The Crisis of Literature in the 1790s: Print Culture and the Public Sphere by Paul Keen

2003 ◽  
Vol 29 (3-4) ◽  
pp. 274-276
Author(s):  
Gary Kelly
2017 ◽  
Vol 14 ◽  
pp. 106-128
Author(s):  
Ruth Hemstad

“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.


October ◽  
2017 ◽  
Vol 159 ◽  
pp. 3-6
Author(s):  
Hal Foster

In the face of Trumpism and its peculiar mix of the buffoonish and the lethal, Foster suggests that we “pump up” past theoretical concepts by raising them to a higher degree. Social media, for example, could thereby be considered the “fifth estate,” a force that outdoes the “fourth estate” of journalistic media and thereby evacuates the last residues of the public sphere that, over fifty years ago, Jürgen Habermas associated with the advent of print culture. Peter Sloterdijk's notion of cynical reason, too, must be raised to a higher power in order to comprehend the Trumpist mentality; perhaps in this post-truth era, we should speak instead of “noncynical unreason”? And while the concept of the “primal father” is so outrageous that it cannot be inflated, Foster argues, it is one that we must grapple with in the face of a figure who, like Freud's figure, embodies the law and simultaneously performs its transgression.


PMLA ◽  
1998 ◽  
Vol 113 (2) ◽  
pp. 212-226 ◽  
Author(s):  
Christopher Flint

An enormously popular narrative device, speaking objects were used frequently in eighteenth-century British fiction to express authorial concerns about the circulation of books in the public sphere. Relating the speaking object to the author's status in a print culture, works featuring such narrators characteristically align authorship, commodification, and national acculturation. The objects celebrate their capacity to exploit both private and public systems of circulation, such as libraries, banks, booksellers' shops, highways, and taverns. Linking storytelling to commodities and capital, they convey an implicit theory of culture in which literary dissemination, economic exchange, and public use appear homologous. But as object narratives dramatize, such circulation estranges modern authors from their work. Far from mediating between private and public experience or synthesizing national and cosmopolitan values, these narratives record the indiscriminate consumption that characterizes the public sphere in a print culture.


2014 ◽  
Vol 46 (2) ◽  
pp. 353-379
Author(s):  
JAMES P. WOODARD

AbstractAn examination of the Brazilian newspaper O Combate, this article accomplishes four goals. First, it defines the politics of a periodical long cited but little understood by historians. Second, it documents O Combate's place, alongside other ‘yellow press’ outlets, in the making of a ‘public sphere’ in São Paulo. Third, it situates the same publications' role in the bringing into being of a more commercial, publicity-driven press, which would shed the yellow press's radicalism and abet the collapse of the public sphere of its heyday. Fourth, it suggests that O Combate's radical republicanism was one fount of the democratic radicalism of the late 1920s and early 1930s, as well as of the regionally chauvinist constitutionalism of 1932–7. In this rare application of the ‘public sphere’ idea to twentieth-century Brazil, readers may also detect an account closer to Jürgen Habermas’ original formulation than that found in the historiography of nineteenth-century Spanish America.


2017 ◽  
Vol 56 (4) ◽  
pp. 816-835 ◽  
Author(s):  
Jason Peacey

AbstractBased upon the idea that debates regarding the “public sphere” have paid insufficient attention to the notion of multiple publics and the movement of texts across state borders, this article explores how print culture provided ways of promoting transterritorial publics. It does so by revisiting the vexed notion of the “British problem” in the seventeenth century and relations between Scottish Covenanters and English parliamentarians, and by emphasizing the need to consider print culture in tandem with state formation. It demonstrates that a significant volume of printed material––produced both in England and Scotland, and sometimes collaboratively––reflected and promoted cross-border cooperation, thereby fostering a nascent Anglo-Scottish public. It also emphasizes that the practices involved were intimately linked to attempts to establish federal political institutions that both responded to the existence of a “British” public and necessitated its further development. Ultimately, however, the need to address and maintain such a public led to printed texts being used to navigate tensions between Covenanters and parliamentarians, to the point where Anglo-Scottish interests gave way to national interests, where resistance grew to the legitimacy of using print as a cross-border device, and where print helped to undermine cross-border cooperation.


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