Early Bronze Age headdress. Markers of the social status in the Bell Beaker–Csepel Group

2012 ◽  
Vol 137 (1) ◽  
pp. 7-26
Author(s):  
Anna Endrődi
Keyword(s):  
Social Status ◽  
Bronze Age ◽  
Early Bronze Age ◽  
The Social ◽  
Bell Beaker

Arrows of Power from Brittany to Denmark (2500–1700 BC)

2017 ◽  
Vol 83 ◽  
pp. 247-287 ◽  
Author(s):  
Clément Nicolas
Keyword(s):  
Comparative Study ◽  
Social Status ◽  
Bronze Age ◽  
Early Bronze Age ◽  
North West ◽  
Cultural Complex ◽  
Sacred Objects ◽  
The Social ◽  
Bell Beaker

This article presents a comparative study of the arrowheads found in graves dating to between 2500 BC and 1700bcin north-west France, southern Britain and Denmark. The aim is to characterise their modes of production and functions during a period which successively sees the introduction of copper then bronze metallurgy, the former accompanying the appearance of Bell Beaker pottery and associated practices in these areas. Several modes of production are proposed, from individual manufacture by Bell Beaker-using warriors to specialist production for elite use during the Early Bronze Age. Over and above their function as weapons – arguably associated more with interpersonal combat than with hunting – arrowheads served to portray and emphasise the social status of the individuals. In the case of the Early Bronze Age Armorican arrowheads, they should be regarded as ‘sacred’ objects, made for display and enhancing the power of the chiefs. Lastly, arrows are placed in the broader perspective of major trends affecting Europe during the Bell Beaker period and then the Early Bronze Age, while the distribution of arrowheads with slanted barbs suggests the operation of an Atlantic cultural complex.

Figurines of the Anatolian Early Bronze Age: the assemblage from Koçumbeli-Ankara

2017 ◽  
Vol 67 ◽  
pp. 85-108 ◽  
Author(s):  
Çiğdem Atakuman
Keyword(s):  
Social Status ◽  
Bronze Age ◽  
Near East ◽  
Raw Materials ◽  
Early Bronze Age ◽  
The Social ◽  
Comparative Review ◽  
Social Landscape ◽  
Social Concerns ◽  
Third Millennium Bc

AbstractThrough analysis of a figurine assemblage from the site of Koçumbeli-Ankara, this study aims to re-evaluate the origins, meanings and functions of the Early Bronze Age (third millennium BC) anthropomorphic figurines of Anatolia. Conventional typological approaches to figurines are often focused on their origins and sex; however, such approaches hinder an understanding of the context of the norms of production, display and discard within which the figurines become more meaningful. Following an examination of breakage patterns and the decorative aspects of the Koçumbeli assemblage, a comparative review of figurine find contexts, raw materials and abstraction scales in Anatolia is provided, so that the social concerns underlying the use of these figurines can be explored. It is concluded that the origins of the figurines are difficult to pinpoint, due to the presence of similar items across a variety of regions of the Near East from the later Neolithic onwards. The sex of the figurines is equally ambiguous; while some human sexual features can be discerned, it is difficult to decide whether these features are ‘male’, ‘female’, both or beyond classification. Alternatively, the decoration, breakage and find contexts of the figurines suggest that the imagery was embedded in more complex perceptions of social status, death and social regeneration. The need for materialisation of these concerns in the form of the figurines could be related to the development of a new social landscape of interaction leading to political centralisation by the second millennium BC. Furthermore, the figurines were produced through a meaningful linking of particular raw materials and particular abstraction scales to particular use contexts, which seems to have shifted during the centralisation process.

Organization of Flint Sickle Blade Production at an Early Bronze Age Workshop in Anatolia

2002 ◽  
Vol 712 ◽  
Author(s):  
Britt E. Hartenberger
Keyword(s):  
Bronze Age ◽  
Complete Sequence ◽  
Early Bronze Age ◽  
Data Set ◽  
Regional Center ◽  
Period 2 ◽  
The Social ◽  
Titris Hoyuk ◽  
Administrative Center ◽  
Local Farmers

ABSTRACTA specialized workshop for the manufacture of flint sickle blades has recently been excavated at the site of Titris Hoyuk in southeastern Anatolia [1]. This paper will examine the sequence of production for the blades as well as the social context of this craft within the site. The workshop is the first example found containing evidence of the complete sequence of production for the ‘Canaanean blade,’ a type commonly used across the Near East in this period [2]. Since bronze was still new and relatively expensive, high-quality flint was used to manufacture sickle blades. Tabular flint was imported in the form of large slabs from several sources in the nearby hills. Specialists then prepared the blade cores, removed the blades, and then traded the final products to local farmers. A range of manufacturing debris has been found to illustrate the production sequence, including chunks of raw flint, core-shaping pieces, debitage pits, and stacks of exhausted and used cores. The large sample of over 1000 blade cores collected ensures a sizable data set for statistical analyses. Several types of raw flint were utilized for making the blades and production appears to vary slightly by these material types. The workshop is located within a household setting and is the only area within the excavated site containing debris from this craft. Spatial analyses of the types of flint used within the household workshop reveal its division into largely distinct areas for domestic versus specialist craft activities. The placement of the workshop in the suburbs far from the site's administrative center may indicate that its activities were independent of any elite. An estimate of the volume of blades produced combined with the location of the workshop at a major regional center suggest that it also supplied blades to other sites in the region.

