Transnational sports soundscapes: Soccer announcers and radio in Argentina and Chile, 1920s–60s

2021 ◽  
Vol 19 (1) ◽  
pp. 79-99
Author(s):  
Pedro Acuña
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
Cultural Studies ◽  
Mass Culture ◽  
Radio History ◽  
Sports Culture ◽  
Cultural Texts ◽  
Sports Films ◽  
Significant Mass

The article contributes to the field of cultural studies and radio history by focusing on soccer (or fútbol), arguably the most significant mass spectacle in twentieth-century Latin America. By exploring the trajectories, iconic voices and styles of sportscasters, the article reconstructs the masculine soundscape of soccer in Argentina and Chile between the 1920s and 1960s. Play-by-play announcers, who ranged from second-rate actors and singers to professional journalists, crafted their own versions of masculinity and nationalism that were central to representing sports culture in an increasingly transnational context. The article pays special attention to the sporting press, audio records and sports films, since many commentators borrowed heavily from other forms of mass culture. Their oral representations of the game, loaded with moral evaluations and political statements, can be seen as cultural texts because they enabled new ways of imagining sports for much larger audiences than those sitting in the stadium.

Jesús Martín Barbero and Communication Studies

2018 ◽  
Author(s):  
Claudia Lagos Lira
Keyword(s):  
Latin America ◽  
Cultural Studies ◽  
Latin American ◽  
Mass Culture ◽  
Communication Studies ◽  
Graduate Studies ◽  
The Social ◽  
Social Meanings ◽  
Entire Career ◽  
The 1960S

Jesús Martín Barbero is a philosopher specializing in communication and culture, particularly focusing on Latin America as his major geographical research environment and emphasizing the social meanings and practices of cultural consumption. Although he was born in Spain and his formal academic training was developed in Belgium and France, his entire career has been conducted in Latin America and, specifically, in Colombia, where he has lived since the 1960s, with a brief interruption due to his graduate studies in the 1970s. Along with others, Martín Barbero is considered to be one of the main theorists of the Latin American school of communication. He represents the cultural studies trend within it, and he is one of the few Latin American authors in communication and cultural studies who has been translated or published in English. Some of Martín Barbero’s main contributions have been to resituate communication studies within the broader field of culture, emphasizing a nonmedia-centered approach, proposing a radically historical perspective, arguing that the concepts of popular and mass culture are not actually opposite, but tightly embedded within each other, and recognizing that popular and mass culture practices are indeed worthy of study. This perspective has often been dismissed or neglected by previous research in communication and cultural studies in Latin America, and the recent focus on telenovelas research is one such example. De los medios a las mediaciones: Comunicación, Cultura y Hegemonía (1987), Martín Barbero’s most cited book, has several editions in Spanish and has been translated to Portuguese (Dos meios ‘as mediacoes, 1992) and French (Des médias aux mediations, 2002). The translation to English in 1993 includes a little twist on its title: Communication, Culture, and Hegemony: From Media to Mediations. Although Martín Barbero’s work has been included in edited volumes or special issues in English, it has been overwhelmingly published in Spanish. Drawing on his corpus of work—his books, articles, conferences, and interviews—this article offers an overview of Jesús Martín Barbero’s main concepts, his intellectual trajectory, his major intellectual influences, and how and why he became an influential thinker in the Latin American field of communication and cultural studies. It also highlights some limitations in Martín Barbero’s work.

‘A song goes round the world’: the German Schlager, as an organ of experience

Popular Music ◽  
2000 ◽  
Vol 19 (2) ◽  
pp. 147-180 ◽  
Author(s):  
Brian Currid
Keyword(s):  
Twentieth Century ◽  
Cultural Studies ◽  
Visual Culture ◽  
Popular Music ◽  
Mass Culture ◽  
Early Years ◽  
Music Practice ◽  
Siegfried Kracauer ◽  
Precise Understanding ◽  
Modern Mass

