Salsa’s Unruly Audition

2019 ◽  
Vol 31 (1) ◽  
pp. 65-86 ◽  
Author(s):  
Ren Ellis Neyra

This essay shows how salsa stimulates unruly audition. It responds to that stimulation by performing multi-sensorial poetic listening with the excessive, tender, and queer audio-visual sabores [tastes], gestures, and details of two live performances by the musicians and singers contracted to Fania in the 1970s, one in Yankee Stadium in the Bronx in 1973 and the other in 1974 at Zaire ‘74 in Kinshasa, a music festival of Afro-Latinx, brown, and black sonic solidarity headlining the Ali-Foreman Rumble in the Jungle fight. A riot of audience ended the All-Stars’ set at the 1973 Bronx concert. Their insurgent pleasure compels us to think unruliness with salsa’s listeners, and re-imagine Latinx as a riotous movement of brown and black swerving aesthetic convergences. The essay enacts a deviant and sonically oriented close reading of Héctor Lavoe’s vocals in the song “Mi Gente” [My People], in part, for their attunement precisely to audience and playful dynamics with the band. In this song, Lavoe cries out to “anormales” [abnormals], a sign re-imagined here as an off-kilter feeling for salsa and a multi-sensorial opening for more errant ruptures.

Author(s):  
GREGORY ALDOUS

Abstract Modern historians of Persia's Safavid period (1501–1722) have long assumed that there was an interregnum between the death of Shah Ismāʿīl I in 1524 and the date when his son Ṭahmāsp came of age and established direct control in the 1530s. This idea of an interregnum takes two forms in the historiography. According to one narrative, during this time the Qizilbāsh amirs were disloyal to the young Ṭahmāsp and tried to seize control of Persia for themselves. According to the other, there was a war of succession in which Qizilbāsh factions supported different sons of Ismāʿīl I. Both of these narratives co-exist in the contemporary historical literature even though they disagree. Based on a close reading of the early Safavid chronicles, this article demonstrates that both narratives are incorrect and there was no interregnum. The Qizilbāsh continued throughout Ṭahmāsp's minority to respect him and treat him as their leader. Unsurprisingly, given his youth and inexperience, he deferred matters of state to his amirs. Nevertheless, his amirs derived their legitimacy to rule from him, and when leadership passed from one amir to another, it did so only with Ṭahmāsp's approval. Moreover, there was no dispute over the succession during Ṭahmāsp's minority.


Author(s):  
João Carvalho ◽  

This paper presents two different, although related, approaches to the problem of the experience of the other person: E. Husserl’s phenomenology of intersubjectivity and E. Levinas’ ethics. I begin by (1) addressing the transcendental significance of the experience of intersubjectivity in the broader context of Husserl’s transcendental phenomenology. I then turn to (2) Husserl’s solution to the paradox of constituting the alter ego, identifying and elucidating the key‑concepts of his inquiry. I hold that throughout his analysis there is a dominant underlying meaning in which the alterity of the other person is progressively suppressed and, ultimately, elided. Finally, I discuss (3) the consequences of Husserl’s analysis of the other in light of Levinas’ ethics. I hold that Husserl’s claim that there is a fundamental difference between the experience of myself and my analogical experience of the other is the basis upon which Levinas’ develops a new concept of experience, not as perception but as encounter. Upon close reading, I claim that Levinas’ revision of the topic of alterity is, ultimately, a consequence of Husserl’s transcendental analysis of intersubjectivity.


Poulenc ◽  
2020 ◽  
pp. 215-248
Author(s):  
Roger Nichols

This chapter focuses on Francis Poulenc's devotion to three very different works. It analyzes Ave verum that Poulenc wrote for women's voices and commissioned by the Howard Heinz Foundation to be performed at the Pittsburgh International Contemporary Music Festival. It also explains that the other two works were both for two pianos and dedicated to Poulenc's friends, such as Capriccio d'après Le Bal masque that was dedicated to Sam Barber. The chapter illustrates Poulenc's stay in France through the rest of 1952, where he suffered serious eye problems and headaches that made work impossible. It also talks about Poulenc's series of six interviews with Stéphane Audel for the Swiss Radio after he left France for Ouchy-Lausanne.


Author(s):  
Max Saunders

Close reading, as it gained prestige from the 1920s in Cambridge Practical Criticism and then the American New Criticism, was not only a product of the modernist period but a product of modernism. Whatever else modernism involved, it advocated what we might call ‘close writing’: a minute attention to the words being used, the word choices being justified by the effects they produced. When I. A. Richards distributed anonymized poems to his students and colleagues for them to analyse, and then analysed their responses in turn, he wrote up his findings in the book that effectively launched close reading as an academic practice, Practical Criticism (1929). This chapter investigates two kinds of context for the attention to close reading exemplified by Richards. One is the network of writers and thinkers around Richards; the other is literary modernism itself


2017 ◽  
Vol 2017 ◽  
pp. 1-21 ◽  
Author(s):  
Pieter Robyns ◽  
Bram Bonné ◽  
Peter Quax ◽  
Wim Lamotte

We present two novel noncooperative MAC layer fingerprinting and tracking techniques for Wi-Fi (802.11) enabled mobile devices. Our first technique demonstrates how a per-bit entropy analysis of a single captured frame allows an adversary to construct a fingerprint of the transmitter that is 80.0 to 67.6 percent unique for 50 to 100 observed devices and 33.0 to 15.1 percent unique for 1,000 to 10,000 observed devices. We show how existing mitigation strategies such as MAC address randomization can be circumvented using only this fingerprint and temporal information. Our second technique leverages peer-to-peer 802.11u Generic Advertisement Service (GAS) requests and 802.11e Block Acknowledgement (BA) requests to instigate transmissions on demand from devices that support these protocols. We validate these techniques using two datasets, one of which was recorded at a music festival containing 28,048 unique devices and the other at our research lab containing 138 unique devices. Finally, we discuss a number of countermeasures that can be put in place by mobile device vendors in order to prevent noncooperative tracking through the discussed techniques.


