De los refranes de Sancho a los latinajos de Partridge: un caso de intertextualidad derivada

2017 ◽  
pp. 33
Author(s):  
Pablo José Carvajal Pedraza
Keyword(s):  
Comparative Study ◽  
Don Quixote ◽  
The Novel ◽  
Tobias Smollett ◽  
Don Quijote ◽  
Common Features ◽  
Mediating Role ◽  
Tom Jones ◽  
Sancho Panza

RESUMENSe realiza un estudio comparativo de una serie de características y rasgos comunes entre los personajes de Sancho Panza y del señor Partridge, tales como el habla sazonada por refranes o latinajos, el discurso en circunloquio, el carácter materialista, medroso, glotón y simple, o la función mediadora que ejercen en los conflictos amorosos de don Quijote y Tom Jones. El objetivo es el de evidenciar el molde sanchopancesco sobre elque se construye el personaje ideado por Fielding, sin olvidar un antecedente inmediato, el personaje de Hugh Strap de la novela de Tobias Smollett, Roderick Random.PALABRAS CLAVESancho Panza, Partridge, don Quijote, Tom Jones, Cervantes, Fielding. TITLEFrom Sancho’s proverbs to Partridge’s latin phrases: a case study of intertextualityABSTRACTA comparative study of a number of characteristics and common features between the characters of Sancho Panza and Mr. Partridge, such as a speech seasoned by sayings or Latin phrases, the speech in circumlocution, the materialistic character, fearful, greedy and simple, or the mediating role they play in the amorous conflicts of Don Quixote andTom Jones. The aim is to demonstrate the sanchopancesco mold on which the character invented by Fielding is built, not forgetting an immediate predecessor, Hugh Strap, a character from the novel by Tobias Smollett, Roderick Random.KEY WORDSSancho Panza, Partridge, don Quixote, Tom Jones, Cervantes, Fielding. 

Humor in der Therapie. Lachend auf Distanz gehen, Ängste lachend besiegen

2003 ◽  
Vol 14 (3) ◽  
pp. 139-157
Author(s):  
Gudrun Hofmann
Keyword(s):  
Don Quixote ◽  
Miguel De Cervantes ◽  
Don Quijote ◽  
Richard Strauss ◽  
Sancho Panza

Zusammenfassung. Don Quijote und Sancho Panza, von Miguel de Cervantes Saavedras 1605/1612 geschaffene Romanhelden, erfreuen sich auch im Jahre 2003 eines großen Bekanntheitsgrades und sind als komisches Paar berühmt geworden. Beide verstricken sich in Abenteuer, die einzig ihrer Fantasie erwachsen. Im folgenden steht das Komische - aus nicht der Norm entsprechendem Verhalten oder aus wahnhaften Imaginationen erwachsend - in der literarischen Vorgabe wie auch in dem sinfonischen Tongedicht “Don Quixote“ von Richard Strauss im Mittelpunkt. Daran schließen sich Überlegungen zu einer tänzerischen Umsetzung im Rahmen eines therapeutischen Settings an. Es wird analysiert, wie sich Menschen mit unterschiedlichen Persönlichkeitszügen (resp. -störungen) darin wiederfinden können und wie die Charaktere von Don Quijote und Sancho Panza im Sinne einer eigenen Interpretation weiterentwickelt werden können. Aspekte der von Helmut Plessner vertretenen anthropologischen Betrachtungsweise des Lachens beleuchten die nur dem Menschen eigene Fähigkeit komisch zu sein und Komisches wahrzunehmen.

Humor in der Therapie. Lachend auf Distanz gehen, Ängste lachend besiegen

2003 ◽  
Vol 14 (4) ◽  
pp. 177-195
Author(s):  
Gudrun Hofmann
Keyword(s):  
Don Quixote ◽  
Miguel De Cervantes ◽  
Don Quijote ◽  
Richard Strauss ◽  
Sancho Panza

