scholarly journals Don Quijote en manos de Goya

2017 ◽  
pp. 155
Author(s):  
Jesús Pérez-Magallón
Keyword(s):  
19Th Century ◽  
Royal Academy ◽  
British Museum ◽  
Don Quixote ◽  
The Novel ◽  
Don Quijote ◽  
Siglo Xix ◽  
The 19Th Century

RESUMENEste ensayo explora las dos intervenciones de Goya en el mundo de Don Quijote: el grabado que le solicitó la Academia para su magnífica edición de 1780 —que nunca fue publicado— y el dibujo que hizo Goya en la última página de uno de sus cuadernos (el álbum F), dibujo que hoy se encuentra en el British Museum, pero que fue copiado y grabado por Bracquemond hacia mediados del siglo XIX. El ensayo se inicia con una visita a la biografía del pintor y se detiene en algunos aspectos tal vez conflictivos de la misma, para pasar después a la presentación y análisis de los grabados con el objetivo de proporcionar alguna explicación de sus diferentes avatares y de sus cuestionables aportaciones.PALABRAS CLAVEFrancisco de Goya, Don Quijote, grabados, dibujos, Cervantes, recepción, iconografía. TITLEDon Quixote in Goya's handsABSTRACTThis paper explores two Goya’s images on Don Quixote: first, the drawing requested by the Spanish Royal Academy for the 1780 edition of the novel, etched by Frabregat that was never published. Second, a drawing on the last page of his album F. The original is held at the British Museum, though it was copied and etched by Bracquemond in the 19th century. My paper revisits Goya’s biography and particularly his inclusion among the afrancesados, a conflicting topic about his life. Then I analyze both images in order to provide some explanation on their significance and transcendence.KEY WORDSFrancisco de Goya, Don Quixote, etchings, drawing, Cervantes, reception, iconography.

scholarly journals Polémicas sobre una memoria ornitológica premiada y publicada por la Real Academia de Ciencias de Madrid (1882-1887)

2020 ◽  
pp. 81-101
Author(s):  
Manuel Garrido Sánchez
Keyword(s):  
19Th Century ◽  
Review Process ◽  
Royal Academy ◽  
Natural Sciences ◽  
Current Assessment ◽  
Siglo Xix ◽  
The University ◽  
The 19Th Century ◽  
Real Academia ◽  
A Current

Resumen La Real Academia de Ciencias Exactas, Físicas y Naturales de Madrid premió la obra Aves de España. (Un dato más), presentada a concurso público correspondiente al año 1882. Escrita por José Arévalo Baca, el ornitólogo español del siglo XIX más reconocido a escala europea, catedrático desde 1877 en la Universidad de Valencia. En el proceso de revisión, la Sección de Ciencias Naturales de la Academia, evaluadora de la Memoria, indicó en su informe que el autor se había aprovechado de los trabajos inéditos de dos profesores ya fallecidos de Málaga y Valencia, sin citarlos: Higinio Aragoncillo del Villar y Rafael Cisternas Fontseré. Conclusiones que fueron refutadas por Arévalo con argumentaciones y datos inéditos que aportamos en este trabajo, pero que no impedirían que tras la publicación de su memoria ornitológica (1887), fuera en diversas ocasiones ninguneada en las dos acepciones del vocablo. Analizamos también distintos posicionamientos adoptados por miembros del colectivo científico decimonónico en relación a esa monografía y a su autor, finalizando con la valoración de la misma. Abstra ct The Royal Academy of Exact, Physical and Natural Sciences of Madrid awarded the work titled Aves de España. (Un dato más), submitted it to public tender in 1882. The report was written by José Arévalo Baca, the 19th century Spanish ornithologist most recognized on a European scale and Head Professor at the University of Valencia since 1877. During the review process, the Natural Sciences Section of the Academy, referee of the Memory, indicated that the author had used the unpublished works of two professors from Malaga and Valencia, both deceased, without citing their names: Higinio Aragoncillo del Villar y Rafael Cisternas Fontseré. These criticisms were refuted by Arévalo with arguments and unpublished data that show here. However, in spite of his defense, Arévalo’s ornithological memory published in (1887) was, in several occasions willfully ignored. Likewise, we analyze stance of members of the 19th century scientific collective towards Arévalo’s monograph and Arévalo himself. We finish our study with a current, assessment of the Arévalo’s work.

scholarly journals La revisión de arcaísmos en el DRAE en la primera mitad del siglo XIX = A review of archaisms in the DRAE (1800-1850).

