FORMATION AND FEATURES OF CERTIFICATION OF RUSSIAN ENVIRONMENTAL STANDARDS IN CONSTRUCTION

2019 ◽  
Vol 9 (2) ◽  
pp. 96-103
Author(s):  
Elena A. SUKHININA

The article describes the history of the creation of Russian “green” Councils and environmental standards in construction. The interrelation of domestic and foreign systems is revealed, the scope of application of ecostandards in Russia is determined. Sections of the environmental assessment of Russian standards are considered. The characteristic features of rating systems in Russia are identified. The analysis of the estimated categories of the ecocertification systems under consideration is carried out. It is concluded that at present, to improve the environmental friendliness of the architectural and urban planning space, Russian designers need separate versions of national ecostandards for architects and city planners, without overloading with technical and organizational requirements for certification.

Author(s):  
Eleonora A. Shevchenko

The article considers the creation of a fortification line of defense of the Russian state during the 15th-16th centuries as a process of formation of a specific settlement system. It puts forward the hypothesis that the formation of a linear defensive-residential structure consisting of residential and defense constructions united by roads into a single structure of interconnected formations for various functions was purposeful. It is noted that one of the insufficiently studied pages of the Russian history of town-planning to this day remains "Watchline" not as object of fortification, but as an object of town-planning art. On the basis of the study of the works of D. Bagaley, F. Laskovsky, I.D. Belyaeva, A.I. Yakovlev and other researchers, including modern researchers, article concludes that the settlement of the XIV-XVI century's period originally had a planned character. That was, in fact, a complex system of resettlement created, based on a fundamentally new urban development technique for the development of territories. The article substantiates the legitimacy of using the concept of "Settlement System" as applied to the period of the XV-XVII centuries - the period of the state formation. It was the emergence of statehood that allowed the creation of a management system and the structure of such town-planning structures as the Zasechnye lines.


2021 ◽  
Author(s):  
О. В. Гусева ◽  

Women have been involved in the creation of Polish literature since the 17th century. A new page in the history of Polish literature, which came after 1989, is associated with the rapid development of feminism. An important phenomenon of poetry at the beginning of the XXI century was the abundance of female names: at this time, the authors of the older generation, such as V. Szymborska, E. Lipska, K. Miłobędzka, J. Hartwig, continue to create, but new names also appear: J. Mueller, M. Cyranowicz, J. Bargielska, M. Podgórnik, M. Lebda, J. Fiedorchuk, M. B. Kielar. Contemporary Polish women’s poetry is very soulful, sensual and deep, it is filled with empathy, and at the same time it is subjective. Corporeality and frankness become one of the characteristic features of women’s writing: women’s poetry tells more openly and directly about the most intimate experiences.


Author(s):  
Ruben Garcia Rubio ◽  
◽  
Tiziano Aglieri Rinella ◽  

This paper will attempt to highlight the land reclamation as an instrument of urban planning. To achieve this goal, Dubai will be considered as a case study and, specially, Reima and Raili Pietilä’s proposal for the Deira Sea Corniche Competition as a visionary proposal which anticipated the creation of artificial islands in the city. Describing the history of the Dubai’s coastline and analyzing the Pietiläs’ project for its innovative and -at the same time- contextual ideas, the paper will not only offer a new way to approach urban design in Dubai but also to consider the value of land reclamation as a tool for urban development -with its strengths and weaknesses- in order to avoid land consumption and to allow the preservation of most part of the coastline.


Author(s):  
Andrey Benuzh ◽  
Elena Sukhinina ◽  
Alexander Eames Guy

The history of environmental standards, the emergence of environmental architectural and construction design in Russia and the forerunners of environmental certification systems in construction are studied. Historical material is analysed and data is systematised chronologically. Development stages of ecological architectural and construction design in our country are highlighted, their main features are given: Stage 1 (late 17th – mid 20th centuries) — the history of the formation of environmental requirements for the conservation of natural resources and the creation of a comfortable environment for life in urban areas; Stage 2 (mid XXth – early XXIth centuries) — the formation of environmental legislation, the opening of the first Russian Green Building councils, the adaptation of international environmental standards in construction to Russian realities; Stage 3 (the beginning of the XXIth century – the present) — the creation of sustainable requirements in the Russian Federation, increasing the viability of the architectural and construction environment, the introduction of a number of Russian environmental standards in construction, the formation of a national Tech-nical Committee 366 to develop national standards to GOST R series on green construction and promoting green standardization at the national and international levels with the introduction of new green technologies, materials and products for a comfortable living environment. Today in Russia, a new architectural and construction environment is emerging, aimed at saving resources, preserving health, energy conservation, reducing waste, safety, comfort, preserving biodiversity and creating holistic conditions. To intensify the development of this area, it is necessary to introduce new environmental standards for the design of sustainable space in Russian cities, using best world practice.


Author(s):  
Malika Makhmudova ◽  
Muhayyo Makhmudova

The article considers the history of the creation and development of the Islamic garden, the characteristic features of landscape gardening art in the Islamic style through the prism of the development of ancient gardens of the Temurid period, in particular, on examples of gardens in Central Asia, Afghanistan and India, and other countries, including their perspectives development, as well as proposals for the creation of modern landscape design. Today, with the urbanization and the growth of cities, less territory remains for the green zone, therefore one of the main problems throughout the world is the preservation of the environment, and especially landscape architecture. Gardening art has come a long way and many masterpieces have been irretrievably lost. Today, all aspects of the history and development of Islamic-style gardens and parks are still not disclosed. For this reason the issue of studying traditional Islamic-style gardens and, of course, reviving the traditional park-building culture of the Temurids and Baburids era was raised in Uzbekistan to create a green environment of historical sites and national parks. As a result of the research, the following were considered and identified: the history of the development of Islamic landscape design, the types of gardens in the Islamic style, the history of the creation of various gardens, their names, planning and compositional solutions, characteristic features, decorative techniques for building gardens in Central Asia, Afghanistan, India, technical and water devices used in the Temurid Gardens, as well as the importance of the Temurids dynasty in creating gardens and parks in Afghanistan and India. The conducted research, the experience of designing and creating Islamic gardens in Central Asia, Afghanistan, India and other countries will allow using the recommendations aimed at creating a modern garden in the Islamic style not only in Uzbekistan, but in other countries. 


Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.


2020 ◽  
Vol 9 (1) ◽  
pp. 396-411
Author(s):  
Petrônio José Domingues

This article investigates the trajectory of the Grêmio Dramático, Recreativo e Literário Elite da Liberdade (the Liberdade Elite Guild of Drama, Recreation, and Literature), a black club active in São Paulo, Brazil, from 1919 to 1927. The aim is to reconstruct aspects of the club’s history in light of its educational discourse on civility, which was used as a strategy to promote modern virtues in the black milieu. By appropriating the precepts of civility, Elite da Liberdade helped construct a positive black identity, enabled the creation of bonds of solidarity among its members, and made itself a place of resistance and struggle for social inclusion, recognition, and citizens’ rights.


2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.


2019 ◽  
Vol 2019 (09) ◽  
pp. 108-113
Author(s):  
Alexander Begichev ◽  
Alexander Galushkin ◽  
Andrey Zvonaryev ◽  
Victor Shestak

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