scholarly journals Psicólogo do trabalho no mundo das práxis capitalista: reflexões fenomenológico-existenciais

2009 ◽  
Vol 15 (2) ◽  
pp. 157-168
Author(s):  
Sylvia Mara Pires de FREITAS
Keyword(s):  
Organizational Psychology ◽  
External World ◽  
Industrial Psychology ◽  
Central Focus ◽  
The World ◽  
The Way ◽  
Psychology Of Work

This article, primarily and in a brief, contextualizing the Industrial Psychology, Organizational Psychology and Psychology of Work, through its historical constructions and grounds of their philosophical hegemonic theories, which underpin the knowledge and the practices of psychologist in the work. As a central focus, has a further reading for this sub-area of psychology, through phenomenology and existentialism of Sartre, thus enabling the expansion of the practice of psychology in the relations in the work, surrounded by capitalist praxis. Finally, raising issues and considerations on the experience of the psychologist's work, when, to help the worker to transcend the tensions between its internal and external world, as well as employee has their values marked its own tensions in that context. Then focuses on the need for psychologists to be aware of their limitations and prejudices with everyday phenomena, which can block changes in the way in which live the world of work.

The Problem of the External World

1988 ◽  
Vol 24 ◽  
pp. 1-29
Author(s):  
D. W. Hamlyn ◽  
J. E. Tiles
Keyword(s):  
External World ◽  
The World ◽  
The Way

Heidegger says concerning the question of the possibility of a proof of the existence of an external world that ‘the “scandal of philosophy” (Kant's words) is not that this proof has yet to be given, but that such proofs are expected and attempted again and again’. Heidegger thinks this because our being (Dasein) is in the world, and this is something which Descartes for one failed to appreciate. I am not concerned here to answer the question whether Heidegger's own views on these matters will do, though I think that they will not. Indeed they might well be said to beg the question at issue, in that Heidegger starts from the presumption that we are actually in the world, even if we are not in it in the way in which the tree in the garden is (and does not this last point make a great difference to the situation?). Another way of reacting to Heidegger would be to say that he does not treat the fact and force of scepticism seriously enough when he makes that presumption. After all, it is possible for us to raise sceptical doubts about the existence of a world apart from ourselves, while it is not possible for the tree in the garden to act similarly. Hence, even if we make the presumption that we are in the world, as Heidegger insists, we are in it in a way that leaves untouched the possibility of sceptical doubts about what that world and our being in it are like. It might, logically, be the case, for example, that the world consists of just me and that my being in the world is no more than for me just to exist. In other words, my being in the world does not directly entail that there exists a world apart from me.

Herman Bavinck and Thomas Reid on Perception and Knowing God

2018 ◽  
Vol 111 (1) ◽  
pp. 115-134 ◽  
Author(s):  
Nathaniel Sutanto
Keyword(s):  
Mental Representations ◽  
External World ◽  
Thomas Reid ◽  
External Reality ◽  
External Objects ◽  
The World ◽  
Triune God ◽  
Reformed Epistemology ◽  
The Way

AbstractNicholas Wolterstorff argues that Kant had erected an epistemological boundary between mental representations and external reality that precipitates an anxiety in modern theologians about whether one can properly refer to God. As a way past this boundary, Wolterstorff's Reformed epistemology retrieves Thomas Reid's account of perception as an alternative to Kant, according to which knowledge of external objects is direct and immediate. Further, Wolterstorff points to the Dutch neo-Calvinist Herman Bavinck as one who bears many “reidian” elements in his epistemology, especially in the way in which Bavinck argues that the epistemic accessibility of the external world ought to be taken for granted. The thesis of this present paper, however, is that a closer investigation of Bavinck's account of perception reveals that he, unlike Reid, accepts the gap between mental representations and external objects, such that representations are those through which we know the world. Bavinck affirms that a correspondence between the two can be obtained by an appeal to the resources found in Christian revelation. In effect, what emerges in a close comparison of Bavinck and Reid is that Bavinck's account is an alternative theological response to the kantian boundary—one according to which mental representations correspond with external objects because both participate in an organically connected cosmos shaped by a Triune God.

