Sound – Time – Space – Movement: the Space-soundInstallations of the artist-couple 〈sabine schäfer // joachim krebs〉

2003 ◽  
Vol 8 (2) ◽  
pp. 213-225 ◽  
Author(s):  
SABINE SCHÄFER ◽  
JOACHIM KREBS
Keyword(s):  
Critical Analysis ◽  
Specific Work ◽  
Time And Space ◽  
Site Specific ◽  
Time Space ◽  
Principal Work

This article describes the theories and practices of the German installation artists and composers Sabine Schäfer and Joachim Krebs. Much of their work concerns site-specific sound installations involving the articulation of time and space. Their principal work methods and materials are described. In addition, they have formulated a typology of five installation types which they describe using their own installations as examples. Each installation type responds to a particular set of aesthetic and practical challenges both for the artists and the visitors. These are discussed and illustrated in the article. The typology extends beyond the specific work of these artists and can be applied to installations in general, thus providing a framework for critical analysis. Furthermore, the translators have discussed the issues regarding the specialised vocabulary of the artists and the rendering of such language into English.

scholarly journals Towards a New Pacific Theatre: Practice‐Led Enquiry into a Model of Theatre Making that Relates  to the Geography, Cultures and Spiritual Values of  Aotearoa/New Zealand

2021 ◽  
Author(s):  
◽  
Bert Van Dijk
Keyword(s):  
New Zealand ◽  
Performing Arts ◽  
Ethical Issues ◽  
Specific Work ◽  
Site Specific ◽  
Devised Theatre ◽  
Aotearoa New Zealand ◽  
Intercultural Performance ◽  
Time Space ◽  
And Performance

<p>This practice‐led research enquiry sets out to develop and test a model of theatre practice that relates to the unique geographic, cultural and spiritual dimensions of Aotearoa/New Zealand. In this practice, actors are connected with their body and the earth (they have feet), archetypal qualities inherent in nature and culture are incorporated into training and performance (return of the gods), a sense of adventure and risk‐taking is emphasized, and the practice relates to the multiple cultures and communities of Aotearoa/New Zealand. Presence, defined as the ability to be sensorially alive in the moment, and site‐specific performance, a creative response to locality, emerged as two of the key strategies to connect with self, other and the environment.  By investigating selected principles, strategies and values from the indigenous, pre‐European, Māori performing arts (whare tapere), devised theatre, the Michael Chekhov technique, and Japanese Noh theatre, an intercultural approach to site specific theatre evolved that interweaves the four pathways of collaboration, connection, exploration and transformation and their corresponding values. After considering the political and ethical issues of intercultural performance a number of principles to guide the process of intercultural exchange were formulated and tested. A vital component of this study was the creative development and performance of Ex_isle of Strangers – a site‐specific work developed in response to the tangible and intangible dimensions of Matiu/Somes Island. The research generated moments of practice that investigated the creative potential of residential devising processes and the transformative value of audience mobility in performances that involve physical and metaphorical journeying. These moments provided the participants (performers and spectators) time, space and opportunity to interact with one another and with the site they occupied, thus significantly increasing their level of physical and mental engagement with the work.</p>

scholarly journals Towards a New Pacific Theatre: Practice‐Led Enquiry into a Model of Theatre Making that Relates  to the Geography, Cultures and Spiritual Values of  Aotearoa/New Zealand

2021 ◽  
Author(s):  
◽  
Bert Van Dijk
Keyword(s):  
New Zealand ◽  
Performing Arts ◽  
Ethical Issues ◽  
Specific Work ◽  
Site Specific ◽  
Devised Theatre ◽  
Aotearoa New Zealand ◽  
Intercultural Performance ◽  
Time Space ◽  
And Performance

<p>This practice‐led research enquiry sets out to develop and test a model of theatre practice that relates to the unique geographic, cultural and spiritual dimensions of Aotearoa/New Zealand. In this practice, actors are connected with their body and the earth (they have feet), archetypal qualities inherent in nature and culture are incorporated into training and performance (return of the gods), a sense of adventure and risk‐taking is emphasized, and the practice relates to the multiple cultures and communities of Aotearoa/New Zealand. Presence, defined as the ability to be sensorially alive in the moment, and site‐specific performance, a creative response to locality, emerged as two of the key strategies to connect with self, other and the environment.  By investigating selected principles, strategies and values from the indigenous, pre‐European, Māori performing arts (whare tapere), devised theatre, the Michael Chekhov technique, and Japanese Noh theatre, an intercultural approach to site specific theatre evolved that interweaves the four pathways of collaboration, connection, exploration and transformation and their corresponding values. After considering the political and ethical issues of intercultural performance a number of principles to guide the process of intercultural exchange were formulated and tested. A vital component of this study was the creative development and performance of Ex_isle of Strangers – a site‐specific work developed in response to the tangible and intangible dimensions of Matiu/Somes Island. The research generated moments of practice that investigated the creative potential of residential devising processes and the transformative value of audience mobility in performances that involve physical and metaphorical journeying. These moments provided the participants (performers and spectators) time, space and opportunity to interact with one another and with the site they occupied, thus significantly increasing their level of physical and mental engagement with the work.</p>

scholarly journals A teoria do sonho de F. S. perls: evolução, problemas teóricos e práticos

2021 ◽  
Vol 27 (2) ◽  
pp. 227-241
Author(s):  
David CEBALLOS
Keyword(s):  
Clinical Practice ◽  
Critical Analysis ◽  
Classical Model ◽  
Original Model ◽  
Gestalt Therapy ◽  
Specific Work ◽  
Three Stages ◽  
Dream Theory

