Disability Studies, Cultural Analysis, and the Critical Practice of Technical Communication Pedagogy

2006 ◽  
Vol 15 (1) ◽  
pp. 49-65 ◽  
Author(s):  
Jason Palmeri
2013 ◽  
Vol 2 (2) ◽  
pp. 3
Author(s):  
Gerald Savage

Since the early 1980s, Illinois State University’s English Department has educated numerous technical communication practitioners as well as dozens of teachers of technical communication throughout the United States. Today, the program’s faculty members are nationally recognized for their contributions to scholarship and education and its Ph.D. and M.A. students are sought after to teach in the technical communication programs of other universities. A critical component of this success was the development of the graduate course, Teaching Technical Writing in 1990. This essay situates the development of that course in the history not only of the technical communication program at Illinois State University but in the history of the technical communication field, particularly since 1950. Although the essay focuses on one course in one midsized, Midwestern U.S. University, it is, I believe, exemplary of the development and current status of technical communication pedagogy throughout the U.S.


2012 ◽  
Vol 32 (2) ◽  
Author(s):  
Daniel R. Morrison ◽  
Monica J. Casper

<p>In this essay, we explore possible affinities between disability studies and trauma studies. We suggest that a fruitful engagement between these fields should start with the meanings of trauma and disability in their embodiment. We offer theoretical provocations alongside a comparative cultural analysis of traumatic brain injury and obstetric fistula. Ironically, while many disability studies scholars have worked to dislodge definitions of "abnormal" from the body, a conceptual focus on stigma still keeps the disabled body partially in view. Yet wounds, impairment, and pain are erased, and in many framings, the object of analysis is an individual being, whose now-disabled body is socially constructed, and whose agency is posited as being in struggle and resistance against the normative culture. We suggest that the body itself provides a link between disability studies and critical trauma studies, arguing both for the significance of representations as well a materialist understanding of breach, for a notion of the organic, fleshy body as it is damaged, sometimes profoundly, in its operations of life.</p><p>Keywords: Disability studies; Trauma studies; Traumatic Brain Injury; Obstetric Fistula; Theory</p>


2006 ◽  
Vol 59 (1) ◽  
pp. 113-184 ◽  
Author(s):  
JOSEPH N. STRAUS

Abstract The emerging interdisciplinary field of disability studies takes as its subject matter the historical, social, and cultural construction of disability. After a brief introduction to disability studies, this article explores the interconnected histories of disability and music as they are manifested in three theoretical approaches to late eighteenth- and early nineteenth-century Western art music (the musical Formenlehre and the tonal theories of Schoenberg and Schenker) and in three works by Beethoven and Schubert. Around the turn of the nineteenth century in Western Europe, disability began to be understood not as something natural and permanent but rather as a deviation from a normative standard, and thus subject to possible remediation. In the same time and place, art music also underwent a significant shift (reflected in the more recent theoretical traditions that have grown up around it), one that involved an increasing interest in rhetorically marked deviations from diatonic and formal normativity, and the possibility of their narrative recuperation. The article describes ways in which language about music and music itself may be understood both to represent and construct disability. More generally, it suggests that disability should take its place alongside nationality, ethnicity, class, gender, and sexual orientation as a significant category for cultural analysis, including the analysis of music.


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