Introduction

Author(s):  
Fiona Price

The historical novel has often been defined in the terms set by Walter Scott’s fiction, as a reflection on a clear break or change between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty explores this often neglected and misunderstood genre by reconstructing how conservatives and radicals fought through the medium of the historical past over the future of Britain. Aware of the events of the Civil War and 1688, witness to the American and French Revolutions, Scott’s precursors realized the dangers of absolutism, on the one hand, and political breakage, on the other. Interrogating the impact of commercial modernity, the works considered here do not adopt the familiar nineteenth-century Whig narrative of history as progress but instead imagine and reimagine the possibilities of transition. As such, they lay the groundwork for the British myth of political gradualism, while problematizing the rise of capital.

Africa ◽  
1998 ◽  
Vol 68 (2) ◽  
pp. 211-237 ◽  
Author(s):  
Johan de Smedt

The Rwandan refugee camps in Tanzania witnessed the marriages of very young adolescents: girls as young as 13–14 married boys of 14–15 years, boys they often did not even know. These marriages usually did not last very long; after a few months many girls were forced to leave—sent away by their husband. People of both sexes and all ages, when asked about the problems in the camp, would always mention these child marriages as one of the biggest problems. They were worried not only about the loss of respect for Rwandan culture and traditional values but also about the future of the marriages and what would become of the children. This article is not based on extensive research into child marriages, but the author was able to interview a number of young people who had got married in the camps, and to collect information and the opinions of other people on these and other cases. Rather than describing marriage customs and wedding ceremonies in Rwanda, and comparing them with what took place in the refugee camps, the article aims to show the impact of (civil) war, the consequent poverty and the destruction of social structures on a community, in order to show how in these circumstances behaviour can change radically. Refugees have to build up a new life in a camp, and the new ‘society’ is likely to be different from the one they came from, with different rules and changed values. Among various examples of deviant behaviour child marriages were the most remarkable.


2010 ◽  
Vol 25 (3) ◽  
pp. 405-433 ◽  
Author(s):  
TINE DE MOOR

ABSTRACTIn this article the participation profile of commoners of a Flemish case-study is reconstructed in order to identify their individual motivations for using the common, in some cases even becoming a manager of that common, in some cases only just claiming membership. Nominative linkages between membership lists, book-keeping accounts and regulatory documents of the common on the one hand and censuses and marriage acts on the other allow us to explain the behaviour of the commoners. It becomes clear why some decisions were taken – for example, to dissolve a well-functioning cattle-registration system – and how these affected the resource use of the common during the eighteenth and early nineteenth centuries. The analysis explains how internal shifts in power balances amongst groups of active users and those who did not have the means or willingness to participate could jeopardize the internal cohesion of the commoners as a group.


Slavic Review ◽  
1967 ◽  
Vol 26 (3) ◽  
pp. 395-413 ◽  
Author(s):  
Marc Raeff

In general histories of Russian social and philosophical thought we usually find a gap between 1790 (publication of Radishchev's Journey) and 1815 (the establishment of the first secret societies by the future Decembrists). This quarter of a century could boast neither a prominent personality nor a cause cèlèbre of government persecution. True enough, there was Karamzin and his Zapiska o drevnei i novoi Rossii (Memoir on Ancient and Modern Russia); but the tract remained long unknown, and its author is usually dismissed as a lone figure whose impact on the development of the ideologies that were to matter was, at best, peripheral. General histories of literature treat this period primarily in terms of the philological debate between Karamzin and Shishkov and as prologue to Romanticism. Thus, in the one case, the period is described exclusively in terms of Russia's literary history, which is not very satisfactory to the student of social and political ideas; for literature—even as engagé a literature as was Russia's in the nineteenth century—is hardly an adequate source or form of ideology. In the other case, Radishchev must perforce be viewed as an isolated figure, a maverick, without either followers or immediate influence. Furthermore, the obvious implication is that there were no direct links between the Decembrists and eighteenth-century Russian ideas, so that the young rebels of 1825 must have been influenced exclusively by their experiences with the life and thought of Western Europe.On the strength of the testimony of all contemporaries, however, the first decade of the nineteenth century was a period of great intellectual ferment, of exhilarating optimism about Russia's prospects for “modernization” (to use a fashionable term). Compared with the last years of Catherine II and with the reign of Paul, these decades also offered greater freedom, more opportunities for the expression of ideas and hopes. Could indeed the outrage and disillusionment at Alexander's so-called reactionary stance after 1815 be understood if it were not for the fact that his reign had opened on such a strong note of optimism and vitality?


2019 ◽  
pp. 57-87
Author(s):  
Elissa Bemporad

Chapter 3 explores the Soviet politics of memory of the pogroms of the civil war. It does so by examining instances of trials of pogromists; the impact that the reports about the assassination of Symon Petliura and the Scholem Schwarzbard trial had on the memory of violence; pogrom memorials; memoirs, literary accounts, exhibitions, and other visuals about the violence; and the place of the pogrom in Soviet Jewish historiography and in the Yiddish school curriculum. This chapter captures the encumbered memory of violence and the emergence of two distinct narratives largely competing with each other: on the one hand, the pogrom became a universal Soviet site of memory, on the other hand it remained a particular Jewish site of memory. As the Soviet politics of memory imposed its qualitative choice on anti-Jewish violence, it elected which pogroms to remember and publicly discuss and which ones to ignore, and eventually forget.


