scholarly journals The Origin Of the Kultepe Culture

Archaeology ◽  
2021 ◽  
pp. 5-16
Author(s):  
Zeyneb Guliyeva ◽  
Keyword(s):  
The South ◽  
South Caucasus ◽  
Culture Studies ◽  
Neolithic Site ◽  
Neolithic Culture ◽  
History Of ◽  
Local Traditions ◽  
The City ◽  
Neolithic Cultures

The different opinions have been put forward about the neolithization of the Azerbaijan. Some researchers note that the South Caucasus’ Neolithic culture is related to Mesopotamia by origin; some note that this culture developed based on local traditions. New researches conducted in the territory of Nakhchivan are essential for solving these problems. New excavations conducted in Kultepe I, located near the city of Nakhchivan, led to the discovery of new facts related to the peopling history of this site and the peculiarities of the Kultepe culture. Studies show that there were various centers of Neolithic cultures’ formation in the VII—VI millennia BC in Azerbaijan. Moreover, the Kultepe is the oldest ceramic Neolithic site in the South Caucasus. Outputs of these studies indicate that Azerbaijan’s Neolithic cultures have no sources in the Middle East’s monuments.

This Is an Abridged Account of Delhi Which Is an Old City and One of the Chosen Ones amongst the Cities

2018 ◽  
Author(s):  
Mirza Sangin Beg
Keyword(s):  
Popular Culture ◽  
East India Company ◽  
Ordinary People ◽  
Work Spaces ◽  
History Of ◽  
English East India Company ◽  
Local Traditions ◽  
The Cost ◽  
The City ◽  
Cost Of Construction

The second part of the translation has three segments. The first is dedicated to the history of Delhi from the time of the Mahabharat to the periods of Anangpal Tomar to the Mughal Emperor Humayun as also Sher Shah, the Afghan ruler. In the second and third segments Mirza Sangin Beg adroitly navigates between twin centres of power in the city. He writes about Qila Mubarak, or the Red Fort, and gives an account of the several buildings inside it and the cost of construction of the same. He ambles into the precincts and mentions the buildings constructed by Shahjahan and other rulers, associating them with some specific inmates of the fort and the functions performed within them. When the author takes a walk in the city of Shahjahanabad, he writes of numerous residents, habitations of rich, poor, and ordinary people, their mansions and localities, general and specialized bazars, the in different skills practised areas, places of worship and revelry, processions exemplifying popular culture and local traditions, and institutions that had a resonance in other cultures. The Berlin manuscript gives generous details of the officials of the English East India Company, both native and foreign, their professions, and work spaces. Mirza Sangin Beg addresses the issue of qaum most unselfconsciously and amorphously.

Exploring a Sense of Place in Lu Cuo Xiamen

2014 ◽  
Vol 584-586 ◽  
pp. 713-716
Author(s):  
Xiao Jian Yu
Keyword(s):  
Sense Of Place ◽  
Landscape Architecture ◽  
Overseas Chinese ◽  
Surrounding Area ◽  
The South ◽  
Landscape Features ◽  
Architectural Styles ◽  
History Of ◽  
The City

South-Fujian is one of the most famous hometowns for overseas Chinese. Lu Cuo is the most significant landscape architecture of the South-Fujian. The development of Lu Cuo is a struggle history of South-Fujianese. Locating in the center of the city, Lu Cuo has faced the danger of being destroyed as many of valuable Cuo. This study investigated landscape features of Lu Cuo, including the arcade, dovetail roof ridge, red brick, and exquisite carvings. The results showed that Lu Cuo is the pluralistic coexistence with Chinese and Western architectural styles. Therefore, the study suggests that cultural vale and physical value are importance for preserving and managing Lu Cuo and its surrounding area.

scholarly journals South Caucasus: Stages of Post-Soviet History

2021 ◽  
pp. 147-162
Author(s):  
A. Krylov
Keyword(s):  
United States ◽  
The United States ◽  
The South ◽  
South Caucasus ◽  
Soviet History ◽  
South Ossetia ◽  
Conflict Zone ◽  
New States ◽  
History Of ◽  
History Of The South

The post-Soviet history of the South Caucasus is divided into three stages of different duration, format and character. The first stage (1991-2008) began after the collapse of the USSR and continued until the war in South Ossetia in August 2008. At this time, the formation of independent states took place, the vectors of foreign policy of the new states were determined. The second stage of the post-Soviet history of the South Caucasus (2008-2020) began after a five-day war and Russia's recognition of the independence of Abkhazia and South Ossetia. Russia has strengthened its position in the South Caucasus by building a long-term system of response to potential threats in the southern direction. The Georgian factor has ceased to play an important role, the Armenian direction has become the main one in the policy of the United States and the collective West. To reformat the South Caucasus in American interests, “football diplomacy” was used, and then the second Karabakh war followed. After the end of the second Karabakh war, the third stage of the post-Soviet development of the South Caucasus began. At the end of 2020, Moscow managed to stabilize the situation and bring a contingent of Russian peacekeepers into the conflict zone. Further prospects for the development of the South Caucasus depend on many contradictory factors. The more tense the international situation and Russia's relations with the United States and the collective West will be, the higher the likelihood of the outbreak of new wars and conflicts in the South Caucasus.

