Karina Grömer, Anton Kern, Hans Reschreiter and Helga Rösel-Mautendorfer, eds. Textiles from Hallstatt: Weaving Culture in Bronze Age Salt Mines. Textilien aus Hallstatt: Gewebte Kultur aus dem bronze- und eisenzeitlichen Salzbergwerk (Archaeolingua 29. Main Series. Budapest: Archaeolingua, 2013, 574pp., 75 figs., 11 tables, plus numerous photos, diagrams and tables for catalogue of 307 items; hbk, ISBN 978-963-9911-46-8)

2014 ◽  
Vol 17 (4) ◽  
pp. 741-744
Author(s):  
Elizabeth J.W. Barber
Keyword(s):  
2012 ◽  
Vol 15 (1) ◽  
pp. 61-97 ◽  
Author(s):  
Susanna Harris

The aim of this research is to compare the cloth cultures of Europe and Egypt in the Bronze Age and New Kingdom. The comparison focuses on the fourteenth century cal BC and includes four geographically separate areas, including the oak coffin burials of southern Scandinavia, the Hallstatt salt mines of central Europe, Late Minoan Crete, and the tombs and towns of the later Eighteenth Dynasty of Egypt. The comparative approach can bring insights even when applied to unconnected cultures or regions. However, in this study I concentrate on a restricted chronological period and areas that were connected, directly or indirectly, by widespread networks of trade or exchange. The concept of cloth cultures is used to include both textiles and animal skins as these were closely related materials in the prehistoric past. Information was gathered according to the following categories: raw materials, including textile fibre, and species of skins; fabric structure and thread count (only for textiles); decoration and finish; and use and context. From this study, it is possible to recognize the universally shared principles of cloth cultures and the great versatility and creativity in the regional cloth cultures of the Bronze Age.


1968 ◽  
Vol 88 ◽  
pp. 1-12 ◽  
Author(s):  
John Boardman

This article is intended not only to record additions and corrections to Island Gems (published by the Hellenic Society in 1963 as its tenth Supplementary Volume; here abbreviated IGems), but also to discuss a class of engraved stones which was not properly distinguished in that book. The main series of Island Gems belongs to the seventh and early sixth centuries B.C. Most of the stones and a few of their devices copy Bronze Age forms, and the material is generally a distinctive, often translucent, green serpentine (‘steatite’). This series ends in the first half of the sixth century, but it was possible to identify, by their material and technique, some later gems from Island workshops which correspond in style and shape with the contemporary Greek scarabs in harder materials. The comparatively soft material had meant that the intaglio devices on Island gems could be cut without recourse to the drill or cutting wheel, and this technique was retained for the later scarabs. It is evident, however, that for a while already in the sixth century Island artists had experimented with the harder materials then being employed for engraved seals in Greece; and with some shapes which seem to compromise between the old and the new. These stones seem to belong to the middle and second half of the sixth century. A list follows:(i) Oxford 1925.129. plate I. Green steatite tapered scaraboid with convex face. L. 20 (mm.). A lion. IGems no. 349, fig. 6, pl. 13.(ii) Athens, from Sunium. plate I. Green steatite. Shape as the last. L. 20. Contorted bull-headed man. IGems no. 350, pl. 13.(iii) Paris, Bibl. Nat., ex Louvre C 8514. Rock crystal plump lentoid. W. 18. Summary representation of a winged horse.(iv) Boston 27.678 (once Bruschi, Warren), plate I. Chalcedony lentoid with domed back and shallow convex face. W. 21. Facing head of a satyr with fillet ends behind the ears and an arrow marking at the centre of the forehead.


2018 ◽  
pp. 9-137
Author(s):  
Buzea DAN

Several hypotheses regarding the variety of functions fulfilled by the seven wooden troughs found until now in the prehistoric salt mines at Băile Figa, Bistrița-Năsaud County, Romania and dated in the Bronze Age, have been advanced. However, until now, no valid and convincing arguments in favour of a functional system in which troughs could be understood as part of the rock salt and brine extraction and/or exploitation processes, have been presented. Even if their connection with the salt areas is indubitable, because they were usually discovered in secondary contexts, their exact application was not immediately apparent. The hypothesis according to which the troughs were used as part of a system meant to direct streams of water to aid in the piercing of salt rocks, belongs to E. Preissig, who developed it in 1877. Although partly agreed by researchers up until 2010. It was our experiment in 2010 that clearly proved the efficiency of the troughs system in perforating salt rocks by fresh water. Between 2017–2018, more archaeological experiments were completed within the project EthnosalRo3 in the site of Beclean - Băile Figa. They have proven that the wooded troughs and structures, utensils and tools associated to them, are effective for: rock salt extraction, brine evaporation (brine evaporation in troughs is possible using hot stones), salt mud filtering. During the experiments we used three precise replicas of the wooden troughs found in Băile Figa (one small and two large), worked by specialized craftsmen from the exact tree species as the originals. Several positions and heights were tested, as well as the application of throughs in individual or group arrangements. Chemical analyses of the brine obtained in different times and ways are provided.


2018 ◽  
Vol 11 (1) ◽  
Author(s):  
Sabine E. Hammer ◽  
Barbara Tautscher ◽  
Erich Pucher ◽  
Kerstin Kowarik ◽  
Hans Reschreiter ◽  
...  

1926 ◽  
Vol 135 (2) ◽  
pp. 116-117 ◽  
Author(s):  
M. R. Harrington
Keyword(s):  

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