2018 ◽  
pp. 407
Author(s):  
Enrique Jiménez Ríos
Keyword(s):  
19Th Century ◽  
Royal Academy ◽  
History Of ◽  
Siglo Xix ◽  
Linguistic Evolution ◽  
The 19Th Century ◽  
Real Academia

<p>Este artículo aborda la revisión del <em>Diccionario </em>de la Real Academia Española fijando la atención en el léxico arcaico. Se parte de él por la importancia que siempre ha tenido en el diccionario. Para ello se examinan las ediciones de la primera mitad del siglo XIX porque en ellas, como reflejan los prólogos, se produce la mayor adición y supresión de arcaísmos de toda la historia del diccionario. El examen cuantitativo y cualitativo permite conocer la postura de la corporación en el tratamiento de estas voces, la cual responde a la aplicación de criterios de técnica lexicográfica más que a la consideración de estas palabras como testimonio de la evolución y el cambio lingüísticos.</p><p>The article broaches the revision of the Dictionary of the Spanish Royal Academy, fixing the attention in the archaic lexicon. The editions of the first half of the 19th century are examined; in them happens the greatest addition and abolition of archaisms of all the history of the dictionary. It is concluded that the treatment of these voices responds to the implementation of criterions of lexicographical technique rather than to the verification of linguistic evolution and change.<br /><br /></p>

Funding and Directing Research or Rewarding Scientific Achievements?

Nuncius ◽  
2019 ◽  
Vol 34 (2) ◽  
pp. 317-355 ◽  
Author(s):  
Patrice Bret
Keyword(s):  
19Th Century ◽  
Royal Academy ◽  
The State ◽  
Future Research ◽  
Main Question ◽  
Technical Problems ◽  
Académie Des Sciences ◽  
Academy Of Sciences ◽  
The 19Th Century ◽  
Scientific Achievements

Abstract This study examines the science and technology prize system of the Académie des Sciences through a first survey of the prizes granted over the period extending from the 1720s to the end of the 19th century. No reward policy was envisaged by the Royal Academy of Sciences in the Réglement (statute) promulgated by King Louis XIV in 1699. Prizes were proposed later, first by private donors and then by the state, and awarded in international contests setting out specific scientific or technical problems for savants, inventors and artists to solve. Using cash prizes, under the Ancien Régime the Academy effectively directed and funded research for specific purposes set by donors. By providing it with significant extra funding, the donor-sponsored prizes progressively gave the Academy relative autonomy from the political power of the state. In the 19th century, with the growing awareness of the importance of scientific research, the main question became whether to use the prizes to reward past achievements or to incentivize future research, and the scale and nature of the prizes changed.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Pinocchio e l’evoluzione

Revue Romane ◽  
2011 ◽  
Vol 46 (2) ◽  
pp. 282-293
Author(s):  
Margareth Hagen
Keyword(s):  
19Th Century ◽  
Fairy Tales ◽  
Public Debate ◽  
The Novel ◽  
The Public ◽  
Continuous Evolution ◽  
Narrative Interpretation ◽  
Theories Of Evolution ◽  
The 19Th Century ◽  
Pedagogical Literature

The first chapters of Carlo Collodi’s Pinocchio were printed in 1881, the same year as the publication of the novel I Malavoglia, Giovanni Verga’s masterpiece of verismo. While every critical reader of Verga’s realism has pointed out his particular narrative interpretation of evolution, Collodi’s has novel very seldom been connected to the theories of evolution, even if Darwin’s ideas were highly present in the public debate in Florence during the last decades of the 19th century. The reasons for this silence are primarily to be found in the genre of Pinocchio, in the fact that it is children literature, and therefore primarily related to the narrative mechanisms of the fairy tales and pedagogical literature. Focusing on Pinocchio, the article discusses to which degree Darwinism can be traced in Collodi’s literature for children, and questions if the continuous metamorphoses of Pinocchio can be read also in connection with the naturalist conception of the literary characters as unstable, in continuous evolution, and not only as part of the mechanisms of fairy tales and mythological narratives.

scholarly journals Ivan Vahylevych’s mystified biography in Yurii Vynnychuk’s novel “Liutetsiia”

2020 ◽  
pp. 6-11
Author(s):  
Halyna Bokshan
Keyword(s):  
19Th Century ◽  
The Novel ◽  
Main Character ◽  
Don Juan ◽  
Material Characteristic ◽  
Public Figure ◽  
Historical Aspects ◽  
Historical Material ◽  
The 19Th Century ◽  
Historical Epoch