Locating the location of a South African location: the paradoxical pre-history of Soweto

Urban History ◽  
2013 ◽  
Vol 41 (2) ◽  
pp. 311-332 ◽  
Author(s):  
HOWARD PHILLIPS
Keyword(s):  
Inner City ◽  
South African ◽  
Decisive Role ◽  
The South ◽  
Pneumonic Plague ◽  
South African War ◽  
History Of ◽  
Emergency Measure ◽  
The City

ABSTRACT:This article examines the decisive role of the pneumonic plague epidemic of 1904 in re-shaping the racial geography of Johannesburg after the South African War. The panic which this epidemic evoked swept away the obstacles which had blocked such a step since 1901 and saw the Indian and African inhabitants of the inner-city Coolie Location forcibly removed to Klipspruit Farm 12 miles outside of the city as a health emergency measure. There, the latter were compelled to remain, even after the epidemic had waned, making it henceforth the officially designated site for their residence. In 1963, now greatly expanded, it was named Soweto. From small germs do mighty townships grow.

Statues and Status Quo. Time of Monuments in the United States

2019 ◽  
Author(s):  
Łukasz Zaremba
Keyword(s):  
United States ◽  
New York ◽  
Visual Culture ◽  
Art Criticism ◽  
The United States ◽  
The South ◽  
Culture Studies ◽  
Visual Culture Studies ◽  
Chapel Hill ◽  
History Of

In 2015, an armed young white man entered the church in Charleston and killed nine African-Americans. He was guided by racist motives, modeled on Confederate soldiers, and had previously been willing to photograph himself with the Confederate flag. This event once again triggered a discussion in the United States not only about the ideological but also material heritage of the Confederacy states, including the monuments ubiquitous in the cities of the South: memorials to Confederacy leaders but also to anonymous soldiers. These monuments have become the subject of stormy disputes. Some of them were removed by the authorities (New York, New Orleans), some were overthrown in grassroots actions by activists (including Durham and Chapel Hill, referred to in the article); however, a large group was defended by the Republican state authorities. The article - written from the perspective of visual culture studies - aims to recognize the specificity of the monument's medium in the context of these disputes. It argues that the most important characteristic of the medium considered obsolete today (static, unchangeable, heavy, physical, public, etc.) is its ability to present itself as natural, eternal, "historical". These monuments do not only serve to distort the history of civil war in the states of the South (particularly by erasing slavery from it). At the time of their creation - several decades after the war - they were tools of an aggressive policy of segregation and were intended to emphasize the domination of whites and the permanence of pre-war racial divisions. The analysis of a contemporary artistic "monumental" intervention - Kehinde Wiley's Rumors of War, unveiled in December 2019 - will help in recognizing the specificity of the monument's medium. This work, from the perspective of art criticism falling into the traps of politics of representation, from the perspective of visual culture studies turns out to be an important guide, entering into a complicated dialogue with the monuments of five Confederate leaders still present at the Monument Avenue in Richmond, the capital of the secessionists.

Contours of Cinema Theatres and Bombay City

2017 ◽  
Vol 2 (2) ◽  
pp. 112-124
Author(s):  
Paroma Sadhana
Keyword(s):  
Urban Growth ◽  
Urban History ◽  
The South ◽  
Art Deco ◽  
History Of ◽  
Bombay City ◽  
Bus Stops ◽  
Unique Style ◽  
The Relationship ◽  
The City

Bombay cannot be divorced from Bollywood, its medusa-like industry. While the relationship between the city of Bombay and the cinema it produces has been much talked about, this article seeks to look at the history of single-screen cinema theatres that are testimony to the urban history of Bombay. They are the receptacle in which cinema meets its audience. Within the darkened space of the theatre, a heterogeneous audience meets for a homogenous activity—to consume cinema. On the outside, their façades bear the marks of a city’s growth—be it Art-Deco theatres like Liberty, or warehouse structures like Chandan. Their unique style also becomes a geographical marker for the city’s public to navigate their way—countless bus stops and lanes are named after theatres, and a quick chat with the city’s slightly older residents will reveal how they identify neighbourhoods with theatres. This article traces the history of theatres and entertainment in Bombay (from the 1850s) vis-à-vis the city’s urban history. The contention is that as the city grew upwards from its southern tip, expanding in girth, so did the cinema theatres multiply situating themselves along the south-north running railway lines. Thus, to understand the urban growth of Bombay, a unique lens is exploring the history of cinema theatres. In understanding this, the article will highlight the importance of single-screen cinema theatres, and the reason why their sites and spaces need to be preserved.

The Oppidum of Manching

Antiquity ◽  
1960 ◽  
Vol 34 (135) ◽  
pp. 191-200 ◽  
Author(s):  
Werner Krämer
Keyword(s):  
Central Europe ◽  
The South ◽  
The North ◽  
Literary Sources ◽  
History Of ◽  
The Alps ◽  
Area North ◽  
Cultural Connections ◽  
The City ◽  
Bear Witness

Only a few decades after the conquest of Gaul by Caesar the power of the free Celtic tribes in central Europe collapsed as a consequence of their finding themselves placed, during the course of the 1st century B.C., in an insecure position between the Romans and the Germans pressing down from the North. The victorious Alpine campaign of Drusus and Tiberius in 15 B.C. sealed the fate of, among others, the Vindelicians who occupied the south German area north of the Alps as far as the Danube. Here, still today, mighty hillforts bear witness to the power of those nameless Celtic chieftains who caused them to be erected. Contemporary literary sources tell all too little about the history of this area and about the cultural connections of its inhabitants before the Roman occupation. Therefore modern research relied upon Caesar’s description of the Gallic tribes in drawing parallels between the large late La Tène hillforts in central Europe and the city-like tribal centres of the Gauls in France, which Caesar called ‘oppida’ or even ‘urbes’.

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