scholarly journals Spanish Civil War Horror and Regional Trauma

2021 ◽  
Vol 59 (2) ◽  
pp. 20-34
Author(s):  
Xavier Aldana Reyes

Abstract This article unpacks the cultural work that Juan Carlos Medina’s Insensibles, released in English as Painless, carries out in relation to Spain’s modern history and argues that the film’s painless children are an allegory of the country’s postdictatorship generations. The rendering of fascism as monstrous is less interesting than the connection of insensitivity to the Pacto del Olvido (Pact of Forgetting) and its suppression of painful memory. The fact that the children speak Catalan is a significant overlooked aspect, because Catalonia was the last region to succumb to Nationalist military forces during the Spanish Civil War (1936–39) and is known for its independentist fervor. A regionalist reading of the film does not simply connect the present and the past; it proposes that the children of the war mediate Spain’s current troubled relationship with historical trauma and act as an artistic response to centralist ideas of a unified and stable nation-state. Such a rethinking demonstrates that the horror genre continues to offer a language of anxiety capable of negotiating and contributing to debates around the importance of national accountability, war reparations, and the condemnation of genocide.​

2020 ◽  
Vol 29 (3) ◽  
pp. 257-260
Author(s):  
Antonio Cazorla-Sánchez

The recent evolution of both the historiography on the Spanish Civil War, and even the general population's perception of the conflict, cannot be separated from the changes in the political and cultural paradigms in Europe since the end of the Cold War. By this I mean that Europeans, but not only them, have been evolving from a mostly ideological view of the past to an increasingly humanistic one.


Author(s):  
Omar G. Encarnación

This chapter explains the persistence of Spain’s ‘politics of forgetting’, a phenomenon revealed by the wilful intent to disremember the political memory of the violence of the Spanish Civil War and the human rights abuses of General Franco’s authoritarian regime. Looking beyond the traumas of the Civil War, the limits on transitional justice and truth-telling on the Franco regime imposed by a transition to democracy anchored on intra-elite pacts, and the conciliatory and forward-looking political culture that consolidated in the new democracy, this analysis emphasizes a decidedly less obvious explanation: the political uses of forgetting. Special attention is paid to how the absence of a reckoning with the past, protected politicians from both the right and the left from embarrassing and inconvenient political histories; facilitated the reinvention of the major political parties as democratic institutions; and lessened societal fears about repeating past historical mistakes. The conclusion of the chapter explains how the success of the current democratic regime, shifting public opinion about the past occasioned by greater awareness about the dark policies and legacies of the Franco regime, and generational change among Spain’s political class have in recent years diminished the political uses of forgetting. This, in turn, has allowed for a more honest treatment of the past in Spain’s public policies.


2003 ◽  
Vol 19 (2) ◽  
pp. 367-400 ◽  
Author(s):  
Robert McCaa

The Mexican Revolution was a demographic disaster, but there is little agreement about the human cost or its demographic components. Were the missing millions due to war deaths, epidemics, emigration, lost births, or simply census error or evasion? Reading the demographic history of the Revolution from a subsequent census, such as the highly regarded enumeration of 1930, yields more precise figures than those obtained from the usual benchmark, the census of 1921. The 1930 figures are of better quality and, therefore, more suitable for making an assessment by age and sex. This analysis shows that in terms of lives lost, the Mexican Revolution was a demographic catastrophe, comparable to the Spanish Civil War, which has been ranked the ninth deadliest international conflict over the past two centuries. La Revolucióón Mexicana fue un desastre demográáfico; sin embargo, no existe consenso en el monto de la péérdida demográáfica ni de sus componentes. ¿¿Los millones perdidos fueron por la emigracióón, la mortalidad por epidemias, las muertes por la guerra, la caíída en el núúmero de nacimientos, o simplemente error estadíístico? Leyendo la historia demográáfica de la Revolucióón de un censo posterior, como por ejemplo el de 1930, ya que goza de reconocimiento por su calidad y confiabilidad, puede llevarse a cifras, por sexo y edad, mejor fundamentadas. En téérminos de las péérdidas de vidas, las nuevas estimaciones colocan a la Revolucióón Mexicana, junto con la Guerra Civil Españñola, como la novena guerra con mayor mortalidad en el contexto internacional, en los úúltimos dos siglos.