In recent work in film and cultural studies, the set of social configurations, practices of everyday life, and ideological formations that constitute twentieth-century ‘modernity’ have been increasingly the subject of research and debate. Fuelled by a renewed interest in critical phenomenologies of modernity, most prominently the work of Walter Benjamin and Siegfried Kracauer, scholars have focused the debate on the specific historicity of visual culture in the early years of the twentieth century, in order to illuminate the contradictory and fragmented nature of modern mass cultural experience. Fusing the theoretical traditions of critical theory with the empirical and theoretical interest in contradiction and contestation typical of cultural studies, not only does this debate open new perspectives for considering the problem of mass and/or ‘popular’ visual culture, it can also contribute to rethinking the way we discuss the historicity of popular music. Conversely, a more precise understanding of the historicity of popular music practice in modern mass culture, its institutions and modes of experience, can broaden the scope of this debate beyond the spectacles of visual culture to the ‘attractions’ of the acoustic.

Testing the Causal Mechanisms in Additional Cases

2017 ◽  
Author(s):  
Paul D. Kenny
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
Case Studies ◽  
Democratic Party ◽  
Party System ◽  
Liberal Democratic Party ◽  
System Stability ◽  
Relative Autonomy ◽  
Causal Mechanisms ◽  
Liberal Democratic

Case studies of Indonesia and Japan illustrate that party-system stability in patronage democracies is deeply affected by the relative autonomy of political brokers. Over the course of a decade, a series of decentralizing reforms in Indonesia weakened patronage-based parties hold on power, with the 2014 election ultimately being a contest between two rival populists: Joko Widodo and Subianto Prabowo. Although Japan was a patronage democracy throughout the twentieth century, the ruling Liberal Democratic Party (LDP) remained robust to outsider appeals even in the context of economic and corruption crises. However, reforms in the 1990s weakened the hold of central factional leaders over individual members of the LDP and their patronage machines. This was instrumental to populist Junichiro Koizumi’s winning of the presidency of the LDP and ultimately the prime ministership of Japan. This chapter also reexamines canonical cases of populism in Latin America.

Elites, Elite Settlements, and Revolutionary Movements in Latin America, 1950–1980: Introduction

1994 ◽  
Vol 18 (4) ◽  
pp. 543-574
Author(s):  
Timothy P. Wickham-Crowley
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
Latin American ◽  
American Politics ◽  
Social Revolution ◽  
Latin American Politics ◽  
Revolutionary Movements

Social revolutions as well as revolutionary movements have recently held great interest for both sociopolitical theorists and scholars of Latin American politics. Before we can proceed with any useful analysis, however, we must distinguish between these two related but not identical phenomena. Adapting Theda Skocpol’s approach, we can define social revolutions as “rapid, basic transformations of a society’s state and class structures; and they are accompanied and in part carried through by” mass-based revolts from below, sometimes in cross-class coalitions (Skocpol 1979: 4; Wickham-Crowley 1991:152). In the absence of such basic sociopolitical transformations, I will not speak of (social) revolution or of a revolutionary outcome, only about revolutionary movements, exertions, projects, and so forth. Studies of the failures and successes of twentieth-century Latin American revolutions have now joined the ongoing theoretical debate as to whether such outcomes occur due to society- or movement-centered processes or instead due to state- or regime-centered events (Wickham-Crowley 1992).

Unrevolutionary Mexico

2021 ◽  
Author(s):  
Paul Gillingham
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
Mexican Revolution ◽  
Cultural Control ◽  
Partido Revolucionario Institucional ◽  
Authoritarian State ◽  
Entry Points ◽  
Low Culture ◽  
New Generation

