Herennius Pontius: The Construction of a Samnite Philosopher

2011 ◽  
Vol 30 (1) ◽  
pp. 119-147
Author(s):  
Phillip Sidney Horky

This article explores the historiographical traditions concerning Herennius Pontius, a Samnite wisdom-practitioner who is said by the Peripatetic Aristoxenus of Tarentum to have been an interlocutor of the philosophers Archytas of Tarentum and Plato of Athens. It argues that extant speeches attributed to Herennius Pontius in the writings of Cassius Dio and Appian preserve a philosophy of “extreme proportional benefaction” among unequals. Such a theory is marked by Peripatetic language and concepts, which suggests that these speeches derive from a single Peripatetic source, probably Aristoxenus. The reception of Aristoxenus' description of Herennius Pontius among Greeks and Romans is sharply divided. Greek theories of ethics among unequals such as those of Aristotle and Archytas, which aim for moderation, can be distinguished from that attributed to Herennius Pontius, which is circumstantial and stipulates extreme responses to extremes. Romans, in particular Appius Claudius Caecus and Sulla, espouse proverbial wisdom strikingly similar to the theory of “extreme proportional benefaction” associated with Herennius Pontius. Such comparisons suggest that starting in the late fourth century bce, Romans and Samnites may have held shared ideological principles, as defined against Greek cultural paradigms. Scholars are thus prompted to consider Herennius Pontius as a starting point for a much larger inquiry into shared ideology among non-Greeks in Italy during the Hellenistic period and beyond.

1995 ◽  
Vol 115 ◽  
pp. 47-68 ◽  
Author(s):  
Simon Hornblower

How well known was Thucydides' history in the fourth century BC and the hellenistic period? Gomme, with an eye on Polybius, once wrote of the ‘nearly complete silence about Thucydides in what remains to us of ancient writers before the age of Cicero and Dionysius of Halicarnassus’. This is startling at first and has to my knowledge led to the misconception that Thucydides virtually disappeared after his own time. Gomme was however referring merely to specific mentions or discussions of Thucydides by name: he went on to speak of the ‘silent compliment paid him by Kratippos, Xenophon, Theopompos, and Philistos’. Even this is far from a complete list, and Gomme's possibly misleading paragraph can serve as my starting-point.


Author(s):  
Stephen Mitchell

Until the end of the fourth century BCE the impact of Greek culture in Asia Minor was limited. Lykians, Karians, and Lydians offered alternatives to Hellenism and preserved their own languages until the end of the fourth century BCE. However, by 250 BCE these Anatolian languages ceased to be used in public or private documents, and polis organization became normative. After the overthrow of the Persian Empire the autonomy of Greek cities became the highest political objective. Greek civic decrees in the early Hellenistic period emphasized that democratic legitimacy depended on quorate citizen votes, the Greek language became the only medium for official public communication, and the native populations maintained their identity and independence by adopting polis organization. Between 400 and 250 BCE these populations did not merely absorb Greek cultural influence but underwent the encompassing experience of becoming Greek.


Author(s):  
Sian Lewis

The chapter explores the part played by letters in how tyrants in the world of fifth- and fourth-century BCE Greece exercised power, with a specific emphasis on processes of decision-making and the role of state institutions that embedded the ruler within the wider political community. The focus is on the place and function of letters in the traditions surrounding the rulers of Syracuse (Dionysius I and II, Timoleon, and, moving into the Hellenistic period, Agathocles). A nuanced picture emerges: whereas the classical tyrants did not attempt to impose a model of rule through written communication within their poleis, where traditional oral methods of rule continued, in communications outside the polis tyrants moved gradually towards the letter as part of the consolidation of their rule.


Author(s):  
Morwenna Ludlow

Ancient authors commonly compared writing with painting. The sculpting of the soul was a common philosophical theme. This book takes its starting-point from such figures to recover a sense of ancient authorship as craft. The ancient concept of craft (ars, technē) spans ‘high’ or ‘fine’ art and practical or applied arts. It unites the beautiful and the useful. It includes both skills or practices (like medicine and music) and productive arts like painting, sculpting, and the composition of texts. By using craft as a guiding concept for understanding fourth-century Christian authorship, this book recovers a sense of them engaged in a shared practice which is both beautiful and theologically useful, which shapes souls but which is also engaged in the production of texts. It focuses on Greek writers, especially the Cappadocians (Basil of Caesarea, Gregory of Nazianzus, and Gregory of Nyssa) and John Chrysostom, all of whom were trained in rhetoric. Through a detailed examination of their use of two particular literary techniques—ekphrasis and prosōpopoeia—it shows how they adapt and experiment with them, in order to make theological arguments and in order to evoke an active response from their readership.


Author(s):  
Jeffrey Henderson

Comic dramas, attested as early as the later sixth century bce in Sicily and from ca. 486 bce in Attica, reflect familiarity with Hesiodic poetry from the time our actual documentation begins in the 470s for Sicily and 430s for Attica and into the mid-fourth century bce. Comic poets engaged with Hesiodic poetry at the level of specific allusion or echo and (more frequently) with Hesiodic stories, thought, themes, ideas, and style, now common cultural currency. They also engaged with the poet and his poetic persona, whether bracketed with Homer as a great cultural authority, distinguished as the anti-Homer in subjects or style, or showcased as an emblematic persona of poet and (didactic) sage. Aristophanes, for one, adopted elements of the Hesiodic persona in fashioning his own.


Author(s):  
Marcus Folch

This chapter surveys Hesiodic reception in fourth-century bce prose, with emphasis on Plato and especially the Laws. Passages of the Laws are read in context and used to illuminate the status of Hesiodic poetry in the fourth century. Topics discussed include rhapsodic performance, Hesiod’s relationship to Homer, study of Hesiodic poetry in schools, the fourth-century manuscript tradition, citation of Hesiod’s poems in conversation and Athenian courtrooms, and the politics of Hesiodic quotation. Whether understood as part of the rhapsode’s canon, a gnomic poet, a proto-sophist or proto-philosopher, or an allegorist, Hesiod remained a dynamic site for the production of the philosophical, literary, and political debates that animated fourth-century prose.


2018 ◽  
Vol 72 (2) ◽  
pp. 515-566
Author(s):  
Maria Piera Candotti ◽  
Tiziana Pontillo

Abstract The present paper is targeted on three landmarks in the long story of the paribhāṣās’ development. Two of these landmarks descended from the earliest testimony of Vyākaraṇa meta-rules, i. e. those included in Pāṇini’s grammar (fifth–fourth century BCE), and one which has been handed down as the first independent collection of paribhāṣās and attributed to Vyāḍi. In particular a shift is highlighted between Kātyāyaṇa’s (third century BCE) integrative approach (vacana) and Patañjali’s (second century BCE) recourse to implicit paribhāṣās in the Aṣṭādhyāyī as a powerful hermeneutical tool. A shift that helps in interpreting the need for a validation and collection of implicit pāṇinian paribhāṣās as carried out by authors such as Vyāḍi.


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