Understanding the role of the South Korean cinema industry’s ‘Dolby consultants’

2012 ◽  
Vol 3 (1) ◽  
pp. 41-52 ◽  
Author(s):  
Julian Stringer
Keyword(s):  
The South ◽  
Korean Cinema ◽  
South Korean

(Re)mapping the Yanggongju and the Camptown in Shin Sang-ok's Hellflower

2020 ◽  
Vol 6 (2) ◽  
pp. 43-66
Author(s):  
Laura Ha Reizman
Keyword(s):  
Korean Peninsula ◽  
Korean War ◽  
The South ◽  
Military Dictatorship ◽  
New Era ◽  
South Korean ◽  
Us Military ◽  
The Korean War ◽  
Love Triangle

The Korean War (1950–53) changed the material and affective landscape of the Korean peninsula and ushered in a new era ruled by a military dictatorship dependent on US military power. With bases dotting the South Korean peninsula, former agricultural villages became camptowns that catered to the needs of American soldiers. This article focuses on the South Korean melodrama Chiokhwa (Hellflower, 1958), directed by Shin Sang-ok, which narrates a love triangle between two brothers and Sonya, a camptown prostitute or yanggongju. It examines the role of the postwar environment in constructing the spaces of the subject. Using the yanggongju figure as a technology of postwar memory, this work reevaluates the ecology of ruination left in the wake of the Korean War—as portrayed through Sonya, scenes of the city, the camptown, the base, and the surrounding fields and marshes—to explore the sense of loss and displacement of this period.

Making Integrity Institutions Work in South Korea

Asian Survey ◽  
2018 ◽  
Vol 58 (5) ◽  
pp. 898-919 ◽  
Author(s):  
Mark Turner ◽  
Seung-Ho Kwon ◽  
Michael O’Donnell
Keyword(s):  
South Korea ◽  
The Philippines ◽  
Business Leaders ◽  
The South ◽  
South Korean ◽  
Popular Protest

This article deals with the scandals that engulfed South Korea’s president, Park Geun-hye, in 2016–17 and the role of popular protest in how she, her confidante, and associated officials and business leaders were pursued, prosecuted, and jailed. The South Korean experience is located in a framework of integrity institutions and the 1986 exemplar of “people power” in the Philippines.

Ubiquitous city: Urban technologies, urban infrastructure and urban informatics

2009 ◽  
Vol 35 (5) ◽  
pp. 515-526 ◽  
Author(s):  
Dong-Hee Shin
Keyword(s):  
South Korea ◽  
Information And Communication Technologies ◽  
Information Society ◽  
Holistic Approach ◽  
Development Project ◽  
Positive Development ◽  
Social Infrastructure ◽  
The South ◽  
South Korean

South Korea continues to lead the way in digital opportunity with its recent, innovative and ubiquitous city projects. The u-city initiative in South Korea is a national urban development project that focuses on strengthening the role of information and communication technologies in civic planning and management. This study tracks the changing dynamics driving the information society initiative of South Korea to evaluate the process of design and development of u-city. This study reviews qualitative data related to the u-city projects, describes the transformations and translation of this data in the public, political, and social discourse, and discusses the prospectus of a ubiquitous information society environment. The findings raise fundamental, practical questions about the role of ubiquitous computing in shaping our future cities. The findings show that there are more challenges ahead than prospects, despite the fact that the u-city has all the advanced technological components for a positive development. The South Korean u-city is typically more prone to problems related to the lack of social infrastructure, market restrictions, political quagmires and vested financial interests. The paper discusses the deficiencies of the South Korean approach, namely a lack of holistic approach by integrating technological possibilities with social application needs.

scholarly journals Postwar Korean Cinema

1996 ◽  
Author(s):  
Hai Leong Toh
Keyword(s):  
Korean War ◽  
Film Festival ◽  
Korean Cinema ◽  
Class System ◽  
Economic Miracle ◽  
South Korean ◽  
Agrarian Society ◽  
The Korean War ◽  
Korean Film

POSTWAR KOREAN CINEMA: FRACTURED MEMORIES AND IDENTITY IT IS generally agreed by South Korean film scholars that the Golden Flowering of Korean cinema took place in the turbulent 1950s after the end of the 1950-53 Korean War, amidst the rapid industrialisation and modernisation of a predominantly agrarian society based on a highly stratified class system. Like its highly reactive Hongkong counterpart, South Korean cinema acts as a sensitive reflection of the constant changes and upheavals -- both socio-economic and political. These include the liberation in 1945 from Japan, the Korean War, the 1970s economic miracle and the current traumatic transformations that are shaping this troubled peninsula. This year, the astute Asian programmer of the 20th Hongkong International Film Festival, Ms Wong Ain-ling introduced a total of 12 "Rediscovered Korean Classics," with 6 of them set in the 1950s and 60s, emphasising the important role of Korean women during these...

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