Zusammenfassung. Don Quijote und Sancho Panza, von Miguel de Cervantes Saavedras 1605/1612 geschaffene Romanhelden, erfreuen sich auch im Jahre 2003 eines großen Bekanntheitsgrades und sind als komisches Paar berühmt geworden. Beide verstricken sich in Abenteuer, die einzig ihrer Fantasie erwachsen. Im folgenden steht das Komische - aus nicht der Norm entsprechendem Verhalten oder aus wahnhaften Imaginationen erwachsend - in der literarischen Vorgabe wie auch in dem sinfonischen Tongedicht “Don Quixote“ von Richard Strauss im Mittelpunkt. Daran schließen sich Überlegungen zu einer tänzerischen Umsetzung im Rahmen eines therapeutischen Settings an. Es wird analysiert, wie sich Menschen mit unterschiedlichen Persönlichkeitszügen (resp. -störungen) darin wiederfinden können und wie die Charaktere von Don Quijote und Sancho Panza im Sinne einer eigenen Interpretation weiterentwickelt werden können. Aspekte der von Helmut Plessner vertretenen anthropologischen Betrachtungsweise des Lachens beleuchten die nur dem Menschen eigene Fähigkeit komisch zu sein und Komisches wahrzunehmen.

scholarly journals Cervantes and Don Quixote de la Mancha

2016 ◽  
Vol 22 (6) ◽  
pp. 397-401
Author(s):  
Femi Oyebode
Keyword(s):  
Spanish Literature ◽  
Don Quixote ◽  
Fictional Characters ◽  
The Novel ◽  
Miguel De Cervantes ◽  
Modern Novel ◽  
La Mancha ◽  
Sancho Panza

SummaryMiguel de Cervantes, the most influential writer in Spanish literature, created two of the most recognisable fictional characters, Don Quixote de la Mancha and Sancho Panza, in 1605. His novel The Ingenious Hidalgo Don Quixote de la Mancha is regarded as the first modern novel and first international best seller. This article, in the 400th anniversary year of Cervantes' death, introduces Cervantes' biography, discusses the enduring features of his classic novel and explores the value and importance of the novel for psychiatry.

scholarly journals Don Quijote en manos de Goya

2017 ◽  
pp. 155
Author(s):  
Jesús Pérez-Magallón
Keyword(s):  
19Th Century ◽  
Royal Academy ◽  
British Museum ◽  
Don Quixote ◽  
The Novel ◽  
Don Quijote ◽  
Siglo Xix ◽  
The 19Th Century

RESUMENEste ensayo explora las dos intervenciones de Goya en el mundo de Don Quijote: el grabado que le solicitó la Academia para su magnífica edición de 1780 —que nunca fue publicado— y el dibujo que hizo Goya en la última página de uno de sus cuadernos (el álbum F), dibujo que hoy se encuentra en el British Museum, pero que fue copiado y grabado por Bracquemond hacia mediados del siglo XIX. El ensayo se inicia con una visita a la biografía del pintor y se detiene en algunos aspectos tal vez conflictivos de la misma, para pasar después a la presentación y análisis de los grabados con el objetivo de proporcionar alguna explicación de sus diferentes avatares y de sus cuestionables aportaciones.PALABRAS CLAVEFrancisco de Goya, Don Quijote, grabados, dibujos, Cervantes, recepción, iconografía. TITLEDon Quixote in Goya's handsABSTRACTThis paper explores two Goya’s images on Don Quixote: first, the drawing requested by the Spanish Royal Academy for the 1780 edition of the novel, etched by Frabregat that was never published. Second, a drawing on the last page of his album F. The original is held at the British Museum, though it was copied and etched by Bracquemond in the 19th century. My paper revisits Goya’s biography and particularly his inclusion among the afrancesados, a conflicting topic about his life. Then I analyze both images in order to provide some explanation on their significance and transcendence.KEY WORDSFrancisco de Goya, Don Quixote, etchings, drawing, Cervantes, reception, iconography.

scholarly journals Metamorfosis germánicas de Don Quijote

2011 ◽  
pp. 308
Author(s):  
María Luisa Esteve Montenegro
Keyword(s):  
German Literature ◽  
Don Quixote ◽  
The Novel ◽  
Don Quijote ◽  
New Form

Este trabajo se ocupa de la presencia cervantina, concretamente del Quijote, en la literatura alemana del último tercio del siglo XVIII y de cómo Wieland, inspirándose en la novela de Cervantes, hace más que una imitación una parodia de la misma logrando una nueva forma de transformación ficcional.This work deals with the Cervantine presence, concretly with Don Quixote, in the German literature of the last third of the XVIIIth century and with how Wieland, inspired by the novel of Cervantes, realizes more than an imitation a parody of Don Quixote achieving a new form of ficcional transformation.

