The Two Ms. Johnsons

Author(s):  
Marcus Anthony Hunter ◽  
Zandria F. Robinson

Centering the lives, experiences, and murders of transwomen activists Marsha P. Johnson and Duanna Johnson, this chapter explores the migration stories of black women across the Black Map. Emphasizing the importance of intersectionality, the authors highlight the role of race, gender violence, and homophobia in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role transwomen and women of color play in the politics and migrations of black people throughout the chocolate cities.

Author(s):  
Marcus Anthony Hunter ◽  
Zandria F. Robinson

Centering the life, music, and experiences of Aretha Franklin, this chapter explores the migration stories of black women across the Black Map through the lens of soul music, the Mid-South, and during the civil rights movement. Emphasizing the importance of intersectionality, the authors highlight the role of race, place, and gender in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role black music and women of color play in the politics and migrations of black people throughout the chocolate cities.


Author(s):  
Marcus Anthony Hunter ◽  
Zandria F. Robinson

Centering the lives, music, and experiences of Tupac Shakur and his mother, Afeni Shakur, this chapter explores the migration stories of black people across the Black Map through the lens of hip hop music, the Black Panther Party, the Up South, Out South, and West South. Emphasizing the importance of cultural production and black music, the authors highlight the role of race, place, police brutality, and gender in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role black power politics, police brutality, and hip hop in the politics and migrations of black people throughout the chocolate cities.


2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Jade Crimson Rose Da Costa ◽  
Beatrice Anane-Bediakoh ◽  
Giovanni Carranza- Hernandez

Being online during a pandemic in the climate of black death is absolutely triggering. To let the pain out, I’ve had to tap out—had to let those who love me pull me out of this trigger. We, as Black women, carry the heaviness of anti-black/misogynoir policing and anti-black violence with COVID. As Brand contends, ‘we’ve been living in a pandemic all of our [black] life; it is structural rather than viral; it is the global state of emergency of antiblackness’. #SayHerName, #ICantBreathe, #Blacklivesmatter, sigh, I’m so tired. I don’t want to live this pattern time and time again. I want to harness this anger/energy to build alternative possibilities for Black life, but I’m.just.so.drained. So now, with this weight on my spirit, I am required to uphold my scholarly duties in addition to tutoring and mentoring the future of tomorrow, guest lecturing, hosting anti-black workshops, all whilst navigating an anti-black world that is determined to script my ancestors, descendants and I out of this narrative of life. It’s a lot. But I’m managing. - Beatrice Anane-Bediakoh, Chief-Deputy-Editor This year, I have felt simultaneously stuck in stillness but also surrounded by chaos. I feel frozen in time, trapped by the same mundane four walls that I call home, unable to think beyond their ontological restrictions. I feel time speeding past me as I stumble, fumble, and watch helplessly as it slips through my outreached fingers. My stuckness has forced me to rely on technology to marginally satiate my visual and auditory senses. So, I, the cyborg, use my new digital eyes and ears to escape these walls and find myself in chaos. I watch stewing in my impotent anger, but not shock, as the structures that make up our society continue to function as intended and wreak coordinated havoc on the world, committing gratuitous violence on people of colour, but especially Black people, around the world. I’m tired, and my weariness builds as I attempt to support my community, family, and friends in any way I can. My mind becomes more chaotic by the day as the ‘need’ for productivity builds and sits immiscibly with my awareness that productivity makes me implicated and complicit in reproducing this shitty system. But I the half-person, half-machine, must keep on keepin on, so I suppress and compartmentalize my emotions to continue producing during my ‘free’ time and stand idly by and watch as the academy squeezes every last drop of value from my body, too tired to think of an otherwise. - Giovanni Carranza- Hernandez, Chief-Deputy-Editor My head feels like a bottomless container of all the things I have to get done. Grade midterms, conduct interviews, read, email, coordinate mutual aid project, do mutual aid – cook, deliver, repeat, speak on panels, email, coordinate this journal, manage our social media, manage social media for mutual aid project, email, edit articles, submit articles, revise articles, find articles, try to have a life…I’m always doing something, and yet, the list never gets smaller. I’m productive. Always productive.  Friends say: “I don’t know how you do it.” It bothers me. People mean well when they say it, but it’s intended to celebrate my seemingly endless ability to output, to keep up, and the thing is, I’m not keeping up with anything. I feel like my body is disintegrating on a cellular level. I’m not even tried, I’m just exhausted. I don’t want to sleep, I want to rest, to sit, to breath, to stop. That’s what endless, uncompromised productivity really looks like. You don’t actually keep up; something has to give. Nobody keeps up with academia and feels OK about it, especially not us. Something always gives, or breaks. I think I’m breaking, or something. - Jade Crimson Rose Da Costa, Founder/Editor-in-Chief


