„Literarische Scherze in August W. v. Schlegels Manier von Doktor-Dichter Presheren“

Author(s):  
Matjaž Birk

AbstractThe study of the role of the Slovene national Poet France Prešeren (1800–1849) as mediator of intellectual-aesthetic concepts and literary models of German romantic and their reception in the Slovene literature from 1830 is based on the analysis of literary texts, that were published in chosen German speaking cultural periodics in Laibach (Ljubljana) – the centre of Slovene ethnic territory in the Austrian monarchy. The analysis includes also cultural (nonfictional) texts, which were participating in processes of cultural coding. The research focuses on the adaptation of A.W. Schlegel’s literary epigrammatic model by Prešeren as poet and as an influential actor in the Laibach Slovene and German cultural and literary field in the frame of his fundamental contribution to the constitution of the Slovene poetry and its idiom.

Author(s):  
Adam Regiewicz

Does anyone need the rhetorical theory of literature? The new various directions of the literary research are continiously appearing. Together with them, new perspectives of the research of the literary texts are opening up. They allow to ask questions concerning the language generated by them, with the use of which they shape the literary discourse. Being aware of the consequences of the linguistic shift for the research on culture, today the rethorical viewpoint in the conduct of the theoretical discourse is adopted. At the same time, the attention is paid to the phrases, style, as well as the metaphors used in the current literary research. The entire reflection is accompanied by the comparative spirit, that is, a certain transdisciplinary openness, which calls for abandoning the internal literary field by the theoretical research, and entering the wide field of the culture research. This process is especially visible in the new theoretical-literary directions (cognitive humanities, constructivism, affective theory of literature etc.) and enables to assign to the comparative literature the role of a binder of the taken discourse on the border between theory and rethorics.


2019 ◽  
Vol 99 (1-2) ◽  
pp. 48-67
Author(s):  
Jolanda Guardi

Abstract Starting from Pierre Bourdieu’s claim that “the impetus for change” — what I identify with modernity — “resides in the struggles that take place in the corresponding fields of production” (Bourdieu 1995: 81), and from a reading of literary texts I discussed elsewhere (Guardi 2016), in this paper I will present the life and work of Ḥammūd Ramaḍān (1906–1945). My aim is to highlight the “impetus for change” that occurred in the Algerian literary field long before 1962. Ḥammūd Ramaḍān, an Algerian poet and intellectual, thoroughly discussed the role of poetry in society and proposed new ways of writing in a changing era. He can be considered the first Arab poet who challenged the classic mode of Arabic language poetry in Algeria, and this happened before the emergence of the free verse movement in Iraq. His work will be analysed not only within the general framework of Arab modernity with the aim to provide a new definition of the Arab modernity’s canon, but also within the framework of Algerian literary production in Arabic. My main focus will be on some of his theoretical writings, in which he urges his fellow poets and intellectuals to make fundamental changes in their use of language in poetry so as to get closer to society. Although well versed in classical Arabic and in the Arab-Muslim classical heritage, Ramaḍān sees all this not as a chain that keeps the poet tethered to the past, but as a springboard to jump into the future.


Author(s):  
Lena Wånggren

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.


Author(s):  
Alison Carrol

In 1918 the end of the First World War triggered the return of Alsace to France after almost fifty years of annexation into the German Empire. Enthusiastic crowds in Paris and Alsace celebrated the homecoming of the so-called lost province, but return proved far less straightforward than anticipated. The region’s German-speaking population demonstrated strong commitment to local cultures and institutions, as well as their own visions of return to France. As a result, the following two decades saw politicians, administrators, industrialists, cultural elites, and others grapple with the question of how to make Alsace French again. The answer did not prove straightforward; differences of opinion emerged both inside and outside the region, and reintegration became a fiercely contested process that remained incomplete when war broke out in 1939. The Return of Alsace to France examines this story. Drawing upon national, regional, and local archives, it follows the difficult process of Alsace’s reintegration into French society, culture, political and economic systems, and legislative and administrative institutions. It connects the microhistory of the region with the macro levels of national policy, international relations, and transnational networks, and with the cross-border flows of ideas, goods, people, and cultural products that shaped daily life in Alsace. Revealing Alsace to be a site of exchange between a range of interest groups with different visions of the region’s future, this book underlines the role of regional populations and cross-border interactions in forging the French Third Republic.


