scholarly journals An analysis of music festival customers in Poland in 2018-2019

2020 ◽  
Vol 4 (4) ◽  
pp. 39-48
Author(s):  
Agata Truszczyńska
Keyword(s):  
Music Festival

Salsa’s Unruly Audition

2019 ◽  
Vol 31 (1) ◽  
pp. 65-86 ◽  
Author(s):  
Ren Ellis Neyra
Keyword(s):  
The Other ◽  
Close Reading ◽  
Music Festival

This essay shows how salsa stimulates unruly audition. It responds to that stimulation by performing multi-sensorial poetic listening with the excessive, tender, and queer audio-visual sabores [tastes], gestures, and details of two live performances by the musicians and singers contracted to Fania in the 1970s, one in Yankee Stadium in the Bronx in 1973 and the other in 1974 at Zaire ‘74 in Kinshasa, a music festival of Afro-Latinx, brown, and black sonic solidarity headlining the Ali-Foreman Rumble in the Jungle fight. A riot of audience ended the All-Stars’ set at the 1973 Bronx concert. Their insurgent pleasure compels us to think unruliness with salsa’s listeners, and re-imagine Latinx as a riotous movement of brown and black swerving aesthetic convergences. The essay enacts a deviant and sonically oriented close reading of Héctor Lavoe’s vocals in the song “Mi Gente” [My People], in part, for their attunement precisely to audience and playful dynamics with the band. In this song, Lavoe cries out to “anormales” [abnormals], a sign re-imagined here as an off-kilter feeling for salsa and a multi-sensorial opening for more errant ruptures.

THE SOLAR BUDOKAN; Music Festival Using 100% Solar Energy

2019 ◽  
Vol 139 (10) ◽  
pp. 694-697
Author(s):  
Kota TAJIRI ◽  
Naoya IKEDA ◽  
Yuki HASEGAWA
Keyword(s):  
Solar Energy ◽  
Music Festival

A Primer on the Assessment of Economic Impacts of Leisure Events

2020 ◽  
Vol 24 (1) ◽  
pp. 47-56
Author(s):  
Ove Oklevik ◽  
Grzegorz Kwiatkowski ◽  
Mona Kristin Nytun ◽  
Helene Maristuen
Keyword(s):  
Impact Assessment ◽  
Economic Impact ◽  
Study Design ◽  
Impact Analysis ◽  
Sensitivity Analyses ◽  
Primary Data ◽  
Music Festival ◽  
Economic Impact Analysis ◽  
Economic Impact Assessment ◽  
Input Variables

The quality of any economic impact assessment largely depends on the adequacy of the input variables and chosen assumptions. This article presents a direct economic impact assessment of a music festival hosted in Norway and sensitivity analyses of two study design assumptions: estimated number of attendees and chosen definition (size) of the affected area. Empirically, the article draws on a state-of-the-art framework of an economic impact analysis and uses primary data from 471 event attendees. The results show that, first, an economic impact analysis is a complex task that requires high precision in assessing different monetary flows entering and leaving the host region, and second, the study design assumptions exert a tremendous influence on the final estimation. Accordingly, the study offers a fertile agenda for local destination marketing organizers and event managers on how to conduct reliable economic impact assessments and explains which elements of such analyses are particularly important for final estimations.

scholarly journals Opportunistic Network Algorithms for Internet Traffic Offloading in Music Festival Scenarios

Sensors ◽  
2021 ◽  
Vol 21 (10) ◽  
pp. 3315
Author(s):  
Aida-Ștefania Manole ◽  
Radu-Ioan Ciobanu ◽  
Ciprian Dobre ◽  
Raluca Purnichescu-Purtan
Keyword(s):  
High Performance ◽  
Geographical Area ◽  
Mobility Model ◽  
Routing Algorithms ◽  
Message Delivery ◽  
Opportunistic Network ◽  
Key Factors ◽  
Network Algorithms ◽  
Music Festival ◽  
Social Metrics

Constant Internet connectivity has become a necessity in our lives. Hence, music festival organizers allocate part of their budget for temporary Wi-Fi equipment in order to sustain the high network traffic generated in such a small geographical area, but this naturally leads to high costs that need to be decreased. Thus, in this paper, we propose a solution that can help offload some of that traffic to an opportunistic network created with the attendees’ smartphones, therefore minimizing the costs of the temporary network infrastructure. Using a music festival-based mobility model that we propose and analyze, we introduce two routing algorithms which can enable end-to-end message delivery between participants. The key factors for high performance are social metrics and limiting the number of message copies at any given time. We show that the proposed solutions are able to offer high delivery rates and low delivery delays for various scenarios at a music festival.

Alcohol consumption and illicit drug use among young music festival attendees in Australia

2021 ◽  
pp. 1-7
Author(s):  
Caitlin H. Douglass ◽  
Michelle Raggatt ◽  
Cassandra J. C. Wright ◽  
Helen Reddan ◽  
Holly O’Connell ◽  
...  
Keyword(s):  
Alcohol Consumption ◽  
Drug Use ◽  
Illicit Drug ◽  
Illicit Drug Use ◽  
Music Festival

Curating the urban music festival: Festivalisation, the ‘shuffle’ logic, and digitally-shaped music consumption

2021 ◽  
pp. 136754942110086
Author(s):  
Paulo Nunes ◽  
Carolyn Birdsall
Keyword(s):  
Digital Media ◽  
Urban Space ◽  
Cultural Policy ◽  
Urban Environments ◽  
Radio Station ◽  
City Branding ◽  
Music Festivals ◽  
Music Festival ◽  
Urban Music ◽  
Cultural Intermediaries

In recent years, music festivals have grown in significance within local cultural policy, city branding and tourism agendas. Taking the Mexefest festival in Lisbon as a case in point, this article asks how, in the digital streaming era, music festivals in urban environments are framed, curated and experienced. Drawing on ethnographic fieldwork, our analysis examines how music festival programmers curate the urban festival experience, for both locals and tourists alike. First, we identify the emergence of urban music festivals in recent decades, and how modern festival programmes have adopted the cultural technique of the ‘shuffle mode’ as an influential principle. Second, we investigate the work of festival programmers through the lens of ‘cultural intermediaries’, and ask how their programming strategies, particularly through digital mobile media (such as music playlists), contribute to an aestheticised experience of the city during the festival. Third, we focus on how the Mexefest festival events are staged in tandem with brand activation by sponsors like mobile phone company Vodafone and their radio station Vodafone FM. In doing so, we highlight the participation of festival-goers through their embodied engagements with digital media, music listening and urban space, and evaluate the heuristic value of ‘shuffle curation’ as a tool for the understanding of music festivals as a distinctly global and networked form of leisure consumption in urban culture.

Sign in / Sign up

Export Citation Format

Share Document