Towards a New Sphere of Practices and Knowledge: The Militarization of Meteorology in Francoist Spain

2013 ◽  
Vol 26 (1) ◽  
pp. 31-59 ◽  
Author(s):  
Aitor Anduaga

ArgumentThis paper analyzes the concept of militarization in both senses of the word, that of mobilization for war and that of social control exercised by military forces. During the Spanish Civil War (1936–1939), the role and nature of meteorology was transformed by the rebel band on the basis of the mythification of a Service model that was supported by victory and that would be projected as a paradigm for the postwar years. The new Servicio Meteorológico Nacional reflected the social control exerted by the Franco regime and its aeronautical and military interests. The “amphibianism” – or quality of being both civil and military simultaneously – is one of the main features of this transformation. Interestingly, this dual (civil and military) condition of meteorologist appears to be intrinsic to the construction of a new “sphere of practices and knowledge” in Francoist Spain.

2014 ◽  
Vol 27 (1) ◽  
pp. 109-141 ◽  
Author(s):  
José M. Pacheco

ArgumentThis paper considers some aspects of the reception and development of contemporary mathematics in Spain during the first half of the twentieth century, more specifically between 1910 and 1950. It analyzes the possible influence of scientists’ mobility in the adoption of newer views or theories. A short overview of key points of the social and scientific background in nineteenth-century Spain locates the expounded facts in an appropriate context. Three leading threads are followed. First is the consideration of the mobility of some Spanish mathematicians during a period including World War I and World War II – when Spain was a theoretically neutral country – and the Spanish Civil War (1936–1939). Second, the emergence and socio-political behavior of a dominant mathematical group gathered around Julio Rey Pastor between 1915 and 1936 is also accounted for, as well as its continuity after the Civil War into the 1940s. Third, attention is paid to the migration or interior exile of a number of mathematicians as a consequence of the Civil War. The paper is organized around nine Tables containing information on mobility of mathematicians, doctorates awarded in the mathematical sciences, and mathematical production in Spain during this period, accompanied by statistical résumés and comments on interesting entries. The main conclusions drawn are: 1) a number of integrants of the Rey group, himself included, officially traveled to Austria, France, Germany, Italy, and Switzerland – usually after having obtained doctorates and fixed positions – imported mathematical knowledge into Spain; 2) the group also managed to dominate the mathematical panorama from both the scientific and the sociological viewpoint; 3) social usages in Spanish mathematical affairs established in Spain in the years prior to the Civil War present a clear continuity under the Franco regime once the war was over.


2021 ◽  
Vol 10 (1) ◽  
pp. e010
Author(s):  
Carlos Píriz

During the Spanish Civil War of 1936-1939, some thirty Diplomatic Missions opened their doors and create new sites for the reception of persecution victims under the protection of the right of asylum. However, beyond the humanitarian role, a tendentious collaboration of some of their delegates with the rebels could be seen from the beginning. Argentina and Chile, which held the Diplomatic Deanship in those years, were two prime examples of this. A good number of their representatives used various strategies to help the coup plotters of 1936, such as the refuge, care and irregular extraction of people or espionage. At the same time, they played a role that alternated between searching for consensus with other Diplomatic Missions (mainly the Latin American ones), which really meant demanding that those other legations follow their lead, and denouncing the excesses of the consolidated republican rearguard, especially on the international scene. A situation which tarnishes the image of the legitimate Spanish governments. Once the contest ended, many of those collaborators were praised and rewarded by the Franco regime, and other fascists regimes. This research focuses on demonstrating, based on original documentation and providing new and compelling data, that close (and proven) relationship.


Author(s):  
Omar G. Encarnación

This chapter explains the persistence of Spain’s ‘politics of forgetting’, a phenomenon revealed by the wilful intent to disremember the political memory of the violence of the Spanish Civil War and the human rights abuses of General Franco’s authoritarian regime. Looking beyond the traumas of the Civil War, the limits on transitional justice and truth-telling on the Franco regime imposed by a transition to democracy anchored on intra-elite pacts, and the conciliatory and forward-looking political culture that consolidated in the new democracy, this analysis emphasizes a decidedly less obvious explanation: the political uses of forgetting. Special attention is paid to how the absence of a reckoning with the past, protected politicians from both the right and the left from embarrassing and inconvenient political histories; facilitated the reinvention of the major political parties as democratic institutions; and lessened societal fears about repeating past historical mistakes. The conclusion of the chapter explains how the success of the current democratic regime, shifting public opinion about the past occasioned by greater awareness about the dark policies and legacies of the Franco regime, and generational change among Spain’s political class have in recent years diminished the political uses of forgetting. This, in turn, has allowed for a more honest treatment of the past in Spain’s public policies.


