Site Specific Work 2015 (Suggested Corporate Names – Catholic Church Child Abuse Compensation Entity)

Public ◽  
2018 ◽  
Vol 29 (58) ◽  
pp. 84-89
Author(s):  
Shevaun Wright
Keyword(s):  
Child Abuse ◽  
Catholic Church ◽  
Specific Work ◽  
Site Specific

scholarly journals Towards a New Pacific Theatre: Practice‐Led Enquiry into a Model of Theatre Making that Relates  to the Geography, Cultures and Spiritual Values of  Aotearoa/New Zealand

2021 ◽  
Author(s):  
◽  
Bert Van Dijk
Keyword(s):  
New Zealand ◽  
Performing Arts ◽  
Ethical Issues ◽  
Specific Work ◽  
Site Specific ◽  
Devised Theatre ◽  
Aotearoa New Zealand ◽  
Intercultural Performance ◽  
Time Space ◽  
And Performance

<p>This practice‐led research enquiry sets out to develop and test a model of theatre practice that relates to the unique geographic, cultural and spiritual dimensions of Aotearoa/New Zealand. In this practice, actors are connected with their body and the earth (they have feet), archetypal qualities inherent in nature and culture are incorporated into training and performance (return of the gods), a sense of adventure and risk‐taking is emphasized, and the practice relates to the multiple cultures and communities of Aotearoa/New Zealand. Presence, defined as the ability to be sensorially alive in the moment, and site‐specific performance, a creative response to locality, emerged as two of the key strategies to connect with self, other and the environment.  By investigating selected principles, strategies and values from the indigenous, pre‐European, Māori performing arts (whare tapere), devised theatre, the Michael Chekhov technique, and Japanese Noh theatre, an intercultural approach to site specific theatre evolved that interweaves the four pathways of collaboration, connection, exploration and transformation and their corresponding values. After considering the political and ethical issues of intercultural performance a number of principles to guide the process of intercultural exchange were formulated and tested. A vital component of this study was the creative development and performance of Ex_isle of Strangers – a site‐specific work developed in response to the tangible and intangible dimensions of Matiu/Somes Island. The research generated moments of practice that investigated the creative potential of residential devising processes and the transformative value of audience mobility in performances that involve physical and metaphorical journeying. These moments provided the participants (performers and spectators) time, space and opportunity to interact with one another and with the site they occupied, thus significantly increasing their level of physical and mental engagement with the work.</p>

scholarly journals When Public Art Goes Bad: Two Competing Features of Public Art

2019 ◽  
Vol 2 (1) ◽  
pp. 1-9
Author(s):  
Mary Beth Willard
Keyword(s):  
Public Art ◽  
The Other ◽  
Site Specificity ◽  
Specific Work ◽  
Site Specific ◽  
The Public ◽  
Public Work ◽  
A Site ◽  
Compare And Contrast

AbstractNot all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way. In this paper, I develop a Waltonian theory of the category of public art, according to which public art standardly is both accessible to the public and minimally site-specific. When a work lacks the standard features of the category to which it belongs, appreciators tend to perceive the work as aesthetically flawed. I then compare and contrast cases of successful and unsuccessful public art to show that accessibility and site-specificity are features which tend to preclude the other. It is difficult, although hardly impossible, for a site-specific work to remain accessible, and difficult for an accessible work to engage adequately with the site on which it is situated. As a result, while not all public art is bad, the features peculiar to public work encourage a latent tendency toward badness.

Jay Pather Reimagining Site-Specific Cartographies of Belonging

2018 ◽  
Vol 50 (2) ◽  
pp. 31-44
Author(s):  
Ketu H. Katrak
Keyword(s):  
South Africa ◽  
New York ◽  
South African ◽  
Specific Work ◽  
Contemporary Dance ◽  
Site Specific ◽  
Classical Dance ◽  
Avant Garde ◽  
South Africans ◽  
Indian Classical Dance

This essay examines Jay Pather's site-specific workCityscapes(2002) within a theoretical discussion of the conjuncture and disjuncture of space and race in South Africa. Jay Pather, a South African of Indian ancestry, an innovative choreographer and curator of site-specific works, creatively uses space to inspire social change by providing access and challenging exclusions—social, cultural, political—of black and colored South Africans during apartheid (1948–1994) and after. A progressive vision underlies his avant-garde work expressed via a hybrid choreographic palette of South African classical and popular dance styles, Indian classical dance, modern and contemporary dance. His choreography is performed across South Africa and the African continent as well as in Denmark, Mumbai, and New York City.

scholarly journals An inconvenient truth: barriers to truth recovery in the aftermath of institutional child abuse in Ireland

Legal Studies ◽  
2013 ◽  
Vol 33 (2) ◽  
pp. 189-214 ◽  
Author(s):  
Anne-Marie McAlinden
Keyword(s):  
Child Abuse ◽  
Child Care ◽  
Transitional Justice ◽  
Catholic Church ◽  
Church And State ◽  
The Public ◽  
High Profile ◽  
An Inconvenient Truth ◽  
The Usa ◽  
The Republic

