scholarly journals BELIEF IN WITCHCRAFT AS A MITIGATING FACTOR IN SENTENCING S v Latha 2012 (2) SACR 30 (ECG)

Obiter ◽  
2021 ◽  
Vol 33 (2) ◽  
Author(s):  
Shannon Hoctor

Supernatural belief does not sit easily with the law. Squaring such belief with legal concepts such as the reasonable person is a particularly vexing task. Nevertheless, it is necessary for the courts to take account of such belief as a fact of the South African society. Belief in witchcraft is an ongoing and widespread phenomenon, giving rise to the question whether such belief can play a role in exculpating, or mitigating the punishment of those who engage in criminal conduct as a consequence of such belief. A recurring problem for the courts is how to deal with the situation where a genuine belief in witchcraft provides the motivation for the killing of a suspected witch or wizard in order to protect or defend the interests of the accused or another person. Can such a belief mitigate punishment? This problem arose in the case of S v Latha (2012 (2) SACR 30 (ECG)).

2013 ◽  
Vol 69 (1) ◽  
Author(s):  
Ben J. De Klerk

The goal of this article is to investigate the relationship between the liturgy of the worship service, where prophetic preaching is delivered, and the liturgy of life, where the gift of prophecy must be put into practice. In what way could the ‘prophets’ be equipped to become practitioners of the gift of prophecy? A short description is given of what is understood by prophetic preaching and the gift of prophecy in an effort to determine the relationship between these concepts. In a brief summary, burning questions in church life and in the South African society are addressed: in church life, the questions of extreme conservatism and extreme liberalism are scrutinised and in the South African society, corruption and inequality are investigated. In conclusion, a few guidelines are given for putting the gift of prophecy into practice in the liturgy of life.


2013 ◽  
Vol 34 (1) ◽  
Author(s):  
Fritz W. De Wet ◽  
Ferdi P. Kruger

The prevalence of corruption has enormous negative consequences for the ideal of an orderly and peaceful society. Corruption does not only have a destructive impact on socio-economic life, but also on human relationships, value systems and vision for life. With this research the authors described the role of the ethical dimension of prophetic preaching in addressing the apparent lack of righteousness as it manifests in a context of corruption in the South African society. The problem field was explored with the focus on an apparent lack of vision and willingness to hunger and thirst for righteousness in the current manifestation of corruption in the South African society. Normative perspectives from Scripture (attempting to voice the impact of Jesus� words in the Beatitudes, with the focus on Matthew 5�6) were discussed. It is reasoned that Jesus� words pneumatologically proved to be essential in developing a sharpened and action-inducing vision of the righteousness of the kingdom of God breaking through in the praxis of a society struggling with the effects of corruption. The research culminated in the formulation of preliminary homiletic theory with a view to a vision for a kind of prophetic preaching that will be able to activate the consciousness of hungering and thirsting for the righteousness of God�s kingdom and lead the believer in a life culminating in blessed nourishment. The ethical dimension of prophetic preaching is anchored in the eschatological sphere, aimed at making the perceiver conscious of the distinct presence of the King, calling his people to a blessed presence in this world and empowering them with his promise of restoration of an abundant life for all.


1992 ◽  
Vol 17 (1) ◽  
pp. 39-45 ◽  
Author(s):  
Coleen Angove

When Barney Simon's play Cincinatti was presented at the Market Theatre in 1979, it epitomized a watershed event in the development of theatre in South Africa, anticipating a new tend towards a tradition of a multi-racial theatre. In 1965 legislation had forced racial segregation in the theatre. Pleas for the official desegregation of races in the theatre had finally been successful in 1977 and Cincinatti, sporting one of the first multi-racial casts, was symbolic of a reaching-out amongst different racial, cultural and lingual groups in a highly polarized South African society. Cincinatti was chosen by Hauptfleisch and Steadman to represent Alternative theatre in their anthology (South African Theatre, Four Plays and an Introduction, 1984), thereby acknowledging a new theatrical tradition on the South African theatre scene.