The study examines the features of the strategies of mythologization and mystification used by Yurii Vynnychuk in creating his literary version of Ivan Vahylevych’s biography in the novel “Liutetsiia”. First of all the paper emphasizes the writer’s inclination to play with historic material characteristic of postmodernism, manifesting itself in most of his works and in the novel under study, in particular. The research pays special attention to the original interaction of mythological and cultural-historical aspects in the fictionalized biography of the renowned public figure of the 19th century, famous for his activity in Ruska Triitsia. It considers the specific features of the literary visualization of Ivan Vahylevych character in the relation to Ivan Franko’s essay representing the epistolary of the figures of the historical epoch depicted in the novel. The study determines the correlation between the personages in “Liutetsiia” and the characters and motives of the Celtic mythology. It identifies the specificity of the reminiscent relations of the main character with the archetypal figure of Don Juan. The conclusions highlight the use of irony, grotesque and comic modus by Yurii Vynnychuk as the manifestation of the neo-mythological device of deheroization. It also accentuates that the strategies of mythologization and mystification in “Liutetsiia” reflect the manner of interpreting cultural-historical material characteristic of the author.

scholarly journals Un paisaje sacralizado por grabados rupestres protohistóricos e históricos en las hoces del río Mesa (Calmarza, Zaragoza) = A Sacralized Landscape by Protohistoric and Historical Rock Engravings in the Gorges of the River Mesa (Calmarza, Zaragoza)

2020 ◽  
pp. 105
Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge
Keyword(s):  
19Th Century ◽  
Iron Age ◽  
Rock Art ◽  
Archaeological Remains ◽  
The Third ◽  
Christian Iconography ◽  
Siglo Xix ◽  
Del Rio ◽  
The 19Th Century

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.

scholarly journals Tradición clásica y mitos en la poesía cubana del siglo XIX

2020 ◽  
pp. 683-694
Author(s):  
Ángel Ruiz Pérez ◽  
Keyword(s):  
19Th Century ◽  
Ancient World ◽  
Classical Antiquity ◽  
Jose Marti ◽  
Political Issues ◽  
Julian Del Casal ◽  
Siglo Xix ◽  
Key Aspects ◽  
The 19Th Century ◽  
Poesia Cubana

Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon

scholarly journals Profanación, exhumación y violación de los enterramientos: arqueología penal de su regulación en el siglo XIX

2021 ◽  
pp. 13
Author(s):  
David Castro Liñares
Keyword(s):  
19Th Century ◽  
Criminal Law ◽  
Narrative Structure ◽  
The Body ◽  
Criminal Punishment ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Deceased People

Este trabajo tiene como finalidad analizar el tratamiento penal que durante el siglo XIX se dispensó a los actos indebidos para con el cuerpo y memoria de las personas fallecidas. Para ello, este texto se inicia con un recorrido normativo por los Códigos Penales españoles del siglo XIX (1822-1848-1850-1870) con el propósito de analizar la forma en que el Legislador penal fue incorporando esta cuestión en los distintos textos normativos. A continuación, y como forma de continuar este análisis, se estima adecuado detenerse en las razones político criminales subyacentes a la tipificación de estas conductas. De esta forma, se intenta realizar una aproximación a las lógicas punitivas decimonónicas inherentes a una esfera tan particular como el castigo penal a los actos irrespetuosos para con los difuntos. Por último, se incorpora un apartado conclusivo en el que abordar algunas ideas que, por razón de estructura narrativa no encontraban un acomodo idóneo en otras partes del texto pero que igualmente resultan de importancia para esta propuesta de análisis político-criminal histórico.This work aims to analyse the criminal law treatment that during the 19th century is dispensed to wrongdoing with the body and memory of deceased people. For that purpose, this text begins with a normative view of the Spanish Criminal Codes of the 19th century (1822-1848-1850-1870) in order to investigate how the Criminal Legislator incorporated this issue into the various normative texts. Hereunder, as a way to continue this analysis, it is considered appropriate to dwell on the criminal political reasons typification of these conducts. In this way, an attempt is made to approximate the decimonic punitive logics inherent in an area as particular as criminal punishment to disrespectful acts with the deceased. Finally, a concluding section is incorporated in order to address some ideas that, by reasons of narrative structure, did not find an appropriate accommodation in other parts of the text but which are also relevant for this proposal of historical political-criminal analysis. 

scholarly journals El tratamiento del léxico especializado en la lexicografía española del siglo XIX

2020 ◽  
Vol 13 ◽  
pp. 97-108
Author(s):  
Narciso M. Contreras Izquierdo
Keyword(s):  
19Th Century ◽  
Siglo Xix ◽  
The 19Th Century

The lexicographical treatment of the specialized lexicon of a language is one of the most serious problems lexicographers and specialists in the discipline must face; the author also affirms that it is one of the great pending tasks of Spanish lexicography. The paper proposes to examine the evolution and characteristics of the Spanish lexicographic tradition in general, and to present the different tendencies in the treatment of the lexicon specialized in the 19th century.

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