Author(s):  
Marcus Anthony Hunter ◽  
Zandria F. Robinson

Centering the life, music, and experiences of New Orleans–based bounce music artist Big Freedia, this chapter explores the migration stories of black people across the Black Map through the lens of hip hop music, bounce music, gender-nonconforming peoples, Hurricane Katrina, Down South, and the Deep South. Emphasizing the importance of cultural production and black music, the authors highlight the role of race, place, music, forced migration, gender, and sexual orientation in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role black power politics, natural disasters, sexuality, and regional sounds in the politics and migrations of black people throughout the chocolate cities.


2010 ◽  
Vol 13 (1) ◽  
pp. 76-89 ◽  
Author(s):  
Angela M. Coventry

Hume’s account of the origin and nature of our ideas of space and time is generally thought to be the least satisfactory part of his empiricist system of philosophy. The main reason is internal in that the account is judged to be inconsistent with Hume’s fundamental principle for the relationship between senses and cognition, the copy principle. This paper defends Hume against the inconsistency objection by offering a new systematic interpretation of Hume on space and time and illuminating more generally the role of the copy principle in his philosophy. Humes Theorie des Wesens und des Ursprungs unserer Vorstellungen von Raum und Zeit wird generell zu den am wenigsten befriedigenden Teilen seiner empiristischen Philosophie gezählt. Der Hauptgrund dafür ist werkimmanent: Die Raum- Zeit-Theorie einerseits und Humes „copy principle“ andererseits – d.h. dasjenige Fundamental-Prinzip, das die Relation zwischen unseren Sinnen und unserem Denken regelt – werden als miteinander inkonsistent erachtet. Dieser Beitrag bietet eine neue, systematische Interpretation der Raum-Zeit-Lehre Humes und eine umfassendere Darstellung der Rolle des „copy principles“ in seiner Philosophie an. Auf diese Weise wird Hume gegen den Vorwurf der Inkonsistenz verteidigt.


2021 ◽  
pp. 026377582110302
Author(s):  
Asha Best ◽  
Margaret M Ramírez

In this piece, we take up haunting as a spatial method to consider what geography can learn from ghosts. Following Avery Gordon’s theorizations of haunting as a sociological method, a consideration of the spectral offers a means of reckoning with the shadows of social life that are not always readily apparent. Drawing upon art installations in Brooklyn, NY, White Shoes (2012–2016), and Oakland, CA, House/Full of BlackWomen (2015–present), we find that in both installations, Black women artists perform hauntings, threading geographies of race, sex, and speculation across past and present. We observe how these installations operate through spectacle, embodiment, and temporal disjuncture, illuminating how Black life and labor have been central to the construction of property and urban space in the United States. In what follows, we explore the following questions: what does haunting reveal about the relationship between property, personhood, and the urban in a time of racial banishment? And the second, how might we think of haunting as a mode of refusing displacement, banishment, and archival erasure as a way of imagining “livable” urban futures in which Black life is neither static nor obsolete?


Author(s):  
Krim K. Lacey ◽  
Hira R. Shahid ◽  
Rohan D. Jeremiah

Background: Research suggests that intimate partner violence (IPV) is associated with childhood maltreatment and violence exposure within the neighborhood context. This study examined the role of child maltreatment and violence exposure on intimate partner violence, with the moderating effects of mental disorders (IPV) among US Black women. Methods: Data from the National Survey of American Life (NSAL), the largest and most complete sample on the mental health of US Blacks, and the first representative sample of Caribbean Blacks residing in the United States was used to address the study objectives. Descriptive statistics, chi-square test of independence, t-test, and logistic regression procedures were used to analyze the data. Results: Bivariate results indicate an association between child abuse and intimate partner victimization among US Black women. Witnessing violence as a child as well as neighborhood violence exposure was also related to IPV but shown to differ between African American and Caribbean Black women. Multivariate findings confirmed the influence of mental disorders and social conditions on US Black women’s risk for IPV. Moderating effects of child maltreatment and mental disorders in association with adult IPV were not found. Conclusions: The study addressed the short and long-term impact of child maltreatment and the contribution to the cycle of intimate violence among US Black women including African American and Caribbean Blacks. The study suggests the need for prevention and intervention efforts to improve structural conditions for at-risk populations and communities predisposed to violence and other negative outcomes. Possibilities for future research are also discussed.


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