scholarly journals Tinjauan Filologi Kritis Manuskrip Al-Minhaj Al-Qowim Syarh Al-Muqadimah Al-Hadramiyyah Fasl Fi mawaqiti as-salati

2020 ◽  
Vol 2 (2) ◽  
pp. 61-80
Author(s):  
Muhamad Agus Mushodiq

This paper aims to examine the book titled al-Minhaj al-Qowim Syarh al-Muqadimah al-Hadramiyyah in the article of fi mawaqiti as-salah on the basis of philological work which includes edits, transliteration, and translation of texts. This paper also aims to explore the meaning of the text using the speech act theory. In studying the text in philology, researchers use the standard edition single manuscript method. The translation method used is the literal method and the free method. In reviewing the meaning of the text, the researcher uses the speech act theory formulated by J. L. Austin including locution, illocution and perlocution. The results of this study are (1) In editing the text, the researcher found several errors in grammatical level, especially morphologically and the vowel error. (2) The text gives messages about the importance of praying at the beginning of time, some strict requirements about being allowed to end the time of prayer, (3) Prompts to pray at the beginning of time, both salat al-zuhr: midday, salat al-'asr: the late part of the afternoon, salat al-maghrib: just after sunset, salat al-'isha: between sunset and midnight (with notes), and salat al-fajr: dawn, (4) Invitations to hasten the implementation of salat al-maghrib, bearing in mind that the time interval between salat al-maghrib and salat al-'isha is very close together, especially in his explanation he also explained about the time that is forbidden in carrying out salat al-maghrib. (5) Regarding the salat al-'isha, he (Abdul Malik) invites Muslims to make two choices that are equally good, first: performing the evening prayer at the beginning of time, bearing in mind that the best practice is the prayer at the beginning of time, and second: carrying out the evening prayer in one-third of the night as described in a hadith, and (6) Inviting the audience / Muslims to perform the Fajr prayer at the beginning of time, given that the end of the salat al-fajr time is not the arrival of the salat al-zuhr but from the sunrise, and the dawn time is very short.

2016 ◽  
pp. 16
Author(s):  
Makhlouf Abdelkader ◽  
Driss Mohamed Amine

The essays collected in this book represent recent advances in our understanding of speech acts-actions like asserting, asking, and commanding that speakers perform when producing an utterance. The study of speech acts spans disciplines, and embraces both the theoretical and scientific concerns proper to linguistics and philosophy as well as the normative questions that speech acts raise for our politics, our societies, and our ethical lives generally. It is the goal of this book to reflect the diversity of current thinking on speech acts as well as to bring these conversations together, so that they may better inform one another. Topics explored in this book include the relationship between sentence grammar and speech act potential; the fate of traditional frameworks in speech act theory, such as the content-force distinction and the taxonomy of speech acts; and the ways in which speech act theory can illuminate the dynamics of hostile and harmful speech. The book takes stock of well over a half century of thinking about speech acts, bringing this classicwork in linewith recent developments in semantics and pragmatics, and pointing the way forward to further debate and research.


Author(s):  
Nicholas Wolterstorff

It is typical of Christian liturgical enactments for the people to pray and take for granted that God will act in the course of the enactment. This chapter first identifies and analyzes a number of ways in which God might act liturgically and then discusses at some length what might be meant when the people say, in response to the reading of Scripture, “This is the word of the Lord.” After suggesting that what might be meant is either that the reading presented what God said in ancient times or that, by way of the reading, God speaks anew here and now, the chapter suggests a third possibility by going beyond speech-act theory to introduce the idea of a continuant illocution in distinction from an occurrent illocution. Perhaps the reference is to one of God’s continuant illocutions.


Author(s):  
Paul Portner

Sentence mood is the linguistic category which marks the fundamental conversational function, or “sentential force,” of a sentence. Exemplified by the universal types of declarative, interrogative, and imperative sentences (as well as by less-common types), sentence mood has been a major topic of research in both linguistics and philosophy. This chapter identifies the two main theories which address the topic, one based on speech act theory and the other on dynamic approaches to meaning. It explains and evaluates current research which uses the two theories, and identifies the most important insights which come out of each.


Author(s):  
Erin Debenport

This chapter draws on data from U.S. higher education to analyze the ways that the language used to describe sexual harassment secures its continued power. Focusing on two features viewed as definitional to sexual harassment, frequency and severity, the discussion analyzes three sets of online conversations about the disclosure of abuse in academia (a series of tweets, survey responses, and posts on a philosophy blog) from grammatical, pragmatic, and semiotic perspectives. Unlike most prior research, this chapter focuses on the language of victims rather than the intentions of harassers. The results suggest that speech act theory is unable to account fully for sexual harassment without accepting the relevance of perlocutionary effects. Using Gal and Irvine’s (2019) model of axes of differentiation, the chapter demonstrates how opposing discursive representations (of professors, sexual harassers, victims, and accusers) create a discursive space in which it becomes difficult for victims to report their harassers.


2019 ◽  
Vol 44 (6) ◽  
pp. 1124-1140
Author(s):  
Miles Ogborn

The geographies of speech has become stuck in a form of interpretation which considers the potentially infinite detail of spoken performances understood within their equally infinitely complex contexts. This paper offers a way forward by considering the uses, critiques and reworkings of J.L. Austin’s speech act theory by those who study everyday talk, by deconstructionists and critical theorists, and by Bruno Latour in his AIME (‘An Inquiry into Modes of Existence’) project. This offers a rethinking of speech acts in terms of power and space, and a series of ontological differentiations between forms of utterances and enunciations beyond human speech.


Language ◽  
1979 ◽  
Vol 55 (2) ◽  
pp. 475
Author(s):  
William O. Hendricks ◽  
Mary Louise Pratt

1989 ◽  
Vol 18 (2) ◽  
pp. 159-212 ◽  
Author(s):  
Roger Brown ◽  
Albert Gilman

ABSTRACTPenelope Brown and Stephen Levinson (1987) have proposed that power (P), distance (D), and the ranked extremity (R) of a face-threatening act are the universal determinants of politeness levels in dyadic discourse. This claim is tested here for Shakespeare's use of Early Modern English in Hamlet, King Lear, Macbeth, and Othello. The tragedies are used because: (1) dramatic texts provide the best information on colloquial speech of the period; (2) the psychological soliloquies in the tragedies provide the access to inner life that is necessary for a proper test of politeness theory; and (3) the tragedies represent the full range of society in a period of high relevance to politeness theory. The four plays are systematically searched for pairs of minimally contrasting dyads where the dimensions of contrast are power (P), distance (D), and intrinsic extremity (R). Whenever such a pair is found, there are two speeches to be scored for politeness and a prediction from theory as to which should be more polite. The results for P and for R are those predicted by theory, but the results for D are not. The two components of D, interactive closeness and affect, are not closely associated in the plays. Affect strongly influences politeness (increased liking increases politeness and decreased liking decreases politeness); interactive closeness has little or no effect on politeness. The uses of politeness for the delineation of character in the tragedies are illustrated. (Politeness theory, speech act theory, pragmatics, sociolinguistics, theory of literature, Shakespeare studies)


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