scholarly journals The Musical Butterfly Effect in Until Dawn

2020 ◽  
Vol 1 (4) ◽  
pp. 22-44
Author(s):  
Andrew S. Powell

The interactive drama, a relatively unexplored area of multimedia music discourse, combines elements of film and video game to provide its audience and participants an evolving experience. Because contemporary works of the medium incorporate further innovations that expand the plethora of branching options, the viability of each narrative path and its potential ending necessitates a flexible analytical model for narrative discourse. Music, if it shares the ability to participate in the narrative, must likewise possess this sense of malleability for the work, as its presence or absence in the presented (selected) pathway is not predetermined but remains in a state of potential at all times. This sense of narrative potential for music is a special quality inherent in the interactive drama, allowing for the filmic and ludic qualities of form and function to remain simultaneously “present” and “absent” in a given narrative and provide critical commentary on the events at hand as well as the overall prospective paths that exist in the web of options. Using the interactive drama Until Dawn, this article will explore the concept of narrative potential through three different musical elements that range in their comparative functions to traditionally filmic or ludic roles and their articulation to the underlying narrative. Regardless of supposed function, the music of Until Dawn reveals that narrative form and function of film and video game cannot be differentiated or simply synthesized, but fully appreciated as a unique form of the interactive drama on the multimedia continuum.

2018 ◽  
Vol 2 (2) ◽  
pp. 62
Author(s):  
Panji Suroso

This article reviews the form and function of music at the Ketoprak Dor show that grew and developed in the land of Deli North Sumatra as a culture owned by the Javanese Deli community group. Departing from the phenomenon of the existence of the performance of Ketoprak Dor art in several areas inhabited by the majority of Javanese in the villages around Deli plantations, it led the author to begin to explore the problem of musical elements as one of the most important parts of this performance. Based on the study conducted by the author, it is indicated that the elements that form the Ketoprak Dor show have their own uniqueness, and can be distinguished from similar art in the island of Java. The forming elements of the show are: elements of dance, literature, fashion, stage, theater, motion and dance and elements of music have their own characteristics, and are very different from the ketoprak that is on the island of Java. On this occasion the author only specializes in the discussion of musical elements in the Ketoprak Dor performance art, which is about how the form of music and its function in the Ketoprak Dor performance art.


Author(s):  
Patricia G. Arscott ◽  
Gil Lee ◽  
Victor A. Bloomfield ◽  
D. Fennell Evans

STM is one of the most promising techniques available for visualizing the fine details of biomolecular structure. It has been used to map the surface topography of inorganic materials in atomic dimensions, and thus has the resolving power not only to determine the conformation of small molecules but to distinguish site-specific features within a molecule. That level of detail is of critical importance in understanding the relationship between form and function in biological systems. The size, shape, and accessibility of molecular structures can be determined much more accurately by STM than by electron microscopy since no staining, shadowing or labeling with heavy metals is required, and there is no exposure to damaging radiation by electrons. Crystallography and most other physical techniques do not give information about individual molecules.We have obtained striking images of DNA and RNA, using calf thymus DNA and two synthetic polynucleotides, poly(dG-me5dC)·poly(dG-me5dC) and poly(rA)·poly(rU).


2011 ◽  
Author(s):  
Scott Fluke ◽  
Russell J. Webster ◽  
Donald A. Saucier

2013 ◽  
Author(s):  
Joshua Wilt ◽  
William Revelle

Author(s):  
Barbara Schönig

Going along with the end of the “golden age” of the welfare state, the fordist paradigm of social housing has been considerably transformed. From the 1980s onwards, a new paradigm of social housing has been shaped in Germany in terms of provision, institutional organization and design. This transformation can be interpreted as a result of the interplay between the transformation of national welfare state and housing policies, the implementation of entrepreneurial urban policies and a shift in architectural and urban development models. Using an integrated approach to understand form and function of social housing, the paper characterizes the new paradigm established and nevertheless interprets it within the continuity of the specific German welfare resp. housing regime, the “German social housing market economy”.


Sign in / Sign up

Export Citation Format

Share Document