Medieval Architectural Theory, the Sacred Economy, and the Public Presentation of Monastic Architecture:

2019 ◽  
Vol 78 (3) ◽  
pp. 259-275
Author(s):  
Conrad Rudolph
Keyword(s):  
Public Access ◽  
Direct Result ◽  
Medieval Art ◽  
Architectural Theory ◽  
Medieval Architecture ◽  
The Public ◽  
Monastic Architecture ◽  
East End ◽  
Art And Architecture

The Cistercian abbey church plan with a flat east end, the “Bernardine plan,” is one of the most distinctive, and most discussed, plans of medieval architecture. It has traditionally been seen as a direct result of views on monastic architecture held by Bernard of Clairvaux, our most important source for understanding medieval art and architecture. However, as Conrad Rudolph argues in Medieval Architectural Theory, the Sacred Economy, and the Public Presentation of Monastic Architecture: The Classic Cistercian Plan, this ignores the architecture of Bernard's own monastery and the architectural theory of his circle. By reading this plan in conjunction with the Cluniac apse-echelon plan and the well-known pilgrimage plan and considering it alongside the monastic sacred economy and issues of materials, craftsmanship, and public access, Rudolph shows that the “Bernardine plan” does not represent Bernard's conception at all. It is better thought of as the “classic Cistercian plan,” a compromise of lower spiritual standards aimed at broader institutional acceptance.

Exception from informed consent for emergency research: The experience of the public access defibrillation trial

2002 ◽  
Author(s):  
Vincent N. Mosseso ◽  
◽  
Lawrence H. Brown ◽  
Shannon W. Stephens ◽  
Tom P. Aufderheide ◽  
...  
Keyword(s):  
Informed Consent ◽  
Public Access ◽  
Emergency Research ◽  
The Public ◽  
Public Access Defibrillation

scholarly journals Making the Invisible Visible: Underwater Malta—A Virtual Museum for Submerged Cultural Heritage

2021 ◽  
Vol 13 (8) ◽  
pp. 1558
Author(s):  
Timmy Gambin ◽  
Kari Hyttinen ◽  
Maja Sausmekat ◽  
John Wood
Keyword(s):  
Cultural Heritage ◽  
Public Access ◽  
Human Interaction ◽  
Underwater Cultural Heritage ◽  
Virtual Museum ◽  
Underwater Imaging ◽  
Human Occupation ◽  
The Public ◽  
3D Photogrammetry ◽  
Underwater Sites

The seabed can be considered as the world’s largest museum, and underwater sites explored and studied so far provide priceless information on human interaction with the sea. In recognition of the importance of this cultural resource, UNESCO, in its 2001 Convention on the Protection of the Underwater Cultural Heritage, determined that objects/sites should be preserved in situ, whilst also advocating for public access and sharing. The implementation of these principles is not without difficulties. Some states have opened up underwater sites to the public—mainly through diving, yet the vast majority of the world’s population does not dive. In Malta, 7000 years of human occupation is reflected in and on the landscape, and recent offshore surveys show that the islands’ long and complex history has also left an indelible mark on the seabed. Besides difficulties related to their protection and management, these sites also present a challenge with regard to sharing and communicating. Recent advances in underwater imaging and processing software have accelerated the development of 3D photogrammetry of submerged sites and the idea for a virtual museum was born. The virtual museum, UnderwaterMalta, was created out of a need to share the plethora of underwater sites located on the seabed of the Maltese Islands. A multitude of digital tools are used to share and communicate these sites, offering visitors a dry dive into submerged sites that would otherwise remain invisible to the vast majority of the public. This paper discusses the basic principle of the sharing of underwater cultural heritage and the difficulties that beset the implementation of such a principle. A detailed explanation and evaluation of the methods used to gather the raw data needed is set in the context of the particular and unique working conditions related to deep water sites. The workings of this paper are based on first-hand experiences garnered through the recording of numerous wrecks over the years and the creation and launch of The Virtual Museum-Underwater Malta—a comprehensive virtual museum specifically built for “displaying” underwater archaeological sites that are otherwise invisible to the general public.

Reaching the public via a multi media campaign as a first step to nationwide public access defibrillation

Resuscitation ◽  
2006 ◽  
Vol 69 (2) ◽  
pp. 269-275 ◽  
Author(s):  
Roman Fleischhackl ◽  
Gerry Foitik ◽  
Gerald Czech ◽  
Bernhard Roessler ◽  
Martina Mittlboeck ◽  
...  
Keyword(s):  
Public Access ◽  
Media Campaign ◽  
The Public ◽  
Public Access Defibrillation ◽  
Multi Media

scholarly journals Outcomes of Out‐of‐Hospital Cardiac Arrest by Public Location in the Public‐Access Defibrillation Era

2014 ◽  
Vol 3 (2) ◽  
Author(s):  
Yukiko Murakami ◽  
Taku Iwami ◽  
Tetsuhisa Kitamura ◽  
Chika Nishiyama ◽  
Tatsuya Nishiuchi ◽  
...  
Keyword(s):  
Cardiac Arrest ◽  
Public Access ◽  
The Public ◽  
Public Access Defibrillation ◽  
Hospital Cardiac Arrest

