Teaching Abnormal Psychology Concepts Using Popular Song Lyrics

1982 ◽  
Vol 9 (4) ◽  
pp. 233-234 ◽  
Author(s):  
Charles R. Potkay
Author(s):  
Stacey Harwood

AbstractWhy are new lyrics to old songs so often a source of inspiration and fun? This article explores how poems that rewrite popular song lyrics belong on the continuum between parody and burlesque. The parodist pays homage to the author of the source, but at the same time skewers the author by appropriating his distinctive style and using it to poke fun at him. The burlesque writer trades on the familiarity of the source material and uses it for commentary. New words for old songs give pleasure because they engage more of the senses than simply reading them. The reader “hears” the poem while reading it. The humor in the poem is enhanced for those who know the original melodies, keeping the song alive through the humor the parodist evokes.


2017 ◽  
Vol 2 (1) ◽  
pp. 90-107
Author(s):  
Yuichiro Kobayashi ◽  
Misaki Amagasa ◽  
Takafumi Suzuki
Keyword(s):  

2020 ◽  
Vol 42 (11) ◽  
pp. 59-81
Author(s):  
Sun-Hye Shin ◽  
Hye-Won Ko
Keyword(s):  

2018 ◽  
Vol 48 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Lauren Squires

AbstractPopular song lyrics constitute an exception to dominant, standard language ideologies of English: nonstandard grammatical forms are common, relatively unstigmatized, and even enregistered in the genre. This project uses song lyrics to test whether genre cues can shift linguistic expectations, influencing how speakers process morphosyntactic variants. In three self-paced reading experiments, participants read sentences from pop songs. Test sentences contained either ‘standard’ NPSG + doesn't or ‘nonstandard’ NPSG + don't. In Experiment 1, some participants were told that the sentences came from lyrics, while others received no context information. Experiment 2 eliminated other nonstandardisms in the stimuli, and Experiment 3 tested for the effect of stronger context information. Genre information caused participants to orient to the sentences differently, which partially—but not straightforwardly—mitigated surprisal at nonstandard don't. I discuss future directions for understanding the effects of context on sociolinguistic processing, which I argue can inform concepts like genre and enregisterment, and the processes underlying language attitudes. (Morphosyntactic variation, genre, invariant don't, language ideology, pop songs, experimental sociolinguistics, sentence processing)*


1988 ◽  
Vol 62 (3) ◽  
pp. 975-978 ◽  
Author(s):  
Margo A. Napoletano

11 popular songs were evaluated by 14 students enrolled in a section of adolescent psychology. Songs were selected for their potential to illustrate psychological concepts, such as, identity crisis, psychotic behavior, and personal fable. After lecture on a particular topic, a song relevant to that topic was played and discussed. Lyrics that illustrated certain concepts were identified. Students evaluated each song for its effectiveness in aiding their understanding of concepts. End-of-semester evaluations indicated increased scores on measures of critical thinking and comprehension of subject matter, which would suggest continued use of songs is appropriate.


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