scholarly journals Screendance Festivals and Online Audiences

2021 ◽  
Vol 12 ◽  
Author(s):  
Harmony Bench ◽  
Gabri Christa ◽  
Yolanda M. Guadarrama ◽  
Cara Hagan ◽  
Kelly Hargraves ◽  
...  
Keyword(s):  
Online Audiences

No abstract available.

Classroom Instruments and Carpool Karaoke: Ritual and Collaboration in Late Night’s YouTube Era

2017 ◽  
Vol 18 (7) ◽  
pp. 569-588 ◽  
Author(s):  
Myles McNutt
Keyword(s):  
Talk Show ◽  
Late Night ◽  
Close Analysis ◽  
Online Audiences ◽  
Primary Space

This article uses two recurring late-night talk show segments, “Classroom Instruments” (NBC’s The Tonight Show Starring Jimmy Fallon) and “Carpool Karaoke” (CBS’s The Late Late Show with James Corden), to explore how programming strategies are changing in response to late night’s adoption of YouTube as a distribution platform. Through close analysis of these segments, the series’ YouTube presences, and industry perspective, the article explores how late night’s digital turn has embraced historical qualities of late-night programming that have proven compatible with YouTube as a platform, with these segments prioritizing collaboration common in the YouTube community at large. It goes on to analyze how this content is being “re-ritualized” for online audiences, disconnecting the segments from their linear broadcast context and reframing them for nonlinear audiences in light of this once secondary space of distribution increasingly becoming the primary space of consumption in late-night talk’s “YouTube era.”

Expanding the Awareness and Use of Library Collections Through Social Media

2019 ◽  
pp. 212-236
Author(s):  
Anchi Hoh
Keyword(s):  
Social Media ◽  
Middle Eastern ◽  
Current Status ◽  
Library Of Congress ◽  
Area Studies ◽  
The World ◽  
Challenges And Opportunities ◽  
Online Audiences ◽  
Audience Interaction ◽  
Social Media Tools

The Library of Congress houses more than 164 million items in various formats, languages, and subjects. Found among its treasures are the international collections. The Library's four area studies divisions—African and Middle Eastern (AMED), Asian, European, and Hispanic—reading rooms provide access to many of these resources. In 2016, the four area studies divisions launched a collaborative social media program to encourage the use of the library's international collections by domestic and global online audiences. The program adopted the 4 Corners of the World blog and the Library of Congress International Collections Facebook page as interactive social media tools. This chapter will examine the interdivisional initiative through its purpose, target audience, content focus, platform selection, management and operation, audience interaction, and current status. Next, the chapter will discuss challenges and opportunities facing the four divisions. Finally, the chapter will offer recommendations for other libraries that are interested in establishing a similar program.

Cyberchondria, Coronavirus, and Cybercrime

2022 ◽  
pp. 16-34
Author(s):  
Mary Aiken ◽  
Ruby Farr ◽  
Doug Witschi
Keyword(s):  
Public Health ◽  
Information Seeking ◽  
Health Anxiety ◽  
Work Life ◽  
Global State ◽  
False Information ◽  
Police Agencies ◽  
Online Audiences ◽  
Psychological Vulnerability ◽  
The Impact

Humans are adapting to and increasingly relying on technology particularly in times of global crisis. As online audiences increase, so does the risk of cybercrime. The impact of the COVID-19 pandemic is discussed in the context of health anxiety, the infodemic and cyberchondria, along with cybercriminal exploitation of pandemic-induced human anxiety and psychological vulnerability. Health anxiety, uncertainty, social isolation, changes to work-life practices, information seeking, mistrust of public health organisations, and the spread of false information all arguably intersect – leading to a global state of human vulnerability and therefore presenting opportunities for cybercriminals. There is a requirement for global agencies such as the United Nations, the WHO, INTERPOL, and governments to take action. Police agencies worldwide need to extrapolate learnings regarding the current pandemic and attendant increase in cybercrime and based on those findings move to form a global coalition with industry partners to investigate, predict, and prevent a potential future cybercrime pandemic.

scholarly journals Post-machismo, gender violence, and opinion dynamics in digital media. Exploring the Spanish reality through the experience of eldiario.es

Teknokultura ◽  
2019 ◽  
Vol 16 (2) ◽  
pp. 213-228
Author(s):  
Laura Martínez-Jiménez ◽  
Belén Zurbano-Berenguer
Keyword(s):  
Digital Media ◽  
Violence Against Women ◽  
Opinion Dynamics ◽  
Gender Violence ◽  
Digital Medium ◽  
Political Awareness ◽  
Online Newspaper ◽  
Online Audiences ◽  
The Media ◽  
The One

Gender violence has gradually become a public issue and a matter of State concern under permanent discussion in the Spanish media. Its increasing visibility has stimulated social and political awareness, but has also given rise to controversies, which are especially manifested in the digital environment. In this environment, meanings are built and expressed not only by the media, but also by online audiences participating through various mechanisms. This work observes the dynamics of the readers’ views on gender violence, as expressed in a politically progressive born-digital medium like eldiario.es. A sample of 716 comments to articles on gender violence published by this online newspaper are analyzed. A quantitative analysis shows a male-dominated participation of readers who are not subscribed to the site and whose views are contrary to those of eldiario.es’ editorial charter and its commitment to equality. A qualitative analysis of the contents of those comments reveals the recurring use of the feminist-antifeminist dichotomy in the debate, as well as a questioning of the scientific nature, purpose and suitability of feminism for the eradication of gender violence. Finally, the promotion of a genuine democratic debate in digital sites as the one here analyzed is discussed in light of women’s notable underrepresentation in the debate and of the possible misuse of participation as a means to perpetrate symbolic violence against women.

Playing to the Crowd

2018 ◽  
Author(s):  
Nancy K. Baym
Keyword(s):  
Social Media ◽  
Qualitative Methods ◽  
Digital Communication ◽  
Professional Musicians ◽  
New Approach ◽  
Online Audiences ◽  
Personal Connections ◽  
And Control ◽  
Depth Interviews ◽  
Increased Pressure

In Playing to the Crowd, Nancy K. Baym examines the shift toward more personal connections with audiences, offering an entirely new approach to media cultures and industries as she does. The book argues that workers in many fields are under increased pressure get online and connect with others to further their careers, a trend that musicians have long led. Using a dialectical framework, the book draws on in depth-interviews with a range of professional musicians and other qualitative methods to show how the rise of digital communication platforms transformed artist-fan relationships into something that can feel personal. Part I explores music as a means of communication and as a commodity, drawing out the tension between its social and commercial values. Part II looks at audiences, showing how they developed fandoms in the 20th century, how those fandoms came online, and the tension between participation and control musicians experience when they encounter online audiences. Part III looks at relationships, examining how, in contrast to the concert hall environment in which musicians and audiences may one have met, social media create a new potential and pressure for everyday, intimate relating and how musicians manage the tensions between closeness and distance this creates. Ultimately, the book argues that the relational labor musicians do is a significant mode of work, one which requires resources, skills, and strategies we must all understand.

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