1983 ◽  
Vol 26 (2) ◽  
pp. 447-461 ◽  
Author(s):  
Hew Strachan

In the last fifteen years military history in Britain has gained considerably in respectability, both in the country at large and in academic circles specifically. But it still has problems of identity. On the one hand, military history can at last find itself judged as part of ‘total history’. But, on the other, its origins as the staple fodder of nineteenth-century military academies have bequeathed it a strong didactic flavour which has proved hard to shed. Military history and strategic theory do not yet stand in the same relationship to each other as, say, political history and political theory. Perhaps because in Britain there is still too little independent informed analysis of defence, military history can be employed in a dual role. The ‘lessons of history’ are stronger here than in any other area. However impeccable the motives of military historians, their work is too often used as a prescription for the future rather than as a study of the past.


2020 ◽  
Vol 9 (3) ◽  
pp. 342-355
Author(s):  
David Francis ◽  
Imraan Valodia ◽  
Edward Webster

The COVID-19 pandemic has highlighted and exacerbated inequalities in South Africa. The question posed in this article is whether the pandemic and its associated responses offer the opportunity for a more egalitarian society in South Africa, or a more intensively unequal society. The future is contested. On the one hand, there is the consolidation of labor displacement, a growth in unemployment, and a deepening of inequality. On the other, there is the possibility of a turning point toward significant advances in the de-commodification of education, health, and transport. But as with much of the Global South, South Africa has relatively high levels of informality compared to the Global North, which has implications for the impact of the pandemic and the structure of the responses.


2010 ◽  
Vol 2 (1-2) ◽  
pp. 101-110 ◽  
Author(s):  
Daniela Ćurko

In Joyce’s novel A Portrait of the Artist as a Young Man the representation of the Irish nation is closely interwoven with that of Irish women. Two groups can be distinguished among the women and girl characters: the women who are a symbol of authority and those who embody desire. Stephen’s mother and Dante Riordan, a family relative and re ligious fanatic who closely surveyed and inf luenced his early childhood, symbolize those Irish who firmly supported the dogma that the Irish nation’s identity was not to be sepa rated from the nation’s necessity in being a Roman Catholic one, subdued to the domina tion of both Rome and London. Stephen, after having accepted this view as a child, refuses this standpoint as rigid and narrowminded; in one word, as a dangerous stereotype with disastrous consequences for the future of Ireland as he becomes an adolescent.As for the other group, the girl named (Stephen’s) desire, the one central and recur rent image which appears in its description is that of the “batlike soul”. The metaphor is deeply significant for the theme of this essay, as the girl characters are portrayed as unaware of themselves and only coming to consciousness, just as the Ireland of the epoch was seen and portrayed by young Stephen. The women, object of desire, are also seen as adulterous: but to betray, Stephen soon gets to understand, is the only way to be faithful – to himself and to his vision of what Ireland is yet to become.Thus the representation of the Irish nation is not only in connection with that of Irish women, but also in relation with a process of creation of Stephen’s own identity, as he slowly liberates himself from the public opinion and becomes a free minded and inde pendent adult, aware of the impact and importance his future artist vocation will have for him, as well as for his whole country.


2011 ◽  
Vol 5 (3) ◽  
pp. 265-291
Author(s):  
Manuel A. Vasquez ◽  
Anna L. Peterson

In this article, we explore the debates surrounding the proposed canonization of Archbishop Oscar Romero, an outspoken defender of human rights and the poor during the civil war in El Salvador, who was assassinated in March 1980 by paramilitary death squads while saying Mass. More specifically, we examine the tension between, on the one hand, local and popular understandings of Romero’s life and legacy and, on the other hand, transnational and institutional interpretations. We argue that the reluctance of the Vatican to advance Romero’s canonization process has to do with the need to domesticate and “privatize” his image. This depoliticization of Romero’s work and teachings is a part of a larger agenda of neo-Romanization, an attempt by the Holy See to redeploy a post-colonial and transnational Catholic regime in the face of the crisis of modernity and the advent of postmodern relativism. This redeployment is based on the control of local religious expressions, particularly those that advocate for a more participatory church, which have proliferated with contemporary globalization


Author(s):  
Anna Peterson

This book examines the impact that Athenian Old Comedy had on Greek writers of the Imperial era. It is generally acknowledged that Imperial-era Greeks responded to Athenian Old Comedy in one of two ways: either as a treasure trove of Atticisms, or as a genre defined by and repudiated for its aggressive humor. Worthy of further consideration, however, is how both approaches, and particularly the latter one that relegated Old Comedy to the fringes of the literary canon, led authors to engage with the ironic and self-reflexive humor of Aristophanes, Eupolis, and Cratinus. Authors ranging from serious moralizers (Plutarch and Aelius Aristides) to comic writers in their own right (Lucian, Alciphron), to other figures not often associated with Old Comedy (Libanius) adopted aspects of the genre to negotiate power struggles, facilitate literary and sophistic rivalries, and provide a model for autobiographical writing. To varying degrees, these writers wove recognizable features of the genre (e.g., the parabasis, its agonistic language, the stage biographies of the individual poets) into their writings. The image of Old Comedy that emerges from this time is that of a genre in transition. It was, on the one hand, with the exception of Aristophanes’s extant plays, on the verge of being almost completely lost; on the other hand, its reputation and several of its most characteristic elements were being renegotiated and reinvented.


Author(s):  
Jason Phillips

This introduction explains that looming, a nineteenth-century term for a superior mirage, shows us how visions of the future war affected antebellum America. First, some spark, an event or object, captured people’s attention. Second, a unique atmosphere elevated and enlarged that spark, making it loom greater than reality. Before the Civil War was fought or remembered, it was imagined by thousands of Americans who peered at the horizon through an apocalyptic atmosphere. Third, observers focused on it and reported what appeared to be beyond the horizon. Popular forecasts rose from leaders but also women, slaves, immigrants, and common soldiers. These imaginings shaped politics, military planning, and the economy. The prologue identifies the two prevailing temporalities of antebellum America, anticipations and expectations, and calls for more historical attention to the diverse temporalities of past people.


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