The Performance Management Fix Is In: How Practice Can Build on the Research

2015 ◽  
Vol 8 (1) ◽  
pp. 80-85 ◽  
Author(s):  
Paul E. Levy ◽  
Stanley B. Silverman ◽  
Caitlin M. Cavanaugh
Keyword(s):  
Performance Management ◽  
Organizational Psychology ◽  
The State ◽  
Science Practice ◽  
The World ◽  
Practice Gap ◽  
The Creation ◽  
Industrial And Organizational Psychology ◽  
Scientist Practitioner Model ◽  
The Way

The scientist–practitioner model of training in industrial and organizational psychology provides the foundation for the education of industrial and organizational psychologists across the world. This approach is important because, as industrial and organizational psychologists, we are responsible for both the creation and discovery of knowledge and the use or application of that knowledge. In multiple articles recently published in this journal, Pulakos and her colleagues (Pulakos, Mueller Hanson, Arad, & Moye, 2015; Pulakos & O’Leary, 2011) have argued that performance management (PM), as applied and implemented in organizations, is broken. This is not a unique take on the state of PM in organizations, as others have been arguing for many years that PM is no longer working in organizations the way that we would like it to work (Banks & Murphy, 1985; Bretz, Milkovich, & Read, 1992). Further, for many years and in many Society for Industrial and Organizational Psychology conference panels and debates in the literature, we have been inundated with discussions and conversations around the science–practice gap and around the gap being especially evident in PM.

scholarly journals Itineraries of Modern Ethiopian Instrumental Music

2021 ◽  
Author(s):  
◽  
Lucien Johnson
Keyword(s):  
Instrumental Music ◽  
Cultural Interaction ◽  
Turn On ◽  
Central Focus ◽  
The World ◽  
The 1960S ◽  
The Impact ◽  
The Way

<p>This dissertation explores the way in which Ethiopian musicians of the 1960s and 70s adapted forms such as jazz, soul and Latin music to create a new hybrid instrumental music style variously referred to as Ethio-Jazz or Ethio-Groove. It will then go on to investigate the impact that this music has had, in turn, on musicians in various locations around the world since its reissuing on CD in the late 1990s. The central focus is to investigate and articulate the role of individuals’ musical agency in this narrative, and to ask how, within the context of Ethiopian instrumental music and its offshoots, individual musicians and composers have engaged with, responded to and integrated music from elsewhere into their own musical languages. In particular, it looks at how musicians and composers have approached their own notion of creative individuality when their musical genealogy can be traced via affinities rather than geographic and ethnic inheritances. In adopting various influences these musicians, from both the original generation of Ethiopian musicians in the 60s and 70s who adapted soul, jazz and other American forms, and those from around the world who have in turn been influenced by this style of hybrid Ethiopian music, have had to unlock various technical musical problems, as well as navigate at times treacherous ethical waters and answer to allegations of cultural betrayal and/or appropriation. This dissertation identifies these problematic musical and ethical areas and, in the context of this criticism, it examines various viewpoints on how cultural interaction and exchange take place. The final chapter of this dissertation contextualizes my own creative portfolio, which accompanies this written work. It offers a personal response to the questions that have arisen from my affinity for Ethiopian music and from choosing an approach to composition closely informed by this affinity.</p>

“Laws” and “Theories” in Chemistry Do Not Obey the Rules

2000 ◽  
Author(s):  
Maureen Christie ◽  
John R. Christie
Keyword(s):  
Scientific Theory ◽  
Laws Of Nature ◽  
External World ◽  
Scientific Theories ◽  
Classical Physics ◽  
Small Branch ◽  
The World ◽  
Newton’S Laws ◽  
Ontological Sense ◽  
The Way

