Jacques Ellul’s influence on Neil Postman

2021 ◽  
Vol 20 (4) ◽  
pp. 407-418 ◽  
Author(s):  
Geraldine E. Forsberg
Keyword(s):  
Historical Development ◽  
Media Ecology ◽  
Major Influence ◽  
Jacques Ellul

This article discusses the intellectual relationship between Jacques Ellul and Neil Postman and addresses the question: How did the French philosopher influence the writings and ideas of the leading media ecologist Neil Postman? The author traces the historical development of Postman's books and examines his writings for reference to Jacques Ellul. Through this analysis it becomes apparent that Ellul had a major influence on Postman's ideas, his books, and the direction of his scholarship. Thus, one can more fully understand the contribution that Ellul has had to media ecology.

scholarly journals CRUSADE AND ITS EFFECT ON THE EAST AND THE WEST

Al-Albab ◽  
2015 ◽  
Vol 4 (2) ◽  
Author(s):  
Ahmad Sahide
Keyword(s):  
Historical Development ◽  
The United States ◽  
Major Influence ◽  
The West ◽  
Islamic World ◽  
Left Behind ◽  
World Today ◽  
East Region ◽  
Islamic Thought ◽  
History Of

The Crusade is an important part of the history of Islamic thought, development, culture and civilization. The Crusade which changed the path of human historical development, especially of the Islamic world, had a major influence on the encounter between the West and the East (the Islamic world) today. By understanding the history, the Crusade, we can find the correlation of the hegemony of the Western countries, especially between the United States and the Islamic world today, especially in the Middle the East region. the Western presence in all aspects of life of the contemporary Islamic world, which is far left behind, has historical relevance of the Crusade. This paper seeks to review the Crusade and its influence on the development of the contemporary Islamic world and the West.

From Trinidad and Tobago to the World: Determining the role of Calypso in a new Era

2020 ◽  
Vol 5 ◽  
pp. 7-11
Author(s):  
Malek Abdel-Shehid
Keyword(s):  
Trinidad And Tobago ◽  
Regional Integration ◽  
West African ◽  
Major Influence ◽  
New Era ◽  
Transatlantic Slave Trade ◽  
Cultural Sovereignty ◽  
Caribbean Culture ◽  
Musical Cultures

Calypso is a popular Caribbean musical genre that originated in the island nation of Trinidad and Tobago. The genre was developed primarily by enslaved West Africans brought to the region via the transatlantic slave trade during the seventeenth and eighteenth centuries. Although West-African Kaiso music was a major influence, the genre has also been shaped by other African genres, and by Indian, British, French, and Spanish musical cultures. Emerging in the early twentieth century, Calypso became a tool of resistance by Afro-Caribbean working-class Trinbagonians. Calypso flourished in Trinidad due to a combination of factors—namely, the migration of Afro-Caribbean people from across the region in search of upward social mobility. These people sought to expose the injustices perpetrated by a foreign European and a domestic elite against labourers in industries such as petroleum extraction. The genre is heavily anti-colonial, anti-imperial, and anti-elitist, and it advocated for regional integration. Although this did not occur immediately, Calypsonians sought to establish unity across the region regardless of race, nationality, and class through their songwriting and performing. Today, Calypso remains a unifying force and an important part of Caribbean culture. Considering Calypso's history and purpose, as well as its ever-changing creators and audiences, this essay will demonstrate that the goal of regional integration is not possible without cultural sovereignty.

Light Dramaturgy as an Element of an Integrated Approach to the Creation of Museum Expositions and Exhibition Projects

2019 ◽  
pp. 108-114
Author(s):  
Nicolay R. Vorobyov
Keyword(s):  
Final Stage ◽  
Historical Development ◽  
Integrated Approach ◽  
Lighting Design ◽  
Lighting System ◽  
Scientific Concepts ◽  
Hands On ◽  
Artistic Styles ◽  
The Creation

Architectural and artistic construction of museum is one of the most complex genres in environment development and design, with its inherent qualities, means of expressiveness, principles of environment and image development, scientific concepts, in the context of historical development, artistic styles and trends. The author of the article considers the artistic lighting design in isolation from the integral dramaturgy of the project to be deeply flawed, and the setting of accent lighting at the final stage Ц to be simple, but not outstanding. Based on extensive hands-on experience in the construction of museum expositions, the author of the article reveals some peculiarities, especially significant to the participants of the lighting system setting for museums and other cultural facilities.

Modeling cetacean habitat use in an urban coastal area in southeastern Brazil

2020 ◽  
Vol 642 ◽  
pp. 227-240
Author(s):  
L Lodi ◽  
R Tardin ◽  
G Maricato
Keyword(s):  
Habitat Use ◽  
Protected Areas ◽  
Linear Models ◽  
Anthropogenic Activities ◽  
Buffer Zone ◽  
Humpback Whales ◽  
Southeastern Brazil ◽  
Major Influence ◽  
Cetacean Species ◽  
Few Data

Most studies of cetacean habitat use do not consider the influence of anthropogenic activities. We investigated the influence of environmental and anthropogenic variables on habitat use by humpback Megaptera novaeangliae and Bryde’s whales Balaenoptera brydei off the coast of the Brazilian city of Rio de Janeiro. Although there are 2 marine protected areas (MPAs) in this area, few data are available on cetacean habitat use or on the overlap of different cetacean species within these MPAs. Our aim was to evaluate the effectiveness of the MPAs and propose a buffer zone to better protect the biodiversity of the study area. We conducted systematic surveys and developed spatial eigenvector generalized linear models to characterize habitat use by the species in the study area. Habitat use by humpback whales was influenced only by depth, whereas for Bryde’s whales there was the additional influence of anthropogenic variables. For Bryde’s whales, which use the area for feeding, sea surface temperature and the distance to anchorages had a major influence on habitat use. We also showed that neither of the MPAs in the study area adequately protects the hotspots of either whale species. Most of the humpback whale grid cells with high sighting predictions were located within 2 km of the MPAs, while areas of high sighting prediction of Bryde’s whales were located up to 5 km from the MPAs, closer to beaches. Our findings provide important insights for the delimitation of protected areas and zoning of the MPAs.

‘A disoriented vision of … fact’: Brian Friel, Francis Bacon, and Faith Healer

2020 ◽  
Vol 50 (2) ◽  
pp. 319-336
Author(s):  
Zosia Kuczyńska
Keyword(s):  
Creative Process ◽  
Francis Bacon ◽  
Major Influence ◽  
Artistic Practice ◽  
Archival Research ◽  
Faith Healer ◽  
Brian Friel ◽  
History Of ◽  
Composition Process

The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel's plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply structural. In this article, I draw on original archival research into the composition process of Friel's genre-defining play Faith Healer (1979) to bring to light a model of influence that operates at the level of artistic practice. Specifically, I examine the extent to which Friel's officially unacknowledged encounter with a book of interviews with painter Francis Bacon influenced the play in terms of character, language, and form. I suggest that Bacon's creative process – incorporating his ideas on the role of the artist, the workings of chance, and the extent to which art does violence to fact – may have had a major influence on both the play's development and on Friel's development as an artist.

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