Musikalische Diagramme zwischen Spätantike und Karolingerzeit

2017 ◽  
Vol 22 (2) ◽  
pp. 273-293
Author(s):  
Matteo Nanni
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Late Antiquity ◽  
Theoretical Background ◽  
Basic Question ◽  
Ancient Greek ◽  
Philosophical Discussion ◽  
History Of ◽  
Martianus Capella ◽  
Working Out

AbstractDuring the Late Antiquity and the Early Middle Ages, different strategies of visualizing music were adopted. In this article the history and the development of music-related diagrams is put into the larger context of a cultural history of visualization. The philosophical discussion on notational iconicity and diagrammatology, known as ‘Schriftbildlichkeit’, supplies a theoretical background for the description of the music diagrams offered here. The basic question is how visuality and musical graphic (diagrams and notation) interact focusing on a specific visual logic related to musical issues. After a short introduction to Sybille Krämer‘s concept of diagram and after working out some main characteristic of medieval diagrams, a selection of music related diagrams is depicted. The sources presented range from ancient Greek and Latin descriptions of musical diagrams (Aristoxenus of Tarentum, Phaenias of Eresus, Bakchios and Vitruvius) to the wing diagrams of Aristides Quintilianus and Martianus Capella, the structural graphics by Boethius and concludes with the notational diagrams in the Carolingian music treatises (Musica and Scolica Enchiriadis).

Conclusion

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Late Antiquity ◽  
Western Europe ◽  
Dominant Role ◽  
Ninth Century ◽  
Sources Of Authority ◽  
History Of ◽  
Historical Periods

The concluding chapter highlights how the cultural history of graphic signs of authority in late antiquity and the early Middle Ages encapsulated the profound transformation of political culture in the Mediterranean and Europe from approximately the fourth to ninth centuries. It also reflects on the transcendent sources of authority in these historical periods, and the role of graphic signs in highlighting this connection. Finally, it warns that, despite the apparent dominant role of the sign of the cross and cruciform graphic devices in providing access to transcendent protection and support in ninth-century Western Europe, some people could still employ alternative graphic signs deriving from older occult traditions in their recourse to transcendent powers.

Urban Space and Aristocratic Power in Late Antique Rome

2019 ◽  
Author(s):  
Carlos Machado
Keyword(s):  
Roman Empire ◽  
Cultural History ◽  
Urban Space ◽  
Social Life ◽  
Late Antiquity ◽  
Late Antique ◽  
The Social ◽  
Traditional Elite ◽  
History Of ◽  
The City

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.

The Experience of Poetry

2019 ◽  
Author(s):  
Derek Attridge
Keyword(s):  
Late Antiquity ◽  
Cultural Practice ◽  
Oral Traditions ◽  
English Renaissance ◽  
Ancient Rome ◽  
Ancient Greek ◽  
Continuity And Change ◽  
Private And Public ◽  
History Of ◽  
The Impact

The question this book addresses is whether, in addition to its other roles, poetry—or a cultural practice we now call poetry—has, across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson’s Works and the death of Shakespeare in 1616, continuously afforded the pleasurable experience we identify with the crafting of language into memorable and moving rhythmic forms. Parts I and II examine the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. Part III deals with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the importance of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. Part IV explores the achievements of the English Renaissance, from the manuscript verse of Henry VIII’s court to the anthologies and collections of the late Elizabethan period. Among the topics considered in this part are the advent of print, the experience of the solitary reader, the continuing significance of manuscript circulation, the presence of poet figures in pageants and progresses, and the appearance of poets on the Elizabethan stage. Tracking both continuity and change, the book offers a history of what, over these twenty-five centuries, it has meant to enjoy a poem.

The Oxford Handbook of Quintilian

2021 ◽  
Keyword(s):  
Literary Criticism ◽  
Middle Ages ◽  
Performing Arts ◽  
Late Antiquity ◽  
The United States ◽  
Educational Programme ◽  
Theory And Practice ◽  
Visual And Performing Arts ◽  
Wide Range ◽  
History Of

M. Fabius Quintilianus was a prominent orator, declaimer, and teacher of eloquence in the first century ce. After his retirement he wrote the Institutio oratoria, a unique treatise in Antiquity because it is a handbook of rhetoric and an educational treatise in one. Quintilian’s fame and influence are not only based on the Institutio, but also on the two collections of Declamations which were attributed to him in late Antiquity. The Oxford Handbook of Quintilian aims to present Quintilian’s Institutio as a key treatise in the history of Graeco-Roman rhetoric and its influence on the theory and practice of rhetoric and education, from late Antiquity until the present day. It contains chapters on Quintilian’s educational programme, his concepts and classifications of rhetoric, his discussion of the five canons of rhetoric, his style, his views on literary criticism, declamation, and the relationship between rhetoric and law, and the importance of the visual and performing arts in his work. His huge legacy is presented in successive chapters devoted to Quintilian in late Antiquity, the Middle Ages, the Italian Renaissance, Northern Europe during the Renaissance, Europe from the Eighteenth to the Twentieth Century, and the United States of America. There are also chapters devoted to the biographical tradition, the history of printed editions, and modern assessments of Quintilian. The twenty-one authors of the chapters represent a wide range of expertise and scholarly traditions and thus offer a unique mixture of current approaches to Quintilian from a multidisciplinary perspective.

Emotion and the History of Rhetoric in the Middle Ages

2021 ◽  
Author(s):  
Rita Copeland
Keyword(s):  
Middle Ages ◽  
Late Antiquity ◽  
History Of Rhetoric ◽  
Early Modernity ◽  
Medieval Rhetoric ◽  
Social Contracts ◽  
History Of ◽  
The Impact ◽  
Aristotelian Rhetoric ◽  
The Middle Ages

Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West from Late Antiquity to the later Middle Ages represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring in what has largely been a blank space between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle’s rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.