PMLA ◽  
2014 ◽  
Vol 129 (2) ◽  
pp. 204-222 ◽  
Author(s):  
Pansy Duncan

Postmodern aesthetics' vaunted hermeneutic flatness is routinely equated with emotional flatness. In large part, it is this equation that underpins postmodernism's fall from favor in the face of the critical humanities' recent turn to the analysis of affect and emotion. Through a close reading of David Cronenberg's paradigmatically postmodern film Crash (1996), however, this essay draws on a long-standing lamination of texture to emotion in order to undertake a radical reappraisal of postmodernism's emotional life—recoding postmodern aesthetics' notoriously flat, depthless surface as a richly textured plane that oscillates between the high polish of the glossy surface and the cragginess of the rough. In doing so, the essay argues not only that postmodern aesthetics is unexpectedly hospitable to emotions but also that an analysis of these emotions may help to reconfigure sedimented scholarly understandings of the relation between surface and depth, true emotion and false, critical “then” and critical “now.”


Author(s):  
Ilit Ferber

Language and pain are usually thought of as opposites, the one being about expression and communication, the other destructive, “beyond words,” and isolating. Language Pangs challenges these familiar conceptions and offers a reconsideration of the relationship between pain and language in terms of an essential interconnectedness rather than an exclusive opposition. The book’s premise is that the experience of pain cannot be probed without consideration of its inherent relation to language, and vice versa: understanding the nature of language essentially depends on an account of its relationship with pain. Language Pangs brings together discussions of philosophical as well as literary texts, an intersection especially productive in considering the phenomenology of pain and its bearing on language. The book’s first chapter presents a phenomenology of pain and its relation to language. Chapters 2 and 3 provide a close reading of Herder’s Treatise on the Origin of Language (1772), which was the first modern philosophical text to bring together language and pain, establishing the cry of pain as the origin of language. Herder also raises important claims regarding the relationship between human and animal, sympathy, and the role of hearing in the experience of pain. Chapter 4 is devoted to Heidegger’s seminar (1939) on Herder’s text about language, a relatively unknown seminar that raises important claims regarding pain, expression, and hearing. Chapter 5 focuses on Sophocles’ story of Philoctetes, important to Herder’s treatise, in terms of pain, expression, sympathy, and hearing, also referring to more thinkers such as Cavell and Gide.


Author(s):  
Ann-Kathrin Rothermel

Abstract Given the current polarization of gender knowledge in the public discourse, this article investigates the “other side” of gender knowledge production. Building on feminist standpoint literature, I conduct a close reading of the affective-discursive dynamics of knowledge production in two anti-feminist online communities in the United States and India. I find that anti-feminist communities appropriate feminist practices of consciousness-raising to construct a shared sense of victimization. This appropriation is, however, incomplete. In contrast to feminist practices, anti-feminist knowledge generation is premised on the polarizing themes of “ultimate victimhood” and “ultimate other,” which lead to violence and exclusion, rather than liberation.


Traditio ◽  
2016 ◽  
Vol 71 ◽  
pp. 203-234 ◽  
Author(s):  
ALEXANDER ANDRÉE

The traditional account of the development of theology in the twelfth and thirteenth centuries is that the emerging “academic” discipline of theology was separated from the Bible and its commentary, that the two existed on parallel but separate courses, and that the one developed in a “systematic” direction whereas the other continued to exist as a separate “practical” or “biblical-moral” school. Focusing largely on texts of an allegedly “theoretical” nature, this view misunderstands or, indeed, entirely overlooks the evidence issuing from lectures on the Bible — postills, glosses, and commentaries — notably the biblical Glossa “ordinaria.” A witness to an alternative understanding, Peter Comestor, master and chancellor of the cathedral school of Paris in the second half of the twelfth century, shows that theology was created as much from the continued study of the Bible as from any “systematic” treatise. Best known for his Historia scholastica, a combined explanation and rewrite of the Bible focusing on the historical and literal aspects of sacred history, Comestor used the Gloss as a textbook in his lectures on the Gospels both to elucidate matters of exegesis and to help him deduce doctrinal truth. Through a close reading of Comestor's lectures on the Gospel of John, this essay reevaluates the teaching of theology at the cathedral school of Paris in the twelfth century and argues that the Bible and its Gloss stood at the heart of this development.


Author(s):  
Emma Gannagé

On First Philosophy is the most emblematic work of Abū Yūsuf Ya‛qūb b. Isḥāq al-Kindī’s (ca. 801–ca. 870) surviving treatises. Aiming primarily to prove the oneness of God, the surviving part of the treatise consists of four chapters that form a consistent unit. The chapter provides a close reading of and commentary on the four chapters and shows how the texts unfold by following a very tight argument leading to the thesis toward which the whole treatise seems to aim: the true One, who is the principle of unity and hence the principle of existence of all beings, on the one hand, and the absolutely transcendent God, which can be approached only through a negative theology, on the other, are one and the same principle. In the meantime, al-Kindī would have demonstrated the noneternity of the world and shown the impossibility of finding sheer unity in the sensible world.


Sign in / Sign up

Export Citation Format

Share Document