2019 ◽  
Vol 27 (3) ◽  
pp. 341-345
Author(s):  
Nir Arielli ◽  
Enrico Acciai

This is an introduction to a special issue on the role played by veterans of the Spanish Civil War’s International Brigades during the Second World War. It argues that the study of these veterans is worthwhile for three reasons: the extraordinary mobility that the antifascist struggle of the years 1936–45 enabled; the microcosm it provides for the assessment of what happens when ideologically fuelled concerns meet pragmatic wartime needs; and the relevance of how governments and military organizations have dealt with suspect returnees in the past for present-day dilemmas that several governments face.


2021 ◽  
Vol 51 (3-4) ◽  
pp. 228-238
Author(s):  
Naomi Toth

In Three Guineas (1938), Virginia Woolf voluntarily discusses images of the Spanish Civil War in generic terms. Susan Sontag famously criticized Woolf’s position, claiming that her decision to generalize ‘dismisses politics’, preventing the adoption of a clear anti-fascist stand on the Spanish conflict. I argue, on the contrary, that Woolf’s recourse to the generic turns the spotlight away from the Spanish front in order to make a very political point about the violence of patriarchy that structures the British viewers’ own society. Woolf does this by highlighting the role gendered experiences of the past play in shaping the viewer’s present perception of, and affective reactions to, images of warfare. This allows readers of Woolf’s fiction to more clearly identify the feminist thrust of her depictions of World War I’s impact on the domestic sphere in her novels of the 1920s, To the Lighthouse in particular.


2013 ◽  
Vol 26 (1) ◽  
pp. 31-59 ◽  
Author(s):  
Aitor Anduaga

ArgumentThis paper analyzes the concept of militarization in both senses of the word, that of mobilization for war and that of social control exercised by military forces. During the Spanish Civil War (1936–1939), the role and nature of meteorology was transformed by the rebel band on the basis of the mythification of a Service model that was supported by victory and that would be projected as a paradigm for the postwar years. The new Servicio Meteorológico Nacional reflected the social control exerted by the Franco regime and its aeronautical and military interests. The “amphibianism” – or quality of being both civil and military simultaneously – is one of the main features of this transformation. Interestingly, this dual (civil and military) condition of meteorologist appears to be intrinsic to the construction of a new “sphere of practices and knowledge” in Francoist Spain.


1970 ◽  
Vol 42 (117) ◽  
pp. 145-158
Author(s):  
Lasse-Emil Paulsen

A CONTRIBUTION TO A COMMON EUROPEAN MEMORY | Since 1975 Spain has been engaged in the recuperation of the memory of the past. Yet there seems to be an agreement that it is only over the course of the last ten years that an open and genuine debate has started. The purpose of this article is to re-think the argument, stating that what is at stake is really a change of form in the memory debate. Drawing on theories from Astrid Erll (2011) and Michael Rothberg (2009), the article aims to show how the novel Sefarad by the Spanish author Antonio Muñoz Molina could be read as a literary manifestation of a multidirectional memory, in which different memory scenarios in dialogue inscribe the memory of the Spanish Civil War and the subsequent dictatorship into a common European memory context. Moreover, the article argues that Sefarad positions itself as a paradigmatic example of a global cosmopolitan memory discourse which tries to transcend traditional Manichean divisions between “us” and “them”. In the context of Spanish contemporary politics, it is hard to imagine how a cosmopolitan approach should be implemented without risks of political (ab)use. In that respect it will be argued that the literary discourse, seen as a reconciliatory discourse, takes precedence over other discourses in the ongoing memory debate by emphasizing a collective and transnational responsibility for the past.


Author(s):  
Montserrat Gatell Perez

Maria Barbal’s Pallars Cycle has its origin in Pedra de tartera. In this cycle Barbal creates a literary universe which recovers lost space and time: rural life in the Pyrenees during the mid-20th century. Main threads articulating this cycle are the Spanish Civil War and rural exodus. Both events relate Pedra de tartera with memory narratives that deal with remembrance and testimonies of war and its aftermath. The article aims to ground the relationship between the novel’s structuring of war memory through literary reconstruction of the past, fictionalizations of memory and relationship between historic and literary facts.


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