“A Stalwart Motor of Revolutions”: An American Merchant in Pernambuco, 1817-1825

2008 ◽  
Vol 65 (1) ◽  
pp. 35-62 ◽  
Author(s):  
Caitlin A. Fitz

A new order for the New World was unfolding in the early nineteenth century, or so many in the United States believed. Between 1808 and 1825, all of Portuguese America and nearly all of Spanish America broke away from Europe, casting off Old World monarchs and inaugurating home-grown governments instead. People throughout the United States looked on with excitement, as the new order seemed at once to vindicate their own revolution as well as offer new possibilities for future progress. Free from obsolete European alliances, they hoped, the entire hemisphere could now rally together around republican government and commercial reciprocity. Statesmen and politicians were no exception, as men from Thomas Jefferson and James Monroe to John Quincy Adams and Henry Clay tried to exclude European influence from the hemisphere while securing new markets for American manufactures and agricultural surplus.

1961 ◽  
Vol 11 ◽  
pp. 1-21
Author(s):  
J. A. S. Grenville

In 1890 America was at peace, the golden age appeared to be at hand; unfettered by the miseries of European strife, in prosperous rather than splendid isolation, the American people confidently looked forward to an even more exciting future. But a new age of danger was rapidly approaching; the nineteenth-century conditions of American safety—geographical isolation, the British fleet, as it turned out, the ‘hostage’ of Canada in American hands, and the balance of power in Europe—were passing away. The era which had seen the new world fattening on the follies of the old was coming to an end; soon the follies of the old world impinged on the peace and prosperity of the new. Within three decades the contest for world power fought out in Europe, and the rise of the youngest of the great nations, Japan, was to endanger the safety of the United States. Yet few Americans recognized the full import of these changes and the need for fresh policies.


Author(s):  
Tia Byer

This paper discusses the combative literary and cultural relations between the Old World of Europe and the New World of the United States. In analysing the use of irony within nineteenth-century renditions of the travelogue genre, I trace the transatlantic struggle as originating from an American post-colonial inferiority complex. By examining Washington Irving’s 1820 The Sketch-Book of Geoffrey Crayon, Gent. and Nathaniel Hawthorne’s 1860 text The Marble Faun, this paper will demonstrate the New World’s advent of creative autonomy and self-perceived artistic decolonisation of the European forbears’ traditions.  I argue that within these texts, the subversion of the travelogue form enacts defiance of hegemonic European cultural assertion, producing literature that asserts its own existence and reflects the infant nation’s political inception. This paper additionally interrogates and evaluates the literary epoch of the American Renaissance and its imagined status as being the beginnings of American artistry.


Perceptions ◽  
2018 ◽  
Vol 4 (2) ◽  
pp. 5
Author(s):  
Julius Nathan Fortaleza Klinger

The purpose of this paper is to explore the question of whether or not early nineteenth-century lawmakers saw the Missouri Compromise of 1820 as a true solution to the question of slavery in the United States, or if it was simply a stopgap solution. The information used to conduct this research paper comes in the form of a collation of primary and secondary sources. My findings indicate that the debate over Missouri's statehood was in fact about slavery in the US, and that the underlying causes of the Civil War were already quite prevalent four whole decades before the conflict broke out.


2019 ◽  
Vol 76 (1) ◽  
pp. 5-40 ◽  
Author(s):  
Benjamin N. Narváez

Abolition forced planters in the post-Civil War US South to consider new sources and forms of labor. Some looked to Spanish America for answers. Cuba had long played a prominent role in the American imagination because of its proximity, geostrategic location, and potential as a slave state prior to the Civil War. Even as the United States embraced abolition and Cuba maintained slavery, the island presented Southern planters with potential labor solutions. Cuban elites had been using male Chinese indentured workers (“coolies” or colonos asiáticos) to supplement slave labor and delay the rise of free labor since 1847. Planters in coastal Peru similarly embraced Chinese indentured labor in 1849 as abolition neared. Before the Civil War, Southerners generally had noted these developments with anxiety, fearing that coolies were morally corrupt and detrimental to slavery. However, for many, these concerns receded once legal slavery ended. Planters wanted cheap exploitable labor, which coolies appeared to offer. Thus, during Reconstruction, Southern elites, especially in Louisiana, attempted to use Chinese indentured workers to minimize changes in labor relations.


2019 ◽  
Vol 79 (2) ◽  
pp. 383-416 ◽  
Author(s):  
Santiago Pérez

I compare rates of intergenerational occupational mobility across four countries in the late nineteenth century: 1869–1895 Argentina, 1850–1880 United States, 1851–1881 Britain, and 1865–1900 Norway. Argentina and the United States had similar levels of intergenerational mobility, and these levels were above those of Britain and Norway. These findings suggest that the higher mobility of nineteenth-century United States relative to Britain might not have been a reflection of “American exceptionalism,” but rather a manifestation of more widespread differences between settler economies of the New World and Europe.


Slavic Review ◽  
1990 ◽  
Vol 49 (3) ◽  
pp. 335-349
Author(s):  
Priscilla R. Roosevelt

In “Baryshnia-krestianka” Aleksandr Pushkin introduces us to Grigorii Ivanovich Muromskii, a “nastoiashchii russkii barin” reduced to living on his one remaining estate, who squanders his remaining wealth creating an “Angliiskii sad.” The gardening revolution of eighteenth century England, inspired by the overgrown ruins of Rome and Naples and by a new feeling for untrammeled nature, set in motion a vogue for informal, picturesque landscaping that swept across Europe, altered garden design in the United States, and reached Russia in the reign of Catherine as the harbinger of a later, more pervasive aristocratic Anglomania. As Muromskii's landscaping proclivities suggest, by the early nineteenth century the English or “irregular” garden had become a universal form for the Russian country estate, its basic motifs carried out on whatever scale an estate owner could afford.


2012 ◽  
Author(s):  
◽  
Kate M. Kocyba

In the nineteenth century the Episcopalians used Gothic Revival architecture for dogmatic purposes to define their status among Protestant denominations and secure their place in the United States of America. The discussion of neo-Gothic churches in America usually begins after the arrival of the English theological Oxford Movement in the 1830s. I claim the political changes that occurred with the American Revolution along with early nineteenth century American tensions between low and high church Episcopalians fostered a distinct American Episcopalian neo-Gothic church development. Through exchanges of ideas between English and American clergy and architects, American Episcopal High Church architecture developed and spread throughout the United States. By examining specific churches, including those by Frank Wills and Richard Upjohn, in context of Anglican and Episcopalian doctrine, its liturgical practices, and publications by architects and English and American ecclesiological societies, I show how and why neo-Gothic churches became solidified as a signifier of and reinforced the Episcopal faith.


Author(s):  
Tresa Randall

Hanya Holm arrived in the United States in September 1931 to open the New York Wigman School, created under the patronage of impresario Sol Hurok. On the heels of Mary Wigman's first, highly acclaimed U.S. tour from 1930 to 1931, interest in the Wigman method was high among American dancers, and a small staff from the Wigman Central Institute in Dresden, led by Holm, were sent to New York to capitalize on it. This chapter counters the standard narrative of Holm's assimilation and Americanization. Focusing on Holm's writings during her early years in the United States, it demonstrates how she saw her New World milieu through an Old World lens, conceptualizing the United States as a fragmented society (Gesellschaft) in need of a community that integrated its members and that dance could provide (Tanzgemeinschaft).


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