scholarly journals Collecting Theater in Republican Beijing: Research Methods and the Birth of Chinese Opera Studies in Early Twentieth-Century China

2021 ◽  
Vol 46 (1) ◽  
pp. 3-21
Author(s):  
Hsiao-Chun Wu
Author(s):  
Miftahul Habib Fachrurozi

This study aimed to examine and analyze the Abdul Rivai’s thought of Nationalism in Bintang Hindia newspapers. This study uses historical research methods based on research stages described by Kuntowijoyo with stages (1) Selection of topics, (2) Heuristics (source collection), (3) Source criticism, (4) Interpretation, (5) Historiography. The results showed that the press had an important role in spreading national awareness of Indonesia in the early twentieth century. One of the press figures whose thinking was influential in that era was Abdul Rivai. The Abdul Rivai’s thought of Nationalism was seen in a number of concepts or ideas written in the Bintang Hindia. Such concepts or ideas include , bangsa hindia, bangsawan fikiran, kaoem moeda, dan perhimpoenan kaoem moeda. The thought of Abdul Rivai gave awareness to the indegenous people, especially the educated people to unite and glorify the indegenous people. The thought of Abdul Rivai is capable of being a stimulus to foster national awarness among the educated native so that it will be able to liberate Indonesia from colonial bondage.


Author(s):  
Julio Capó

This introduction lays out the major themes and parameters of the book. It delineates the multi-textured meanings of “fairyland”—a term crafted by white urban boosters by the early twentieth century—to a diverse group of people who traveled to and settled in the Greater Miami area from 1890 to 1940. The introduction stresses how migration and immigration, tourism, and trade to and from the Caribbean proved central to shaping the image of Miami as fairyland, a moniker that allowed gender and sexual transgressives to carve out a space for themselves in the nascent city. It emphasizes the significance of Miami’s queer past by situating this research in the existing literature, particularly in the fields of queer, transnational, Caribbean, tourism, and immigration and migration history. This introduction also offers an overview of each chapter and the book’s research methods, methodology, and use of archives.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.


2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.


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