2005 ◽  
Vol 14 (2) ◽  
pp. 171-191 ◽  
Author(s):  
JULIUS RUIZ

This article considers whether the Franco regime pursued a genocidal policy against Republicans after the formal ending of hostilities on 1 April 1939. In post-war Spain, the primary mechanism for punishing Republicans was military tribunals. Francoist military justice was based on the assumption that responsibility for the civil war lay with the Republic: defendants were tried for the crime of ‘military rebellion’. This was, as Ramón Serrano Suñer admitted his memoirs, ‘turning justice on its head’. But although it was extremely harsh, post-war military justice was never exterminatory. The article stresses that the institutionalisation of military justice from 1937, following the arbitrary murders of 1936, contributed to a relative decline in executions. Although the regime's determination to punish Republicans for ‘military rebellion’ inevitably led to the initiation of tens of thousands of post-war military investigations, only a minority of cases ended in execution. This was especially the case from January 1940, when the higher military authorities ended the autonomy of military tribunals over sentencing. This reassertion of central control in January 1940 was part of a wider policy to ease the self-inflicted problem of prison overcrowding; successive parole decrees led to a substantial and permanent decrease in the number of inmates by 1945. Allied victory in the Second World War did not mark the beginning but the end of the process of bringing to a close mass military justice.


2021 ◽  
Vol 59 (2) ◽  
pp. 20-34
Author(s):  
Xavier Aldana Reyes

Abstract This article unpacks the cultural work that Juan Carlos Medina’s Insensibles, released in English as Painless, carries out in relation to Spain’s modern history and argues that the film’s painless children are an allegory of the country’s postdictatorship generations. The rendering of fascism as monstrous is less interesting than the connection of insensitivity to the Pacto del Olvido (Pact of Forgetting) and its suppression of painful memory. The fact that the children speak Catalan is a significant overlooked aspect, because Catalonia was the last region to succumb to Nationalist military forces during the Spanish Civil War (1936–39) and is known for its independentist fervor. A regionalist reading of the film does not simply connect the present and the past; it proposes that the children of the war mediate Spain’s current troubled relationship with historical trauma and act as an artistic response to centralist ideas of a unified and stable nation-state. Such a rethinking demonstrates that the horror genre continues to offer a language of anxiety capable of negotiating and contributing to debates around the importance of national accountability, war reparations, and the condemnation of genocide.​


2011 ◽  
Vol 16 ◽  
pp. 113-122
Author(s):  
Eszter Katona

The anniversary of Federico Garría Lorca's death and the outbreak of the Spanish Civil War is closely intertwined in the Spanish public awareness. The poet's birth date is equally an important date in the his toy of the Iberian nation, as Spain has lost its last colonies in 1898. Besides these two memorable dates, we also have to highlight 2007, when the Historical Memory Law (Ley de Memoria Histórica) was enacted, aiming to rehabilitate the victims of the Civil War and the Franco regime. This measure has launched such an avalanche on Spanish public life, that affected almost all the society in some way. The family of Garcia Lorca also had to take a commitment as the resting place of their world-famous relative was still unknown. In addition to the identification of the body of the dead poet, Lorca's homosexuality is a constant topic in literary and historical arríes. Today, Spanish society accepts the sexual orientation of the poet, but it remains disputed whether it had a real effec t on Lorca's poetry. Lorca's Hungarian popularity began in 1947 when Gypsy Ballads was issued then the premier of Bernarda in 1955, and has remained unbroken ever since. In connection with this year's anniversary, this study aims to present these three topics — the location of Lorca's resting place, Lorca's homosexuality, Lorca's reception in Hungary.


Prospects ◽  
1985 ◽  
Vol 10 ◽  
pp. 169-195 ◽  
Author(s):  
Lawrence W. Levine

In her recollections of the 1930s, Louise Tanner helped to create an image that has stayed with us despite a number of studies that should have dissolved it by now. Thirties movies were, she insisted,a flop as a source of Communist propaganda. Some studios – notably Warner brothers – tried to bring Father to grips with social reality. But most of the cinemoguls agreed with Louis B. Mayer that Dad got all the social significance he needed at home. The script writers of Hollywood might take the Spanish Civil War to heart but they were more concerned with a public that preferred Carole Lombard doing secretarial work in a penthouse with a white telephone. Father sitting there in the dark forgot his own plight as he watched the gods and goddesses of the screen sweeping down staircases into dining rooms with a footman behind every chair. Depression movies portrayed an America devoid of economic conflict.


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