scholarly journals A quadratic transformation of the three-dimensional space of all conics through two points of a projective plane

2009 ◽  
Vol 42 (3) ◽  
Author(s):  
Giorgio Donati

AbstractUsing the Steiner’s method of projective generation of conics and its dual we define two projective mappings of a double contact pencil of conics into itself and we prove that one is the inverse of the other. We show that these projective mappings are induced by quadratic transformations of the three-dimensional projective space of all conics through two distinct points of a projective plane.

1952 ◽  
Vol 48 (3) ◽  
pp. 383-391
Author(s):  
T. G. Room

This paper falls into three sections: (1) a system of birational transformations of the projective plane determined by plane cubic curves of a pencil (with nine associated base points), (2) some one-many transformations determined by the pencil, and (3) a system of birational transformations of three-dimensional projective space determined by the elliptic quartic curves through eight associated points (base of a net of quadric surfaces).


Secreta Artis ◽  
2021 ◽  
pp. 74-82
Author(s):  
Daria Vladimirovna Fomicheva

The present study examines the principles of conveying the third dimension in landscape painting. The author analyzes the recommendations provided in J. Littlejohns’ manual entitled “The Composition of a Landscape” [London, 1931]. J. Littlejohns describes four methods of showing depth in a landscape painting, each illustrated with pictorial composition schemes: 1) portrayal of long roads, which allows one to unveil the plasticity of the land surface; 2) creation of a “route” for the viewer by means of a well-thought-out arrangement of natural landforms; 3) introduction of vertically and horizontally flowing streams of water on different picture planes; 4) depiction of cloud shadows on a distinctly hilly landscape. The author of the article compares the schemes contained in the manual of J. Littlejohns with the works of G. G. Nissky, which enables readers to comprehend and reflect on the compositions of the masterpieces created by a prominent figure in Soviet art; on the other hand, Nissky’s landscape paintings open for a deeper understanding of the meaning and effectiveness of the methods proposed by J. Littlejohns. The outlined composition techniques are certainly relevant for contemporary artists (painters, graphic artists, animators, designers, etc.) as they make it possible to achieve the plastic expressiveness of a three-dimensional space in a twodimensional image.


2020 ◽  
pp. short27-1-short27-9
Author(s):  
Denis Voloshinov ◽  
Alexandra Solovjeva

The article is devoted to the consideration of a number of theoretical questions of projective geometry related to specifying and displaying imaginary objects, especially, conics. The lack of development of appropriate constructive schemes is a significant obstacle to the study of quadratic images in three-dimensional space and spaces of higher order. The relationship between the two circles, established by the inversion operation with respect to the other two circles, in particular, one of which is imaginary, allows obtain a simple and effective method for indirect setting of imaginary circles in a planar drawing. The application of the collinear transformation to circles with an imaginary radius also makes it possible to obtain unified algorithms for specifying and controlling imaginary conics along with usual real second-order curves. As a result, it allows eliminate exceptional situations that arise while solving problems with quadratic images in spaces of second and higher order.


2017 ◽  
Vol 14 (130) ◽  
pp. 20170031 ◽  
Author(s):  
Patrice Koehl

In this paper, we propose a new method for computing a distance between two shapes embedded in three-dimensional space. Instead of comparing directly the geometric properties of the two shapes, we measure the cost of deforming one of the two shapes into the other. The deformation is computed as the geodesic between the two shapes in the space of shapes. The geodesic is found as a minimizer of the Onsager–Machlup action, based on an elastic energy for shapes that we define. Its length is set to be the integral of the action along that path; it defines an intrinsic quasi-metric on the space of shapes. We illustrate applications of our method to geometric morphometrics using three datasets representing bones and teeth of primates. Experiments on these datasets show that the variational quasi-metric we have introduced performs remarkably well both in shape recognition and in identifying evolutionary patterns, with success rates similar to, and in some cases better than, those obtained by expert observers.