The Triumph of the Mule

2018 ◽  
Author(s):  
Peter Mitchell
Keyword(s):  
Roman Empire ◽  
Middle Ages ◽  
Late Antiquity ◽  
Early Modern Period ◽  
Seventh Century ◽  
First Century ◽  
The New Testament ◽  
History Of ◽  
Symbolic Value ◽  
The Middle Ages

This chapter starts as the Roman Empire fragmented, encompasses the emergence of Christianity and Islam, and explores the donkey’s place in the history of the Middle Ages, as well as what Fernand Braudel termed ‘the triumph of the mule’ in the ensuing early modern period from the fifteenth to the nineteenth centuries. Being closer in time to the present, historical documents are generally richer and more plentiful than for earlier periods, but archaeological excavations and surveys—especially of post-medieval sites and landscapes—are still undeveloped in many regions. Inevitably, therefore, what I present draws as much on textual sources as it does on them. I look first at the symbolic value of donkeys and mules in Christianity and Islam. Next, I consider their disappearance from some parts of Europe in the aftermath of Rome’s collapse and their re-expansion and persistence elsewhere. One aspect of this concerns their continuing contribution to agricultural production, another their consumption as food, a very un-Roman practice. A second theme showing continuities from previous centuries is their significance in facilitating trade and communication over both short and long distances. Tackling this requires inserting donkeys and mules into debates about how far pack animals replaced wheeled forms of transport as Late Antiquity gave way to the Middle Ages. Wide-ranging in time and space, this discussion also provides opportunities for exploring their role in human history in areas beyond those on which I have concentrated thus far. West Africa is one, the Silk Road networks linking China to Central Asia a second, and China’s southward connections into Southeast Asia a third. According to the New Testament Jesus entered Jerusalem on Palm Sunday seated on a donkey (Plate 20). The seventh-century apocryphal Gospel of Pseudo-Matthew also envisages donkeys carrying His mother to Bethlehem, being present at the Nativity, and conveying the Holy Family into temporary exile in Egypt. Donkeys thus framed both ends of Jesus’ life and, given their importance in moving people and goods in first-century Palestine, must have been a familiar sight. But the implications of their place in Christianity’s narrative were originally quite different from those that are generally understood today.

Encyclopedists, medieval

2018 ◽  
Author(s):  
Samuel Barnish
Keyword(s):  
Middle Ages ◽  
Liberal Arts ◽  
Late Antiquity ◽  
Strong Influence ◽  
Arts And Sciences ◽  
The Arts ◽  
Wide Range ◽  
Liberal Arts And Sciences ◽  
Martianus Capella ◽  
The Middle Ages

The modern encyclopedic genre was unknown in the classical world. In the grammar-based culture of late antiquity, learned compendia, by both pagan and Christian writers, were organized around a text treated as sacred or around the canon of seven liberal arts and sciences, which were seen as preparatory to divine contemplation. Such compendia, heavily influenced by Neoplatonism, helped to unite the classical and Christian traditions and transmit learning, including Aristotelian logic, to the Middle Ages. Writers in the encyclopedic tradition include figures such as Augustine and Boethius, both of whom were extremely influential throughout the medieval period. Other important writers included Macrobius, whose Saturnalia spans a very wide range of subjects; Martianus Capella, whose De nuptiis Philologiae et Mercurii (The Marriage of Philology and Mercury) covers the seven liberal arts and sciences; Cassiodorus, who presents the arts as leading towards the comtemplation of the heavenly and immaterial; and Isidore, whose Etymologies became one of the most widely referred-to texts of the Middle Ages. These writers also had a strong influence which can be seen later in the period, particularly in the Carolingian Renaissance and again in the twelfth century.

Legend: From Einfache Formen (“Simple Forms”)

PMLA ◽  
2013 ◽  
Vol 128 (3) ◽  
pp. 728-743
Author(s):  
André Jolles ◽  
Peter J. Schwartz
Keyword(s):  
World War I ◽  
Cultural History ◽  
Middle Ages ◽  
Art History ◽  
World War ◽  
Ancient Greek ◽  
Stage Design ◽  
Italian Poetry ◽  
Habilitation Thesis ◽  
The One

Who was andré Jolles? born in den helder in 1874; raised in amsterdam; in his youth a significant player in the literary Movement of the Nineties (Beweging van Negentig), whose organ was the Dutch cultural weekly De Kroniek; a close friend of Aby M. Warburg's and Johan Huizinga's—Jolles studied art history at Freiburg beginning in 1902 and then taught art history in Berlin, archaeology and cultural history in occupied Ghent during World War I, and Netherlandic and comparative literature at Leipzig from 1919 until shortly before his death, in 1946. A man of extraordinary intellectual range—his publications include essays on early Florentine painting, a dissertation on the aesthetics of Vitruvius, a habilitation thesis on Egyptian-Mycenaean ceremonial vessels, literary letters on ancient Greek art, and essays in German and Dutch on folklore, theater, dance, Boccaccio, Dante, Goethe, Zola, Ibsen, Strindberg, and Provençal and Renaissance Italian poetry—he was also an amateur playwright and an outspoken champion of modern trends in dramatic art and stage design. To his friends, he could be something of an intellectual midwife, helping Warburg to formulate what would become a signature notion, the “pathos formula,” and Huizinga to conceive The Waning of the Middle Ages (1919). Jolles's chief work, the one for which he is best known, is Einfache Formen (1930; “Simple Forms”), a collection of lectures he had delivered in German at Leipzig in 1927-28 and revised.

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