1989 ◽  
Vol 33 (1) ◽  
pp. 105-115
Author(s):  
A. J. G. M. Sanders

At national as well as international level the South African Freedom Charter has become a symbol of the long-standing struggle against apartheid. In this essay the emphasis will be on the charter's provisions relating to ethnicity. The question of ethnicity is a crucial one, for on its solution depends the outcome of the economic and other social problems which trouble South African society.The 1955 Freedom Charter, which was the outcome of a joint venture of the African National Congress (A.N.C.), the South African Indian Congress, the South African Coloured People's Organisation and the predominantly European South African Congress of Democrats, suggests a unitary, participatory welfare state, which will acccord equal rights to all “national groups and races”.For the A.N.C., the senior partner in the “Congress Alliance”, the reference in the charter to “national groups and races” soon became a major headache. Could it be said that the charter lent support to the creation of “four nations”? A number of people within the A.N.C. feared that much. Prominent among them were the “Africanists” who in April 1959 broke away from the A.N.C, and formed the Pan-Africanist Congress (P.A.C.) “Charterists” and “Africanists” are still at loggerheads, but the A.N.C.'s “Revolutionary Programme” of 1969 and its “Constitutional Guidelines for a Democratic


2018 ◽  
Vol 83 (1) ◽  
Author(s):  
Jennifer Slater

Abstract This article discerns the ingredients leadership ought to employ when it functions within the plurifactorial dimensions of the sociological, economic, political, cultural, religious and class diversity. It discerns what qualities enable leadership to befriend and contain diastratic conditions present in a diverse living environment unique to the South African society. For analytical purposes, it employs the art of liminality and the Christian ethic of inclusivity, so as to make provision for the variable situations, providing leadership with flexibility, and an openness to embrace the new, the unknown and uneventful elements of life. Abstrak Hierdie artikel besin die bestanddele wat leierskap onder hande behoort te neem wanneer dit funksioneer binne die multifaktoriese dimensies van die sosiologiese, ekonomiese, politieke, kulturele, godsdienstige en klasverskeidenheid. Dit besin oor watter eienskappe van leierskap moet gestel funksioneer om die diastratiese toestande, teenwoording in die leefomgewing, uniek aan die Suid-Afrikaanse samelewing, te omvat. Vir analitiese doeleindes gebruik dit die kuns van liminaliteit en die Christelike etiek van inklusiwiteit om voorsiening te maak vir die veranderlike situasies, om leierskap met buigsaamheid te verskaf en om die nuwe, onbekende en onbeduidende elemente van die lewe te omvat.


2013 ◽  
Vol 34 (1) ◽  
Author(s):  
Francis Garaba

A survey using questionnaires, observation and interviews was conducted in 2011 to ascertain the collection stewardship strategies of archival repositories with religious archives in Pietermaritzburg. The study concluded that there was a need to establish a religious archives group in order for the voice of ecclesiastical archives to resonate across South Africa. Through this group, it is hoped that there will be greater coordination and networking amongst the archival repositories. The help of associations such as the South African Society of Archivists, the Oral History Association of South Africa and the South African Preservation Group could greatly assist in fostering best practices in archival management. To champion this worthwhile cause, it would be ideal to come up with an Open Day on religious archives to serve as an advocacy platform. These recommendations are made against a backdrop of the poor state of religious archives in Pietermaritzburg, resulting from acute underfunding and which threatens the survival of this record in the long term.


2013 ◽  
Vol 34 (1) ◽  
Author(s):  
Francis Garaba

A survey using questionnaires, observation and interviews was conducted in 2011 to ascertain the collection stewardship strategies of archival repositories with religious archives in Pietermaritzburg. The study concluded that there was a need to establish a religious archives group in order for the voice of ecclesiastical archives to resonate across South Africa. Through this group, it is hoped that there will be greater coordination and networking amongst the archival repositories. The help of associations such as the South African Society of Archivists, the Oral History Association of South Africa and the South African Preservation Group could greatly assist in fostering best practices in archival management. To champion this worthwhile cause, it would be ideal to come up with an Open Day on religious archives to serve as an advocacy platform. These recommendations are made against a backdrop of the poor state of religious archives in Pietermaritzburg, resulting from acute underfunding and which threatens the survival of this record in the long term.


2021 ◽  
Vol 4 (1(9)) ◽  
pp. 11-31
Author(s):  
Małgorzata Mączko

I'm not Like you. Hegemonic Masculinity in Contemporary South African Queer Cinema This article aims to describe common cultural types of masculinity in the South African society and illustrate their presence in contemporary local queer cinema. The historical and social circumstances that helped shape dominant South African forms of masculinity will be presented. The theory of hegemonic masculinity, first developed in the 1980s, will also be used. In the latter part of the article, three recent South African films will be analyzed: Beauty (Skoonheid, 2011, dir. O. Hermanus), The Wound (Inxeba, 2017, dir. J. Trengove), and Moffie (2019, dir. O. Hermanus). They will serve as examples of how Afrikaner and indigenous masculinities function, as well as what consequences await individuals who don’t conform to said patterns.


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