scholarly journals Postwar Korean Cinema

Author(s):  
Hai Leong Toh

POSTWAR KOREAN CINEMA: FRACTURED MEMORIES AND IDENTITY IT IS generally agreed by South Korean film scholars that the Golden Flowering of Korean cinema took place in the turbulent 1950s after the end of the 1950-53 Korean War, amidst the rapid industrialisation and modernisation of a predominantly agrarian society based on a highly stratified class system. Like its highly reactive Hongkong counterpart, South Korean cinema acts as a sensitive reflection of the constant changes and upheavals -- both socio-economic and political. These include the liberation in 1945 from Japan, the Korean War, the 1970s economic miracle and the current traumatic transformations that are shaping this troubled peninsula. This year, the astute Asian programmer of the 20th Hongkong International Film Festival, Ms Wong Ain-ling introduced a total of 12 "Rediscovered Korean Classics," with 6 of them set in the 1950s and 60s, emphasising the important role of Korean women during these...

2020 ◽  
Vol 6 (2) ◽  
pp. 43-66
Author(s):  
Laura Ha Reizman

The Korean War (1950–53) changed the material and affective landscape of the Korean peninsula and ushered in a new era ruled by a military dictatorship dependent on US military power. With bases dotting the South Korean peninsula, former agricultural villages became camptowns that catered to the needs of American soldiers. This article focuses on the South Korean melodrama Chiokhwa (Hellflower, 1958), directed by Shin Sang-ok, which narrates a love triangle between two brothers and Sonya, a camptown prostitute or yanggongju. It examines the role of the postwar environment in constructing the spaces of the subject. Using the yanggongju figure as a technology of postwar memory, this work reevaluates the ecology of ruination left in the wake of the Korean War—as portrayed through Sonya, scenes of the city, the camptown, the base, and the surrounding fields and marshes—to explore the sense of loss and displacement of this period.


Author(s):  
Ryan Cook

Trained as a filmmaker during the Korean War, Kim Soo-yong debuted in 1958 amid the South Korean film industry’s postwar recovery and became one of the representative Korean filmmakers of the 1960s. Under the film policies of Park Chung-hee’s military government, the film industry suffered from censorship and quotas. The literary film emerged as an important genre signifying quality and artistic merit. Kim’s 1965 Kaenmaŭl [Seaside Village] marked him as a leading director of literary adaptations, which account for half his prolific oeuvre of over one hundred films. Kim also worked in popular genres, including comedy, melodrama, youth films, and anti-communist films, but is remembered for films that display realist, non-paternalistic perspectives on postwar society. His 1963 film Hyŏlmaek [Kinship] depicted the generational divide among North Korean defectors living in poverty on the fringes of society in the industrializing South. Seaside Village provocatively took on the sexuality of widows in a fishing community and contained lesbian innuendos. Several of his films also demonstrated a formal modernism. The 1967 An’gae [Mist], regarded as one of his highest achievements, employs experimental montage and a temporally complex flashback structure. In later years, he has been credited with helping ease film censorship in South Korea.


Asian Cinema ◽  
2021 ◽  
Vol 32 (1) ◽  
pp. 37-53 ◽  
Author(s):  
Ryan Gardener

This article focuses on how the recent blockbuster hit Train to Busan (Yeon 2016), in transposing the zombie horror genre into the South Korean setting, allows South Korean history and social context to actively shape the manner in which it appropriates a genre largely untested by the local film industry. It argues that the film uses genre as a global vernacular through which to speak of specifically Korean issues (in particular, the Korean War, and the issues of South Korea’s speed-oriented Ppalli-Ppalli culture), and locates such practice within the broader context of contemporary South Korean cinema.


2021 ◽  
Vol 13 (4) ◽  
pp. 1905
Author(s):  
Sea Jin Kim ◽  
Woo-Kyun Lee ◽  
Jun Young Ahn ◽  
Wona Lee ◽  
Soo Jeong Lee

Global challenges including overpopulation, climate change, and income inequality have increased, and a demand for sustainability has emerged. Decision-making for sustainable development is multifaceted and interlinked, owing to the diverse interests of different stakeholders and political conflicts. Analysing a situation from all social, political, environmental, and economic perspectives is necessary to achieve balanced growth and facilitate sustainable development. South Korea was among the poorest countries following the Korean War; however, it has developed rapidly since 1955. This growth was not limited to economic development alone, and the chronology of South Korean development may serve as a reference for development in other countries. Here, we explore the compressed growth of South Korea using a narrative approach and time-series, comparative, and spatial analyses. Developmental indicators, along with the modern history of South Korea, are introduced to explain the reasons for compressed growth. The development of the mid-latitude region comprising 46 countries in this study, where nearly half of Earth’s population resides, was compared with that of South Korea; results show that the developmental chronology of South Korea can serve as a reference for national development in this region.