Most philosophers’ discussions of issues relating to “laws of nature” and “scientific theories” have concentrated heavily on examples from classical physics. Newton’s laws of motion and of gravitation and the various conservation laws are often discussed. This area of science provides very clear examples of the type of universal generalization that constitutes the widely accepted view of what a law of nature or a scientific theory “ought to be.” But classical physics is just one very small branch of science. Many other areas of science do not seem to throw up generalizations of nearly the same breadth or clarity. The question of whether there are any laws of nature in biology, or of why there are not, has often been raised (e.g., Ghiselin, 1989; Ruse, 1989). In the grand scheme of science, chemistry stands next to physics in any supposed reductive hierarchy, and chemistry does produce many alleged laws of nature and scientific theories. An examination of the characters of these laws and theories, and a comparison with those that arise in classical physics, might provide a broader and more balanced view of the nature of laws and theories and of their role in science. From the outset, we should very carefully define the terms of our discourse. The notion of laws of nature has medieval origin as the edicts of an all-powerful deity to his angelic servants about how the functioning of the world should be arranged and directed. It may be helpful to distinguish three quite different senses in which laws of nature are considered in modern discussions. On occasion, the discussion has become sidetracked and obscure because of conflation and confusion of two or more of these senses. In the first, or ontological, sense, laws of nature may be considered as a simply expressed generalization about the way an external world does operate. Laws of nature are often seen as principles of the way the world works. They are an objective part of the external world, waiting to be discovered. The laws that we have and use may be only approximations of the deeper, true laws of nature.

scholarly journals Itineraries of Modern Ethiopian Instrumental Music

2021 ◽  
Author(s):  
◽  
Lucien Johnson
Keyword(s):  
Instrumental Music ◽  
Cultural Interaction ◽  
Turn On ◽  
Central Focus ◽  
The World ◽  
The 1960S ◽  
The Impact ◽  
The Way

<p>This dissertation explores the way in which Ethiopian musicians of the 1960s and 70s adapted forms such as jazz, soul and Latin music to create a new hybrid instrumental music style variously referred to as Ethio-Jazz or Ethio-Groove. It will then go on to investigate the impact that this music has had, in turn, on musicians in various locations around the world since its reissuing on CD in the late 1990s. The central focus is to investigate and articulate the role of individuals’ musical agency in this narrative, and to ask how, within the context of Ethiopian instrumental music and its offshoots, individual musicians and composers have engaged with, responded to and integrated music from elsewhere into their own musical languages. In particular, it looks at how musicians and composers have approached their own notion of creative individuality when their musical genealogy can be traced via affinities rather than geographic and ethnic inheritances. In adopting various influences these musicians, from both the original generation of Ethiopian musicians in the 60s and 70s who adapted soul, jazz and other American forms, and those from around the world who have in turn been influenced by this style of hybrid Ethiopian music, have had to unlock various technical musical problems, as well as navigate at times treacherous ethical waters and answer to allegations of cultural betrayal and/or appropriation. This dissertation identifies these problematic musical and ethical areas and, in the context of this criticism, it examines various viewpoints on how cultural interaction and exchange take place. The final chapter of this dissertation contextualizes my own creative portfolio, which accompanies this written work. It offers a personal response to the questions that have arisen from my affinity for Ethiopian music and from choosing an approach to composition closely informed by this affinity.</p>

The Problem of the External World

1988 ◽  
Vol 24 ◽  
pp. 1-13
Author(s):  
D. W. Hamlyn
Keyword(s):  
External World ◽  
The World ◽  
The Way

Heidegger says concerning the question of the possibility of a proof of the existence of an external world that ‘the “scandal of philosophy” (Kant's words) is not that this proof has yet to be given, but that such proofs are expected and attempted again and again’. Heidegger thinks this because our being (Dasein) is in the world, and this is something which Descartes for one failed to appreciate. I am not concerned here to answer the question whether Heidegger's own views on these matters will do, though I think that they will not. Indeed they might well be said to beg the question at issue, in that Heidegger starts from the presumption that we are actually in the world, even if we are not in it in the way in which the tree in the garden is (and does not this last point make a great difference to the situation?). Another way of reacting to Heidegger would be to say that he does not treat the fact and force of scepticism seriously enough when he makes that presumption. After all, it is possible for us to raise sceptical doubts about the existence of a world apart from ourselves, while it is not possible for the tree in the garden to act similarly. Hence, even if we make the presumption that we are in the world, as Heidegger insists, we are in it in a way that leaves untouched the possibility of sceptical doubts about what that world and our being in it are like. It might, logically, be the case, for example, that the world consists of just me and that my being in the world is no more than for me just to exist. In other words, my being in the world does not directly entail that there exists a world apart from me.

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music

2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey
Keyword(s):  
Film Music ◽  
The World ◽  
British Cinema ◽  
Film Making ◽  
The Way

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.

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