Contemporary settled democracies, including the USA, England and Wales and Ireland, have witnessed a string of high-profile cases of institutional child abuse in both Church and State settings. Set against the broader literature on transitional justice, this analysis argues that there are significant barriers to truth recovery within the particular context of historical institutional abuse by the clergy in the Republic of Ireland. In the main, it argues that the frameworks of the inquiries and commissions into historical institutional child abuse are not conducive to truth recovery or the search for justice in dealing with the legacy of an abusive past. It is the Church–State relationship which makes the Irish situation noteworthy and unique. The Catholic Church and child care institutions are especially self-protective, secretive and closed by nature, and strongly discourage the drawing of attention to any deficiencies in organisational procedures. The nature of the public inquiry process also means that there is often a rather linear focus on accountability and apportioning blame. Collectively, such difficulties inhibit fuller systemic investigation of the veracity of what actually happened and, in turn, meaningful modification of child care policies. The paper concludes by offering some thoughts on the implications for transitional justice discourses more broadly as well as the residual issues for Ireland and other settled democracies in terms of moving on from the legacy of institutional child abuse.

scholarly journals Irreconcilable differences? The fraught relationship between women and the Catholic Church in Ireland

2017 ◽  
Author(s):  
Sharon Tighe-Mooney
Keyword(s):  
Child Abuse ◽  
Gender Equality ◽  
Catholic Church ◽  
Human Sexuality ◽  
Irish Society ◽  
Double Standards ◽  
The Future ◽  
Irish Women ◽  
The Church ◽  
The Catholic Church

Sharon Tighe-Mooney’s chapter sees the divorce, contraception and abortion referenda of the 1980s and 90s as a watershed for Irish women, as these were issues that impacted directly on their lives. Tighe-Mooney examines the events of the past four decades in Irish society in the context of the weakening hegemony of the Catholic Church juxtaposed with the growing realisation by women, especially when the child abuse scandals broke, that their lives had been framed by a celibate male-dominated institution that displayed serious double standards in the area of human sexuality. She argues that in order to survive into the future, the Church will be increasingly dependent on women remaining active within the institution. As Irish women Catholics are demanding a central role in the running of a Church that has shown itself allergic to change, especially when it comes to gender equality, Tighe-Mooney wonders what the future holds for both groups.

Improvisational Listening: Audiowalk – St Enda’s Park

2021 ◽  
Vol 26 (1) ◽  
pp. 119-128
Author(s):  
Jimmy Eadie
Keyword(s):  
Critical Reflection ◽  
Sensory Experience ◽  
Specific Work ◽  
Flow State ◽  
Site Specific

This article discusses the affordance of headphone listening as a sensory experience within a responsive, interactive and improvisational site-specific audiowalk. The intention here is to elucidate how correlational and dialectic tensions between improvisation and listening have informed an approach to creating the geolocative project: Audiowalk – St Enda’s Park. Initially using the concept of soundwalking, as both a touchstone and a springboard, I explore some of the theoretical and dialogic underpinnings that have grounded this process-orientated work. The discussion is then extended into a phenomenological application of improvisational listening and walking in this form of somatic art, and particularly how this can impact the immersive experience for the participant/performer. The theoretical grounding and telos are explored in terms of the improvisational ‘flow’ state and how this accentuates and engenders an awareness of a soundscape through contextual and ethnographic aural histories. Critical reflection and analysis will be discussed throughout in attaining greater epistemological efficacy dealing with concepts of place and memory within this site-specific work.

‘Let history judge who was to blame’, 1990–1998

2019 ◽  
pp. 159-198
Author(s):  
Margaret M. Scull
Keyword(s):  
Child Abuse ◽  
Catholic Church ◽  
Peace Process ◽  
Good Friday ◽  
Church Hierarchy ◽  
Good Friday Agreement ◽  
One Step ◽  
The Church ◽  
The Catholic Church

Individuals within the Church, rather than the institution as a whole, became the main negotiators for peace after the revelations of clerical child abuse in the early 1990s. Priests like Fathers Alec Reid, Gerry Reynolds, and Denis Faul worked privately to convince paramilitary groups to lay down their weapons. The Church hierarchy was forced into a defensive position in order to protect its reputation as a moral arbiter after the child abuse revelations. The institutional Catholic Church was no longer able to play a role in the peace process by this point. However, individual priests who fostered relationships with their Protestant counterparts continued to act as negotiators for an end to the conflict. The signing of the Belfast/Good Friday Agreement marked one step in the peace process but after this point the Catholic Church had no influence on these policies.

Sound – Time – Space – Movement: the Space-soundInstallations of the artist-couple 〈sabine schäfer // joachim krebs〉

2003 ◽  
Vol 8 (2) ◽  
pp. 213-225 ◽  
Author(s):  
SABINE SCHÄFER ◽  
JOACHIM KREBS
Keyword(s):  
Critical Analysis ◽  
Specific Work ◽  
Time And Space ◽  
Site Specific ◽  
Time Space ◽  
Principal Work

This article describes the theories and practices of the German installation artists and composers Sabine Schäfer and Joachim Krebs. Much of their work concerns site-specific sound installations involving the articulation of time and space. Their principal work methods and materials are described. In addition, they have formulated a typology of five installation types which they describe using their own installations as examples. Each installation type responds to a particular set of aesthetic and practical challenges both for the artists and the visitors. These are discussed and illustrated in the article. The typology extends beyond the specific work of these artists and can be applied to installations in general, thus providing a framework for critical analysis. Furthermore, the translators have discussed the issues regarding the specialised vocabulary of the artists and the rendering of such language into English.

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