2021 ◽  
Vol 16 (2) ◽  
pp. 219-247
Author(s):  
Fábian Armin Vincentius

A „Han folyó csodája” kifejezésről sokan hallottak Dél-Korea rendkívül gyors és drámai fejlődésének eredményeként, ám az talán kevesek számára ismert, hogy a Japántól való felszabadulást (1945), illetve a koreai háborút (1953) követően a kereszténység is komoly áttörést ért el az országban. Jelenleg a lakosság több mint negyede, 13.5 millió személy vallja magát kereszténynek, a domináns protestáns felekezetek mellett pedig számottevő a hozzávetőlegesen 5 millió katolikus száma is. Mindez nemcsak a régióban található többi államhoz viszonyítva különleges, hanem azt is jelenti, hogy a Dél-Koreában élő keresztények aránya meghaladja az országban létező többi vallás követőinek számát együttvéve. A folyamat különösen érdekesnek tekinthető azon szempontból, hogy a távol-keleti állam teljesen más kulturális, vallási és történelmi szempontok alapján fejlődött a kereszténység megjelenése előtt, napjainkra azonban mégsem a sámánizmus vagy a buddhizmus, hanem a kereszténység bír központi szereppel vallási életében. Jelen tanulmány célja épp arra választ adni, hogy milyen okoknak köszönhetően volt képes a kereszténység hívek sokaságának bevonzására, illetve milyen egyedi, Dél-Koreára jellemző sajátosságok alakultak ki a fejlődés eredményeként. Jelen kutatás során egy rövid összefoglaló keretén belül szó esik a kereszténység Korea területét érintő kezdeti megjelenéséről, majd külön fejezetekben olvasható a katolicizmus, ortodoxia, anglikanizmus és protestantizmus helyzete. A munka autenticitásához és részletességéhez hozzájárul, hogy a szerző kilenc kvalitatív interjút készített a különböző felekezetek képviselőivel, illetve délkoreai tanulmányútja során személyesen is meglátogatta több felekezet lényeges helyszíneit. = The term "Miracle on the Han River" has been heard by many as a result of South Korea's fast and dramatic development, but it is probably known to few that in parallel Christianity managed to gain as well a significant popularity in the country after the liberation from Japanese occupation (1945) and the end of the Korean War (1953). Currently, more than a quarter of people living in South Korea consider themselves as Christians, and in addition to the dominant Protestant denominations, the number of Catholics is also significant with a number of around 5 million followers. The high share of Christians may seem peculiar not only compared to other states in the region, but also by acknowledging that before the emergence of Christianity Korea evolved based on different, cultural and religious principles. Still, instead of Buddhism or Shamanism nowadays Christianity has a central role in the religious life of South Korean people. This study attempts to find the main reasons behind the remarkable popularity of Christianity, as well as to show the unique features of South Korean Christianity resulted by the distinctive development. After a short introduction presenting the first stage of Christianity on the territory of Korea, the main features and situation of different Christian branches are discussed, namely Catholicism, Orthodoxy, Anglicanism and Protestantism. Contributing to the authenticity and detail of the work, nine qualitative interviews with representatives of different denominations are included, all conducted by the author during his study trip to South Korea. Also, as the author had the opportunity to visit important religious sites during his field trip in Seoul, his experiences are briefly reported too in the study.


1982 ◽  
Vol 42 (1) ◽  
pp. 63-90 ◽  
Author(s):  
Karl Moskowitz

This article critiques the HIID-KDI eight-volume Studies in the Modernization of the Republic of Korea from the perspective of Korean studies. The Studies' critical contributions to the field are the comprehensiveness of treatment, wealth of data, and disciplinary sophistication of the analyses they present of the principal economic and demographic phenomena of Korea's development after the Korean War and especially after 1961. The overall weakness of the Studies is their inadequate treatment of Korean history, culture, and society in relation to development, despite their great emphasis on the developmental importance of certain cultural phenomena in Korea. Their usefulness, both from the perspective of development studies and from the perspective of Korean studies, would have been enhanced by examining additional questions concerning industrial organization, labor, and the role of the military, as well as by more thorough and knowledgeable analysis of the historical, cultural, and social basis of Korea's modern development.


Author(s):  
Daniel Y. Kim

Though known primarily in the United States as “the forgotten war,” the Korean War was a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of US imperial endeavors as they took shape during the Cold War. The Intimacies of Conflictworks against the historical erasure of this event first by returning us to the 1950s, revealing the emotionally compelling dramas of interracial and transnational intimacy that were staged around this event in Hollywood films and journalistic accounts. Through detailed analyses of such works, this book illuminates how the Korean War enabled the emergence of not just a military multiculturalism but also a military Orientalism and a humanitarian Orientalism: cultural logics that purported to make surgical distinctions between Asians who were allies and those who were legitimately killable. This book also demonstrates how an emergent tradition of US novels, primarily by authors of color, provides an exemplary assemblage of cultural memory, illuminating the intimacies that join and divide the histories of Asian American, African American, and Chicanx/Latinx subjects, as well as Korean and Chinese subjects. Novels by eminent US writers like Susan Choi, Chang-rae Lee, Rolando Hinojosa, and Toni Morrison and the South Korean author Hwang Sok-yong speak to the trauma experienced by civilians and combatants while also evoking an expansive web of complicity in war’s violence. Drawing together both comparative race and transnational American studies approaches, this study engages in a multifaceted ethical and political reckoning with the Korean War’s unended status.


Author(s):  
Charles R. Kim

After the Korean War, South Korean publishers made steady progress in rebuilding the publishing industry, despite endemic material shortages and financial difficulties. This chapter introduces the three major postwar magazines that are used throughout the book – Sasanggye (World of thought), Sint’aeyang (New Sun), and Yŏwŏn (Women’s garden). Through an examination of the three monthlies, it relates the ways in which intellectuals and ordinary people gave expression to the major upheavals since the end of colonial rule, as well as the many challenges of the war and the postwar crisis. Deep-seated poverty, moral decline, pervasive anxiety, and the slow speed of recovery were their primary areas of focus. Although many South Koreans lived in despair, some writers put forth restrained expressions of hope that the crisis would soon abate.


2019 ◽  
Vol 18 (2) ◽  
pp. 155-182
Author(s):  
Hwee-Rhak Park ◽  

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