Changing the way we do things: The impact of funding changes on heritage management and site interpretation in late twentieth-century England

1999 ◽  
Vol 3 (1-2) ◽  
pp. 33-41 ◽  
Author(s):  
Jane Grenville
Author(s):  
Bernardo Bátiz-Lazo

Chapter 1 (‘A Window to Internal and External Change in Banking’) provides a wide-arch view of the themes in the book. It highlights how in spite of being deeply embedded in our culture as an object of everyday life, the interaction with ATMs is largely inconsequential for most people. This chapter also forwards a case to study the ATM to better understand the possibilities for technological change to bring about a cashless economy. Another argument put forward is that the ATM is essential to appreciate the technological and organizational challenges that gave rise to self-service banking. As a result, the case is made that business histories of the late twentieth century will be incomplete without proper consideration to the impact of computer technology on the different aspects of business organizations.


Author(s):  
Stuart Aveyard ◽  
Paul Corthorn ◽  
Sean O’Connell

The long-term perspective taken by The Politics of Consumer Credit in the UK affords fresh evidence on a number of significant historical debates. It indicates that Britain’s departure from pathways followed in other European consumer credit markets was not simply a by-product of neo-liberalism’s influence on late-twentieth-century governments. It has also allowed us to offer important contributions on questions such as the impact of political ideologies over policymaking, the validity of a right–left framework for analysing politics, the extent to which a post-war consensus existed (and was broken after 1979), and the question of how adept British political parties were in exploiting the emergence of a more affluent electorate....


Author(s):  
Natalie Parker

Actor Network Theory (ANT) takes on the position that non-human objects which alter the behavior of people with which they share an environment are actors exerting force into the environment. While ANT has been used in education since the late twentieth century, it has not yet seen utilization in school library environments research. As a result, there remains a significant gap in the way school library environments are studied. This literature review seeks to make a case for the importance of including ANT in school library environments research. By taking a closer look at the design and inclusion of specific objects within the school library environment, we can better equip school library spaces for the needs and wants of the students to which the library belongs.


Author(s):  
Rebecca Inez Saunders

“The Pornographic Paratexts of Pornhub” analyses the evolving paratextual elements of the popular porn site Pornhub and considers how its evolving virtual frames interact with the visual texts it displays—online porn films. Engaging with Gérard Genette's Paratexts, some fundamental aspects of this late-twentieth-century paratextual theory are reconceptualised in this contemporary, sexually explicit digital environment. Pornhub is considered in relation to its maturing paratextual elements. Despite the virtual amorphousness and (para)textual porousness of the digital environment—the relevant relationships between text, epitext, peritext and intertext, though clearly delineated with regard to the printed book, become more blurred in a virtual space of infinite, hyperlinked pages—Pornhub has developed numerous tangible frames and stable paratextual features since its emergence in 2007. Given the rigid political, judicial and media conception of what online porn films constitute, it is important to consider the possibility that monolithically negative definitions of filmic pornography may derive not from the hardcore content itself, but from the way in which the films are framed online. How, then, do the paratexts of Pornhub interact with and affect users' reading of the films displayed? In this chapter, individual films from the site are descriptively analysed in relation both to how these visual pornographic texts are influenced by their paratext and how paratextual theory is complicated and renewed through this application.


Author(s):  
Lou Martin

This concluding chapter examines how the rural-industrial working-class culture that emerged in Hancock County gradually disappeared in the late twentieth century. The ethic of making do traveled well from the farm to the factory town, but it began its decline in the late 1960s and 1970s as buying power increased and industrial workers focused more on vacations or socializing and less on making do. While many people in Hancock County still tend gardens, work on their houses, hunt, and fish, these activities no longer supplement family income the way they did in the 1950s. Moreover, the localism of their culture may have persisted in some ways to the present, but a localized system of negotiation that local manufacturers helped create disappeared along with many of those companies.


Authorship ◽  
2013 ◽  
Vol 2 (2) ◽  
Author(s):  
Kate Eichhorn

This article examines the impact of copy machines on late twentieth-century print cultures. Specifically, this article makes a case for “dry copying,” the method of print reproduction perfected by Xerox in the late 1950s, as a unique medium rather than a weak imitation of other printing methods. Following the claim that the widespread availability of copy machines in the late twentieth century represented the arrival of a new medium, this article further examines how understandings of authorship, established with print culture, came undone in the era of the copy machine. Finally, this paper makes a case for understanding copy machines as a form of “social media” that opened up opportunities for writers, readers and publishers to create, share, exchange and comment on texts and images in communities and networks of their own making in the decades preceding the development of the web.