The object of this paper is to give some account of the geometry of the three-dimensional space S wherein the co-ordinates belong to a Galois field K of 3 marks. A description of the fundamental properties of quadrics is sufficiently long for one paper, and so an account of the line geometry is deferred. The early paragraphs (§§ 1 to 4) are necessarily concerned with geometry on a line or in a plane. A line consists of 4 points; these are self-projective under all 4! permutations. A plane consists of 13 points and has the same number, 234, of triangles, quadrangles, quadri-laterals and non-singular conics. A diagram is helpful, especially when we consider sections by planes in S . The space S has 40 points. Non-singular quadrics are of two kinds: either ruled, when we call them hyperboloids, or non-ruled, when we call them ellipsoids. A hyperboloid H consists of 16 points and has a pair of reguli; the 24 points of S not on H are the vertices of 6 tetra-hedra that form two allied desmic triads. The ellipsoid F is introduced in § 12; it consists of 10 points, the other 30 points of S being separated into two batches of 15 between which there is a symmetrical (3, 3) correspondence. Either batch can be arranged as a set of 6 pentagons, each of the 15 points being the common vertex of 2 of these. The pentagons of either set have all their edges tangents of F and, with their polar pentahedra, have significant properties and interrelations. By no means their least important attribute is that they afford, with F , so apposite a domain of operation for the simple group of order 360. In §§ 23 to 26 are described the operations of the group in this setting. Thereafter the 36 separations of the 10 points of F into complementary pentads are discussed, no 4 of either pentad being coplanar. During the work constructions for an ellipsoid are encountered; one is in § 16, another in § 30.


1925 ◽  
Vol 22 (5) ◽  
pp. 751-758
Author(s):  
J. P. Gabbatt

1. The following are well-known theorems of elementary geometry: Given any euclidean plane triangle, A0 A1 A2, and any pair of points, X, Y, isogonally conjugate q. A0 A1 A2; then the orthogonal projections of X, Y on the sides of A0 A1 A2 lie on a circle, the pedal circle of the point-pair. If either of the points X,- Y describe a (straight) line, m, then the other describes a conic circumscribing A0 A1 A2, and the pedal circle remains orthogonal to a fixed circle, J; thus the pedal circles in question are members of an ∞2 linear system of circles of which the circle J and the line at infinity constitute the Jacobian. In particular, if the line m meet Aj Ak at Lt (i, j, k = 0, 1, 2), then the circles on Ai Li as diameter, which are the pedal circles of the point-pairs Ai, Li, are coaxial; the remaining circles of the coaxial system being the director circles of the conics, inscribed in the triangle A0 A1 A2, which touch the line m. If Mi denote the orthogonal projection on m of Ai, and Ni the orthogonal projection on Aj Ak of Mi, then the three lines Mi Ni meet at a point (Neuberg's theorem), viz. the centre of the circle J. Analogues for three-dimensional space of most of these theorems are also known ‖.


Universe ◽  
2021 ◽  
Vol 7 (12) ◽  
pp. 477
Author(s):  
Sergey Paston ◽  
Taisiia Zaitseva

Nontrivial isometric embeddings for flat metrics (i.e., those which are not just planes in the ambient space) can serve as useful tools in the description of gravity in the embedding gravity approach. Such embeddings can additionally be required to have the same symmetry as the metric. On the other hand, it is possible to require the embedding to be unfolded so that the surface in the ambient space would occupy the subspace of the maximum possible dimension. In the weak gravitational field limit, such a requirement together with a large enough dimension of the ambient space makes embedding gravity equivalent to general relativity, while at lower dimensions it guarantees the linearizability of the equations of motion. We discuss symmetric embeddings for the metrics of flat Euclidean three-dimensional space and Minkowski space. We propose the method of sequential surface deformations for the construction of unfolded embeddings. We use it to construct such embeddings of flat Euclidean three-dimensional space and Minkowski space, which can be used to analyze the equations of motion of embedding gravity.


2005 ◽  
Vol 04 (02) ◽  
pp. 397-409 ◽  
Author(s):  
ANTHONY SCEMAMA

An algorithm is introduced for the search of a volume, in the three-dimensional space, which maximizes the probability of finding να up electrons and νβ down electrons inside the volume, all the other electrons being outside of it. This search is performed after a Variational Monte Carlo sampling of the N-particle density generated by the wave function.


2019 ◽  
Vol 11 (1) ◽  
pp. 41-51
Author(s):  
Zsolt Levente Kucsván

Abstract To reconstruct the points in three dimensional space, we need at least two images. In this paper we compared two different methods: the first uses only two images, the second one uses three. During the research we measured how camera resolution, camera angles and camera distances influence the number of reconstructed points and the dispersion of them. The paper presents that using the two-view method, we can reconstruct significantly more points than using the other one, but the dispersion of points is smaller if we use the three-view method. Taking into consideration the different camera settings, we can say that both the two- and three-view method behaves the same, and the best parameters are also the same for both methods.


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