Don Quixote or Don Quijote.

2012 ◽  
Author(s):  
Anne-Marie Labbate ◽  
Cilantro ◽  
Cervantes
Keyword(s):  
Don Quixote ◽  
Don Quijote

A novel method for the determination of linting propensity of paper

TAPPI Journal ◽  
2012 ◽  
Vol 11 (10) ◽  
pp. 9-17
Author(s):  
ALESSANDRA GERLI ◽  
LEENDERT C. EIGENBROOD
Keyword(s):  
Ash Content ◽  
The Novel ◽  
Offset Printing ◽  
Excellent Correlation ◽  
End Conditions ◽  
Bottom Side ◽  
Novel Method ◽  
Total Fraction

A novel method was developed for the determination of linting propensity of paper based on printing with an IGT printability tester and image analysis of the printed strips. On average, the total fraction of the surface removed as lint during printing is 0.01%-0.1%. This value is lower than those reported in most laboratory printing tests, and more representative of commercial offset printing applications. Newsprint paper produced on a roll/blade former machine was evaluated for linting propensity using the novel method and also printed on a commercial coldset offset press. Laboratory and commercial printing results matched well, showing that linting was higher for the bottom side of paper than for the top side, and that linting could be reduced on both sides by application of a dry-strength additive. In a second case study, varying wet-end conditions were used on a hybrid former machine to produce four paper reels, with the goal of matching the low linting propensity of the paper produced on a machine with gap former configuration. We found that the retention program, by improving fiber fines retention, substantially reduced the linting propensity of the paper produced on the hybrid former machine. The papers were also printed on a commercial coldset offset press. An excellent correlation was found between the total lint area removed from the bottom side of the paper samples during laboratory printing and lint collected on halftone areas of the first upper printing unit after 45000 copies. Finally, the method was applied to determine the linting propensity of highly filled supercalendered paper produced on a hybrid former machine. In this case, the linting propensity of the bottom side of paper correlated with its ash content.

A COMPARATIVE STUDY OF CUSTOMER FRIENDLINESS OF TWO INDIAN ECOMMERCE COMPANIES - A CASE STUDY OF INDIAN E-COMMERCE SECTOR

2018 ◽  
Vol 10 (11) ◽  
Author(s):  
Ankit Sharma ◽  
A C Shukla ◽  
Ekta Tripathi
Keyword(s):  
Comparative Study

PERSIAN GARDENS IN COLD AND DRY CLIMATE: A CASE STUDY OF TABRIZ’S HISTORICAL GARDENS

2016 ◽  
Vol 10 (3) ◽  
pp. 193
Author(s):  
Ahad Nejad Ebrahimi ◽  
Farnaz Nazarzadeh ◽  
Elnaz Nazarzadeh
Keyword(s):  
Comparative Study ◽  
Water Supply ◽  
Field Study ◽  
Cold Climate ◽  
Natural Substrate ◽  
Garden Design ◽  
Climate Conditions ◽  
North West ◽  
Special Expertise

Throughout history, gardens and garden designing has been in the attention of Persian architects who had special expertise in the construction of gardens. The appearance of Islam and allegories of paradise taken from that in Koran and Saints’ sayings gave spirituality to garden construction. Climate conditions have also had an important role in this respect but little research has been done about it and most of the investigations have referred to spiritual aspects and forms of garden. The cold and dry climate that has enveloped parts of West and North West of Iran has many gardens with different forms and functions, which have not been paid much attention to by studies done so far. The aim of this paper is to identify the features and specifications of cold and dry climate gardens with an emphasis on Tabriz’s Gardens.  Due to its natural and strategic situation, Tabriz has always been in the attention of governments throughout history; travellers and tourists have mentioned Tabriz as a city that has beautiful gardens. But, the earthquakes and wars have left no remains of those beautiful gardens. This investigation, by a comparative study of the climates in Iran and the effect of those climates on the formation of gardens and garden design, tries to identify the features and characteristics of gardens in cold and dry climate. The method of study is interpretive-historical on the basis of written documents and historic features and field study of existing gardens in this climate. The results show that, with respect to natural substrate, vegetation, the form of water supply, and the general form of the garden; gardens in dry and cold climate are different from gardens in other climates.

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