1998 ◽  
Vol 17 (2) ◽  
pp. 157-173 ◽  
Author(s):  
Steven D'Hondt

Theories of mass extinction by extraterrestrial objects have been intermittently proposed by European and North American scientists for at least 250 years. Until the late twentieth century, such theories usually treated biological extinction as a single aspect of global cataclysm. Proposed ultimate causes of mass extinction have included the passage of planetesimals close to Earth, impacts of comets or asteroids, and transient increases in cosmic radiation. These theories have consistently extrapolated from astronomical observations to suggest that extraterrestrial objects had affected Earth at some time in the past. However, until the late twentieth century, none of these theories proposed definitive tests of temporal coincidences between mass extinctions and and the terrestrial effects of extraterrestrial objects. Harold Urey's (1973) cometary impact hypothesis was the first to propose such a test. The impact-extinction theory of Luis Alvarez and his colleagues (1980) was the first to provide direct evidence of such a coincidence. Such tests were probably not possible before the middle of the twentieth century. The failure of earlier theories to generate sustained scientific interest can be most simply attributed to their lack of such evidence. Theories of extraterrestrially caused mass extinction have almost always combined hypotheses of ultimate and proximate causes of extinction. The stability of these combinations has varied greatly from category to category and age to age. In general, these combinations evolved much more rapidly when they were presented and discussed in mainstream scientific literature. Despite their ubiquity, hypotheses of proximate causes have served a limited role in the reception of these theories. Scientific critics of these theories have consistently required hypotheses of proximate causes to appear plausible. However, the recent history of impact theories indicates that an ultimate cause of mass extinction may be widely accepted without definitive proof of the proximate cause of extinction.


2016 ◽  
Author(s):  
Mark Lemley

Patent law is bogged down in the minutia of claims construction. Claimconstruction is central to every patent dispute, but it has not providedthe hoped-for certainty or notice to competitors. Quite the contrary:disputes about the importance of inventions and the scope of patents havebeen replaced by labyrinthine wrangling over words written by lawyers. Theflaws of claim construction result largely from the problems attending"peripheral claims," that is, claims that purport to set the outermostboundaries of patent rights. In this paper, we argue that the way for thepatent system to move ahead may be by looking behind, to the practice of"central claiming" that was prevalent before 1870, and which was used inmany countries through the late twentieth century. Rather than relying onthe illusion of peripheral "fence posts," patent law may do better to onceagain look to stability of central "sign posts." We examine the failure ofperipheral claiming, the benefits of central claiming, and several hybridmeasures that might be adopted, either in the process of moving fromfence-posting to sign-posting, or as improvements over the current systemthat still stop short of fully adopting central claiming.


Author(s):  
Maud S. Mandel

This concluding chapter summarizes key arguments woven throughout the text. These are that in order to understand fully the way Muslim–Jewish political conversations have evolved in France, we must begin in North Africa in the decade and a half after World War II as France first tried to hold on to and then extricate itself from the region; disagreements over Middle Eastern war and the Israeli–Palestinian struggle cannot in and of themselves explain the evolution of Muslim–Jewish political conversations in France over the last fifty years; and that binary constructions of Muslim–Jewish interaction have worked to erase the more complex social terrain in which Muslims and Jews have interacted in late twentieth-century France.


Author(s):  
Liam Connell

This chapter offers a limited survey of the ways that British regional novelists have engaged in the processes of place-making. It examines novels from England, Scotland, and Wales. In doing so, the chapter gives particular focus to the way that late twentieth-century and contemporary novelists have adapted the techniques of earlier writers in order to attend to the complex intertwining of the local and the global. To that end the chapter shows that while the contemporary regional novel continues to depict the distinguishing features of an ‘area and its people’ it does so by attending to the relations between this local distinctiveness and the wider world. By focusing on the way that these novels function as a form of place-making, this chapter also shows how such novels manage to articulate the region as a negotiation between local distinctiveness and universal homogeneity.


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