scholarly journals One Story, Many Perspectives: Reading and Writing Graphic Novels in the Elementary Social Studies Classroom

Author(s):  
Erica Christie

Though elementary students often read picture books in school, the growth of critical literacy has inspired teachers to select texts that engage students with literacy and social studies in more meaningful ways. Although many of these texts are traditional picture books, alternative formats like the graphic novel are also being used to invite student questioning and share multiple perspectives. This study examines the ways elementary students understand and retell a complex social studies story using multiple textual formats. Thirdgrade students were exposed to a picture book and graphic novel version of the true story of Alia Muhammad Baker, a courageous Iraqi librarian. After reflecting on the texts, students renarrated the story; many chose to write graphic novels. Students expressed high levels of interest in graphic novels, exhibited new perspectives on the Iraq War and active citizenship, and utilized key features of graphic novels to tell complex and multilayered social stories.

2021 ◽  
Vol 19 (1) ◽  
pp. 215-234
Author(s):  
Olga Mäeots ◽  

“The Three Little Pigs” is one of the most famous folk tales and has been adapted many times. The paper is devoted to the evolution of the classical narration as it was presented in picture-books in the 20 th century. The revisions examined are: Walt Disney’s book based on the animated film (1933), Russian adaptation made by Sergey Mikhalkov (1936, 1957) as well as two picture-books which were published at the end of 20 th century in USA and Great Britain and suggest new versions of the classical story — Jon Scieszka’s and Lane Smith’s “The True Story of the 3 Little Pigs” (1989) and “The Three Little Wolves and the Big Bad Pig” by Eugene Trivizas and Helen Oxenbury (1993). All the books demonstrate different variants of interaction between the textual and visual contents. The recent versions of the tale reveal important trends: visual narrative presents a substantive semantics and plays increasingly significant role in modern picture-books. The evaluation of the genre introduces multiple perspectives and challenge reader to interact, to create ambiguous meanings rather than suggest a define statement — thus making reception more complicated and inspiring.


2017 ◽  
Vol 19 (3) ◽  
pp. 35 ◽  
Author(s):  
Alexis Brown ◽  
Deborah Begoray

The purpose of this paper is to present the experiences of Indigenous youth when a critical literacies/Indigenous knowledges (IK) approach was used in a graphic novel creation project. We conducted research over a six-week period in two alternative high schools in British Columbia. In this paper, we look primarily at research findings from the Indigenous program. We analyzed classroom observations, the graphic novels, and transcripts of semi-structured interviews according to four principles of critical literacy: understanding power, control, and equity of information; collaboration using multiple perspectives; authentic and multimodal learning; and enacting social change and civic engagement.


2020 ◽  
Vol 122 (8) ◽  
pp. 1-44
Author(s):  
Katie Sciurba

Background/Context Since the 2016 presidential election, hate-based speech, crime, and violence have been on the rise in the United States, (re)creating a need for adults to engage children in dialogue related to white supremacy as it exists today, instead of framing it as a problem that ended with the civil rights movement. Following an incident of racist vandalism at her home, the author of this article (a White mother) conducted a search for picture books that could serve as vehicles to discuss race-based hate and whiteness with children like her young Black son. Purpose/Objective/Research Question/Focus of Study This study draws upon Critical Race Theory, Critical Whiteness Studies, and Critical Multicultural Analysis to explore the emancipatory possibilities of literacy education. Given that children's literature has the potential to engage young readers in transactions that promote critical literacy, this study focuses on the following research questions: 1) To what extent do picture books set in a post-civil-rights era United States address explicit and physical acts of white supremacy or hate directed against Black people's bodies, families, or properties? 2) How might such picture books aid parents, educators, and other adults in their attempts to raise children's awareness about white supremacy/hate? Research Design The first part of this article, which documents the author's search for children's picture books about explicit and physical acts of white supremacy/hate, utilizes first person narrative. The second part of this article consists of a multimodal content analysis of five texts, all meeting the following criteria: 1) written and illustrated in picture book format, 2) include child characters, 3) set in the United States, 4) set in a post-civil-rights era, 5) include an incident of white supremacist crime or violence (a physical act directed toward a person or property), 6) depict/address an incident directed against a Black individual or group. Conclusions/Recommendations Findings of this study point to the need for more picture books that challenge whiteness in its overt and covert forms, particularly in contemporary contexts, in order to provide children with opportunities to engage critically with current issues that have emerged in this heightened era of white supremacy and hate-based crime and violence. The picture books that do address white supremacy, in its current manifestation, tend to include stories about White police killing and shooting Black individuals and the protests that follow such incidents. Yet these stories, as well as one about an incident in which a group of White gang members physically attack two Black children (Ntozake Shange's Whitewash), are not equal in their level of explicitness about what occurs, their identifications of the White perpetrators involved in what happens, or their demonstrations of how the incidents are rooted in white supremacy. Accordingly, educators and other adults will often need to fill in significant “truth gaps” in order to raise children's social consciousness related to whiteness and racism. One of the primary recommendations presented in this piece is to accompany these picture books and picture books like them with discussion questions related to the stories that are and are not told in the texts, as well as to facilitate conversation with children related to power and agency as exhibited by the Black characters. Most important, educators and other adults should remain cognizant of the fact that, while books like the ones in this examination may help to address traumas and help facilitate testimony related to race-based hate, children should have opportunities to construct and express their own understandings of textual relevance on this topic.


2018 ◽  
Vol 3 (3) ◽  
pp. 247 ◽  
Author(s):  
Arash Hashemifardnia ◽  
Ehsan Namaziandost ◽  
Fariba Rahimi Esfahani

<p><em>Regarding the attractiveness of picture books, this study examined the impacts of teaching picture books on vocabulary learning of 40 Iranian elementary students. The participants were randomly assigned to two groups of 20; one experimental and one control. Then, their knowledge of vocabulary was assessed through administering a researcher-made vocabulary pre-test. </em><em> After that, the researchers started to teach the experimental group through teaching picture-book of Starters Word List Picture Book. The words were taught to the students and they were required to match each word with its picture. The control group was instructed through their school textbook (Prospect One). The words were taught without their pictures; the words were read and simultaneously the students were wanted to repeat them and write their Persian equivalents. After the instruction ended, a vocabulary post-test was given to determine the effects of the treatment on the students’ vocabulary learning. The results of </em><em>paired and independent samples t-tests indicated that the experimental group outperformed the control group on the post-test.  It was also revealed that teaching through picture books resulted in better vocabulary learning. </em></p>


2020 ◽  
Vol 1 (1) ◽  
pp. 72
Author(s):  
Putu Santi Oktarina ◽  
Ni Putu Lila Sri Hari ◽  
Ni Made Winda Ambarwati

<p>This journal aims to investigate the effectiveness of PICTUREBOOK in resolve the problem of low interest in reading, especially for young learners. Reading is something that is learned. Reading means gaining an understanding of the written symbols represented by the sounds of oral language. This is an important skill to learn as it opens the doors to further studying, better job opportunities and to a whole other world that happens in print. There are many strategies that can be used to teach reading for young learners one of them is by using a picture book. A picture book is a book contained illustrations on each page accompanied by texts which tell about the same story told by the illustrations. In this journal, the authors use a qualitative research method, by reviewing some journals from other researchers. The result of this research proves that picture books can improve and motivate young learners to enhance and also motivate young learners to prefer reading. Picture books can visualization literacy skills and train children to comprehend the story from multiple perspectives.</p>


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