The dream theory created by F. S. Perls, traditionally, has been characterized as a projection or an existential message. However, this description only represents a simplistic explanation of the broader and original conceptualization of the dream phenomenon developed by Perls. In this regard, in this paper an orderly exposition of the perlsian theory of the dream is done, as well as a critical analysis of the propositions on which it is based, paying special attention to the errors inherent in it and its implications in clinical practice. It is concluded that the perlsian theory of the oneiric evolved in three stages, namely, original model of the dream, model of correspondence and classical model of the dream, each of which constitutes, in its own right, a theory of the dream in which it defines the dream phenomenon in a particular way and is attributed to specific psychological and therapeutic functions, as well as a specific work methodology. Palavras-chave : Gestalt therapy; Dreams; Hallucinations; Fantasy; Eidetic imager.

scholarly journals The semantic connection of time and space in literary text

2019 ◽  
pp. 28-30
Author(s):  
Galina Aleksandrovna Sokolova
Keyword(s):  
Literary Work ◽  
Literary Text ◽  
Time And Space ◽  
Leading Role ◽  
Time Space ◽  
Points Of View ◽  
Space Concept

The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.

Counting Frequency

Social Text ◽  
2021 ◽  
Vol 39 (2) ◽  
pp. 25-49
Author(s):  
Christen A. Smith
Keyword(s):  
Black Women ◽  
Police Officers ◽  
Physical Violence ◽  
The United States ◽  
Black Female ◽  
Time And Space ◽  
Women’S Experiences ◽  
Women's Experiences ◽  
Time Space ◽  
Body Counting

Abstract Examining Black women's experiences with policing, this article argues that police terror is not predicated upon gender; rather, it enacts gender by undoing gender. Thus, it requires a new arithmetic of time and space in order to read beyond normative, hypermasculine narratives of police violence. While the dominant discourse of race and policing asserts that police terror disproportionately affects Black men, the frequency of Black women's experiences with police terror attunes to a lingering yet deadly impact beyond the linear, Cartesian dimensions of body counting, a frequency the article terms sequelae. Policing stretches and bends time and space as part of its (un)gendering practice. Through a brief survey of cases in Brazil and the United States, this article considers sequelae as a new arithmetic for calculating the multiple frequencies of police terror against Black women. Specifically, the article examines the case of Luana Barbosa dos Reis, a Black lesbian mother who was beaten to death by police officers in São Paulo in 2016. The article argues that her beating was an act of (un)gendering—a desire to both discipline her as a Black female/mother and erase her potential humanity by denying her desired gender identification (female). In this sense, her death was an act of anti-Black terror “in the wake.” Through a close reading of the police ledger, the police report, and the physical violence she endured, the article argues that her story teaches us the need for a new way of counting the frequency of police terror in relationship to time, space, and the Black female/mother body.

Blending Synchronous and Asynchronous Interactivity in Online Education

2010 ◽  
pp. 162-184 ◽  
Author(s):  
Kamna Malik
Keyword(s):  
Online Education ◽  
Hybrid Courses ◽  
Time And Space ◽  
Business Outcomes ◽  
Time Space ◽  
Market Pressure

Online education is characterized by conflicting variables of time, space and interactivity. In response to the market pressure for time and space flexibility, interactivity between student-student and studentteacher usually suffers. Literature reports lack of interaction as the prime reason for reduced quality in online and hybrid courses. This chapter emphasizes the need to balance time, space and interactivity through appropriate blending of tools of interactivity so as to maximize learning as well as business outcomes. Experience related to blended use of various synchronous and asynchronous tools of interaction is shared.

Entangled Belongings

2019 ◽  
Vol 11 (1-2) ◽  
pp. 193-213
Author(s):  
Jayne O. Ifekwunigwe
Keyword(s):  
African Diaspora ◽  
Lived Experiences ◽  
Critical Analysis ◽  
Southern Europe ◽  
Time And Space ◽  
Interpretive Paradigm ◽  
Ethnographic Narratives ◽  
Structural Inequalities

Abstract Based on auto/biographical and ethnographic narratives and conceptual theories, this essay explores the Global African Diaspora as a racialised space of belonging for African diasporas in the US, the UK, and – more recently – the clandestine migration zones from Africa to southern Europe. Both approaches are used to illustrate the author’s roots, routes, and detours; an interpretive paradigm highlighting the interconnectedness across time and space of differential African diasporas. The critical analysis interrogates transnational modalities of black and Global African Diasporic kinship, consciousness, and solidarity engendered by shared lived experiences of institutionalised racism, structural inequalities, and violence.

Boundaryless Work and the Role of Mobile ICT

2010 ◽  
pp. 927-941
Author(s):  
Ragnhild Mogren ◽  
Camilla Thunborg
Keyword(s):  
Boundary Object ◽  
Time And Space ◽  
Work Identity ◽  
Time Space ◽  
Social Theories ◽  
Boundaryless Work ◽  
Mobile Ict ◽  
Borderland Narratives ◽  
Extended Work

The change of structures of work towards fewer boundaries in time, space and tasks are sometimes referred to as boundaryless work. ICT is pointed out as one cause of this tendency. The aim of this chapter is to discuss the role of mobile ICT in the forming of the borderland between work and non-work and the identities formed in relation to this borderland: how is mobile ICT used in work and non-work, how is this use related to the forming of a borderland between work and non-work, what are the characteristics of the identities formed in this borderland? Narratives of experience of mobile ICT practices are analysed by means of social theories. The results show that mobile ICT is used as a boundary object between work and non-work. In distinguishing between functions and artefacts, between time and space, different identities are formed: extended work identity, border identity and boundaryless identity.

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