Joanna I of Anjou (1343–1382)

Encyclopedia ◽  
2021 ◽  
Vol 1 (4) ◽  
pp. 1303-1311
Author(s):  
Paola Vitolo
Keyword(s):  
Illuminated Manuscripts ◽  
Ruling Class ◽  
The Public ◽  
South Italy ◽  
Symbolic Representations ◽  
Works Of Art ◽  
Explicit Reference ◽  
Symbolic Image ◽  
Art And Architecture ◽  
The Church

Joanna I of Anjou (1325–1382), countess of Provence and the fourth sovereign of the Angevin dynasty in south Italy (since 1343), became the heir to the throne of the Kingdom of Sicily, succeeding her grandfather King Robert “the Wise” (1277–1343). The public and official images of the queen and the “symbolic” representations of her power, commissioned by her or by her entourage, contributed to create a new standard in the cultural references of the Angevin iconographic tradition aiming to assimilate models shared by the European ruling class. In particular, the following works of art and architecture will be analyzed: the queen’s portraits carved on the front slabs of royal sepulchers (namely those of her mother Mary of Valois and of Robert of Anjou) and on the liturgical furnishings in the church of Santa Chiara in Naples; the images painted in numerous illuminated manuscripts, in the chapter house of the friars in the Franciscan convent of Santa Chiara in Naples, in the lunette of the church in the Charterhouse of Capri. The church of the Incoronata in Naples does not show, at the present time, any portrait of the queen or explicit reference to Joanna as a patron. However, it is considered the highest symbolic image of her queenship.

Opening the Public Accessibility to the Wreckage of the RMS Titanic: Some Ethical Reflections

2021 ◽  
pp. 245592962110534
Author(s):  
Alberto Frigerio
Keyword(s):  
Public Access ◽  
The Public ◽  
Ethical Approaches ◽  
Ethical Reflections ◽  
First Time

In 2021, Ocean Gate Expeditions allowed people to visit the remains of the RMS Titanic. While this is not the first time that the site has been accessed for touristic aims, this case has, once again, opened the debate about the ethics of such experiences. The key dilemma is if permitting the public access to a natural graveyard, such as the wreck of the Titanic, should be considered as an acceptable practice or an immoral act that must be banned. Notwithstanding the sensitive arguments raised against the organization of similar initiatives, the visit to the RMS Titanic seems to be a valuable and legitimate practice according to diverse ethical approaches.

scholarly journals “Ag-Gag” Laws: Evolution, Resurgence, and Public Health Implications

2018 ◽  
Vol 28 (4) ◽  
pp. 664-682 ◽  
Author(s):  
Caitlin A. Ceryes ◽  
Christopher D. Heaney
Keyword(s):  
Occupational Health ◽  
Critical Evaluation ◽  
The United States ◽  
Animal Production ◽  
Public Access ◽  
State Laws ◽  
The Public ◽  
Food Animal ◽  
Health Community ◽  
History Of

The term “ag-gag” refers to state laws that intentionally limit public access to information about agricultural production practices, particularly livestock production. Originally created in the 1990s, these laws have recently experienced a resurgence in state legislatures. We discuss the recent history of ag-gag laws in the United States and question whether such ag-gag laws create a “chilling effect” on reporting and investigation of occupational health, community health, and food safety concerns related to industrial food animal production. We conclude with a discussion of the role of environmental and occupational health professionals to encourage critical evaluation of how ag-gag laws might influence the health, safety, and interests of day-to-day agricultural laborers and the public living proximal to industrial food animal production.

Preemption in Public Health: The Dynamics of Clean Indoor Air Laws

2003 ◽  
Vol 31 (S4) ◽  
pp. 84-85 ◽  
Author(s):  
Elva Yañez ◽  
Gary Cox ◽  
Mike Cooney ◽  
Robert Eadie
Keyword(s):  
Public Health ◽  
Indoor Air ◽  
Tobacco Industry ◽  
Political Influence ◽  
Direct Result ◽  
Special Interest Groups ◽  
Policy Action ◽  
Local Public Health ◽  
The Public ◽  
City Councils

Preemption is a powerful strategy used by special interest groups to undermine strong, local public health standards. Currently, 20 states in the U.S. have preemption ordinances in place related to clean indoor air initiatives. These preemption laws are the direct result of an ongoing and aggressive campaign of tobacco companies to thwart clean indoor air initiatives, which ultimately, according to tobacco industry internal documents, cause significant reductions in their annual revenues. Clean indoor air policies have arisen from a greater understanding of the documented health risks associated with exposure to secondhand smoke and action by local government (city councils, county commissions, and boards of health) to protect the public from these hazards. The efforts of the tobacco industry undermine local authority and seek to shift policy action to the state and federal levels, where the industry has greater political influence.

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