scholarly journals The Social Role of Non-metal ‘Valuables’ in Late Bronze Age Britain

2018 ◽  
Vol 28 (4) ◽  
pp. 665-688 ◽  
Author(s):  
Joanna Brück ◽  
Alex Davies
Keyword(s):  
Bronze Age ◽  
Social Role ◽  
Social Identities ◽  
Early Bronze Age ◽  
Late Bronze Age ◽  
Cultural Meanings ◽  
Social Agents ◽  
Prestige Goods ◽  
The Social

Bronze Age metal objects are widely viewed as markers of wealth and status. Items of other materials, such as jet, amber and glass, tend either to be framed in similar terms as ‘prestige goods’, or to be viewed as decorative trifles of limited research value. In this paper, we argue that such simplistic models dramatically underplay the social role and ‘agentive’ capacities of objects. The occurrence of non-metal ‘valuables’ in British Early Bronze Age graves is well-documented, but their use during the later part of the period remains poorly understood. We will examine the deposition of objects of amber, jet and jet-like materials in Late Bronze Age Britain, addressing in particular their contexts and associations as well as patterns of breakage to consider the cultural meanings and values ascribed to such items and to explore how human and object biographies were intertwined. These materials are rarely found in burials during this period but occur instead on settlements, in hoards and caves. In many cases, these finds appear to have been deliberately deposited in the context of ritual acts relating to rites of passage. In this way, the role of such objects as social agents will be explored, illuminating their changing significance in the creation of social identities and systems of value.

scholarly journals Argonauts of the North Sea - a Social Maritime Archaeology for the 2nd Millennium BC

2006 ◽  
Vol 72 ◽  
pp. 267-287 ◽  
Author(s):  
Robert Van de Noort
Keyword(s):  
Bronze Age ◽  
Social Order ◽  
Maritime Archaeology ◽  
Social Identities ◽  
Early Bronze Age ◽  
Social Dimensions ◽  
Long Distance ◽  
The North ◽  
The Social ◽  
The North Sea

This paper aims to offer a new analysis of the social dimensions of seafaring in the 2nd millennium BC and a consideration of the role of seafaring in (re)creating the social order at the time through its economic, sociopolitical and ritual significance. It revisits the sewn-plank boats from Ferriby, Kilnsea, Dover, Calidcot, Testwood Lakes, Goldcliff and Brigg, and aspects of the way in which seafarers signified themselves and their world through their imagined relationship with the environment are illuminated. The study argues that in the Early Bronze Age, sewn-plank boats were used for directional, long-distance journeys, aimed at the ‘cosmological acquisition’ of exotic goods, and the contexts of these boats link the overseas journeys to the ancestors. In the Middle and Late Bronze Age, sewn-plank boats were used for down-the-line exchange, and fragments of sewn-plank boats were included in structured deposits, within or near river crossings, reflecting the idioms of transformation and regeneration which are well established for this period. Through the reconstruction of the boats' crews, it is suggested that the development of a retinue was a prerequisite for the successful completion of the long-distance journeys, and the social identities that were cultivated during these voyages are recognised as a potentially important element in the rise of elite groups in the Early Bronze Age.

New Perspectives on the Chronology and Meaning of Mont Bégo Rock Art (Alpes-Maritimes, France)

2016 ◽  
Vol 27 (2) ◽  
pp. 199-221 ◽  
Author(s):  
Thomas Huet
Keyword(s):  
Bronze Age ◽  
Background Noise ◽  
Rock Art ◽  
Early Bronze Age ◽  
Comprehensive Database ◽  
Spatial Configurations ◽  
Bell Beaker ◽  
Sacred Mountain

In 1994, H. de Lumley's teams of researchers finished the colossal task—initiated more than 20 years earlier—of recording every pecked rock engraving of Mont Bégo's rock art. The following year, in the book Le grandiose et le sacré, Lumley defined the site as a sacred mountain and attributed rock engravings, considered as ex-votos, to the Early Bronze Age and the Bell Beaker period. However, it is hard to recognize what interpretations can be directly drawn from the data: some exceptional rock engravings are considered as representative of the whole corpus of rock engravings and the most numerous ones are considered as a ‘bruit de fond’ [background noise]. Furthermore, recognition of associations—where rock engravings are contemporaneous and significantly grouped—had been criticised, and the hypothesis that all the rock engravings can be considered as a single archaeological event seems also to be contradicted by studies of superimpositions. We developed a GIS and a comprehensive database, with statistics, to identify specific spatial configurations, seriation effects and, finally, the evolution of the rock art. By going further in the periodization, our aim is to propose some provisional hypotheses about the meaning of Mont Bégo's rock engravings.

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