Author(s):  
Laura Quick

This chapter argue that ritual behaviours might be just as good a source as literary texts for the diffusion of traditional cursing and treaty material across different cultures in the ancient Near East. In particular, the role of ad hoc oral Targum in the ritual process could have been an important means by which traditions were shared between different language communities. Recognition of the ritual context of this material also provides insights for the comparative method, the dating and authorship of Deuteronomy 28, and the subversive impetus thought to have stood behind its composition. Ultimately, the function of the written word in a largely oral world is shown to be fundamental to understanding the composition, function and the early history of the curses in the book of Deuteronomy.


2021 ◽  
Vol 69 (1) ◽  
pp. 91-104
Author(s):  
Stefanie Mueller

AbstractMy article’s title borrows a line from Thomas Sayers Ellis’s poem “Skin, Inc.” (2010), a poem which uses the metaphor of incorporation in terms of its economic and formal affordances: formally as signifying upon a container, a box, in which the poet/lyric persona finds himself trapped as he is trying to create and to write; and economically, as signifying upon the poet as entrepreneur, who has to sell a brand and a product in the literary marketplace. Based on Pierre Bourdieu’s work on the theory of the literary field, I think of the poem as a form of poetic position-taking in the literary field in the Unites States in 2010. In my reading, I explore the literary marketplace as presented in the poem, and I argue that we can use this image of the market to think about the role of race in the literary field in the US, in particular with regard to what has been called the “post-soul aesthetic.”


2009 ◽  
Vol 25 (1) ◽  
pp. 47-70
Author(s):  
Paul Fallon

This essay analyzes how, marginalized by national literatures and threatened by the rise of regional mass media in the 1980s and 1990s, northern Mexican border authors and their texts consistently concerned themselves with the temporalities of representation——particularly in literary narrative. Through their treatment of temporal issues, these writers directed themselves toward a local, transnational reading community and enacted a critical regionalism that articulates local signification within larger processes reshaping the role of literature in contemporary Latin America.


Transilvania ◽  
2021 ◽  
pp. 1-18
Author(s):  
Mihnea Bâlici

Fracturism proved to be the “spearhead” of the 2000 generation. The first and by far the most radical literary group formed after 1989, this promotion became the cultural expression of a difficult context in the post-revolutionary history of Romania. The aim of this study is to analyze the origin, the function and the effects of the Fracturist ideas proposed by Marius Ianuș and Dumitru Crudu in 1998. Most literary interpretations failed to capture the specificity of this promotion. This is due to the fact that the aesthetic program was never a priority for the Fracturists. It can be emphasized that Fracturism appeared in a specific set of historical, political, social, institutional and cultural circumstances. The present analysis aims to clarify the complex links between the difficult post-communist transition, the crisis of the Romanian literary field and the ostentatious literary expression of the new authors. In this regard, a certain performative dimension of fracturism can be theorized: the poets and prose writers of the new millennium will militate against a distressing social reality by changing the very role of the contemporary author.


Author(s):  
Camilla Tenaglia

Abstract This essay addresses the relations between Pius XII and Germany at the beginning of his pontificate through the role of Vatican Media, especially Vatican Radio. During the interwar period, the Vatican media system (media ensemble) underwent major transformations, including the creation of a radio broadcasting station in 1931. Pacelli was one of the main agents of these improvements: as Secretary of State supporting Guglielmo Marconi’s project, as Pope through his extensive use of the mass media at his disposal, from radio to cinema. At the end of the 30s the difficult diplomatic relations between the Holy See and the Third Reich also had an impact on mass media, as shown by the election of Pacelli in March 1939. The role of Vatican Radio in Vatican diplomacy towards Nazi Germany was already clear during the events surrounding the Anschluss in 1938 and it became a tool for unofficial communication to convey more explicit stances on the regime during World War II. The same strategy was employed during the Option in Südtirol in 1939, when Catholics were able to deliver anti-Nazi propaganda thanks in part to radio in the attempt to avoid the voluntary resettlement of German-speaking Italian citizens from the area. The Holy See maintained a neutral position throughout the events, but at the same time Vatican Radio broadcast programmes in German about the condition of the Catholic Church under the Nazi regime. These broadcasts supported the efforts especially of the Archbishop of Trento Celestino Endrici and his clergy, who opposed the resettlement. Once again Vatican Radio proved a crucial tool for conveying unofficial communications while maintaining the neutral stance typical of the Holy See‘s foreign policy.


2021 ◽  
Author(s):  
◽  
Saulius Vasiliauskas

Young Writers in the Soviet Literary Field: The Role of Institutional Structures


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