Unrevolutionary Mexico addresses how the Mexican Revolution (1910-1940) turned into a capitalist dictatorship of exceptional resilience. While soldiers seized power across the rest of Latin America, in modern Mexico the civilians of a single party moved punctiliously in and out of office for seventy-one years. The book uses the histories of the states of Guerrero and Veracruz as entry points to explore the origins and consolidation of this unique authoritarian state on both provincial and national levels. An empirically rich reconstruction of over sixty years of modernization and revolution (1880-1945) revises prevailing ideas of a pacified Mexico and establishes the 1940s as a decade of faltering governments and enduring violence. The book then assesses the pivotal changes of the mid-twentieth century, when a new generation of lawyers, bureaucrats and businessmen joined with surviving revolutionaries to form the Partido Revolucionario Institucional, which held uninterrupted power until 2000. Thematic chapters analyse elections, development, corruption and high and low culture in the period. The central role of military and private violence is explored in two further chapters that measure the weight of hidden coercion in keeping the party in power. In conclusion, the combination of provincial and national histories reveals Mexico as a place where soldiers prevented coups, a single party lost its own rigged elections, corruption fostered legitimacy, violence was concealed but decisive, and ambitious cultural control co-existed with a critical press and a disbelieving public. In conclusion, the book demonstrates how this strange dictatorship thrived not despite but because of its contradictions.

scholarly journals Latin American Universities: Stuck in the Twentieth Century

2017 ◽  
pp. 26-28 ◽  
Author(s):  
Marcelo Knobel ◽  
Andrés Bernasconi
Keyword(s):  
Higher Education ◽  
Twentieth Century ◽  
Latin America ◽  
Latin American ◽  
Education Sector ◽  
American Universities ◽  
Economic Progress ◽  
Flagship Universities ◽  
Latin American Universities

The higher education sector in Latin America has fallen short of its promise of spearheading cultural, social, and economic progress for the region. As higher education changes to meet the challenges on the new century, the few flagship universities of Latin America are called upon to lead. However, these universities face both internal and external obstacles that hinder their full modernization, threatening their leadership.

The State and the Electric-Power Industry in Mexico, 1895–1965

1965 ◽  
Vol 39 (4) ◽  
pp. 527-556 ◽  
Author(s):  
Miguel S. Wionczek
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
Electric Power ◽  
Electric Power Industry ◽  
Power Industry ◽  
The State ◽  
Basic Trend ◽  
Private Interests ◽  
State Participation

Increased state participation in the economy has been a basic trend in twentieth-century Latin America. In the process, however, once-protected private interests may fall—as in this case-study from Mexico.

scholarly journals América Latina: cidades, memórias e esquecimentos sob o olhar da literatura

REVISTA PLURI ◽  
2019 ◽  
Vol 1 (1) ◽  
pp. 91
Author(s):  
Yvone Dias Avelino
Keyword(s):  
Twentieth Century ◽  
Social Movements ◽  
Latin America ◽  
Latin American ◽  
Civil Servants ◽  
The Real ◽  
American Novels ◽  
History And Literature ◽  
America Latina ◽  
American Authors

Este artigo formula algumas reflexões sobre a associação da história com a literatura. Estabelecemos alguns nexos com trabalhos literários de autores latino-americanos do século XX. Nas páginas desses romances latino-americanos desfilam os expoentes de toda uma estrutura de dominação: políticos, velhos aristocratas, oportunistas recém-chegados, fazendeiros truculentos, funcionários públicos subservientes, advogados venais, representantes do capitalismo local, dominados e dominantes. Mostram-nos os vários escritores latino-americanos as ditaduras na sua insanidade grotesca, as repressões cruentas que fazem emergir os movimentos sociais populares. Estão presentes as turbulências do real e imaginário, utilitário e mágico, da dúvida e perplexidade, memória e esperança, do esquecimento e da desesperança, do espelho e labirinto.Palavras-chave: História, Literatura, Espelho, Labirinto, América Latina.AbstractThis article proposes some reflections about the association between history and literature. We have established some links with literary works written by Latin American authors of the twentieth century. In the pages of these Latin American novels the exponents of a whole structure of domination are paraded: politicians, old aristocrats, opportunist newcomers, truculent farmers, subservient civil servants, venal lawyers, representatives of local capitalism, dominated and dominant ones. The various Latin American writers show us dictatorships in their grotesque insanity, the bloody repressions that allow popular social movements to emerge. They outline the turbulences of the real and imaginary, utilitarian and magical, doubt and perplexity, memory and hope, forgetfulness and hopelessness, mirror and labyrinth.Keywords: History, Literature, Mirror, Labyrinth, Latin America.

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