Albani
Keyword(s):  
Historical Context ◽  
The Other ◽  
Divine Power ◽  
Crisis Situation ◽  
Catalytic Function ◽  
Other Hand ◽  
The Future ◽  
The One ◽  
Religious Crisis

The monotheistic confession in Isa 40–48 is best understood against the historical context of Israel’s political and religious crisis situation in the final years of Neo-Babylonian rule. According to Deutero-Isaiah, Yhwh is unique and incomparable because he alone truly predicts the “future” (Isa 41:22–29)—currently the triumph of Cyrus—which will lead to Israel’s liberation from Babylonian captivity (Isa 45). This prediction is directed against the Babylonian deities’ claim to possess the power of destiny and the future, predominantly against Bel-Marduk, to whom both Nabonidus and his opponents appeal in their various political assertions regarding Cyrus. According to the Babylonian conviction, Bel-Marduk has the universal divine power, who, on the one hand, directs the course of the stars and thus determines the astral omens and, on the other hand, directs the course of history (cf. Cyrus Cylinder). As an antithesis, however, Deutero-Isaiah proclaims Yhwh as the sovereign divine creator and leader of the courses of the stars in heaven as well as the course of history on earth (Isa 45:12–13). Moreover, the conflict between Nabonidus and the Marduk priesthood over the question of the highest divine power (Sîn versus Marduk) may have had a kind of “catalytic” function in Deutero-Isaiah’s formulation of the monotheistic confession.

The metalanguage of localization

Target ◽  
2007 ◽  
Vol 19 (2) ◽  
pp. 337-357 ◽  
Author(s):  
Iwona Mazur
Keyword(s):  
Translation Studies ◽  
The Other ◽  
Present Discussion ◽  
Translation Practice ◽  
The Future ◽  
Basic Concepts ◽  
The One

In recent years localization has become a popular concept in both translation practice and theory. It has developed a language of its own, which, however, still seems to be little known among translation scholars. What is more, being primarily an industry-based discourse, the terms related to localization are very fluid, which makes theorizing about it difficult. Therefore, the aim of this article is, first of all, to explain the basic terms of the metalanguage of localization, as they are used by both localization practitioners and scholars, and, secondly, to make this metalanguage more consistent by proposing some general definitions that cover the basic concepts in localization. This, in turn, should, on the one hand, facilitate scholar-to-practitioner communication and vice versa and, on the other, should result in concept standardization for training purposes. In the conclusions I link the present discussion of the metalanguage of localization to a more general debate on metalanguage(s) in Translation Studies and propose that in the future we might witness the emergence of a new discipline called Localization Studies.

Sleeping with Elephants

2013 ◽  
Vol 25 (4-5) ◽  
pp. 319-324 ◽  
Author(s):  
Aaron W. Hughes
Keyword(s):  
Annual Meeting ◽  
The Other ◽  
Scientific Analysis ◽  
The Future ◽  
The One ◽  
Exclusive Group

Abstract NAASR faces an existential dilemma. It is currently caught between the desire for greater numbers and panels that take place at the Annual Meeting of the AAR on the one hand, and the idea of a more exclusive group that focuses solely on historical and scientific analysis on the other. This paper argues that the future of NAASR resides in the latter option as opposed to the former. It even goes a step further and argues that NAASR should—intellectually, if not logistically—split from the AAR because as things currently stand the AAR defines the parameters of the conversation: NAASR, by default, becomes that which the AAR is not. However, in so doing, NAASR still defines itself using the discourses and categories of the AAR. NAASR’s physical departure from the AAR would provide it with the intellectual space necessary for further growth and reflection on things theoretical and methodological.

The ‘Zen’ in the western monochrome

2020 ◽  
Vol 6 (1-2) ◽  
pp. 55-78
Author(s):  
Simon Morley
Keyword(s):  
Zen Buddhism ◽  
Historical Context ◽  
The Other ◽  
Binary Opposition ◽  
Middle Way ◽  
The 1950S ◽  
The One ◽  
Contemporary Painting ◽  
The Impact

I look at the impact of Zen Buddhism on western painters during the 1950s and 1960s, focusing on the monochrome in particular, in order to create a historical context for the consideration of transcultural dialogue in relation to contemporary painting. I argue that a consideration of Zen can offer a ‘middle way’ between conceptions of the monochrome (and art in general) often hobbled by models of interpretation that function within a binary opposition between ‘literalist/sensory’ on the one hand, and ‘intellectual/non-sensory’ readings on the other.

Sign in / Sign up

Export Citation Format

Share Document