COVID-19 and French Philosophy - Nancy, Badiou and Korea

2021 ◽  
Vol 29 (3) ◽  
pp. 49-80
Author(s):  
Tegu Joe
Keyword(s):  
2017 ◽  
Vol 55 (1) ◽  
pp. 162-163
Author(s):  
Michael Moriarty
Keyword(s):  

PMLA ◽  
1916 ◽  
Vol 31 (2) ◽  
pp. 264-325
Author(s):  
C. A. Moore

One of the notable changes in English literature during the eighteenth century is a growth in altruism. It is a change which involves not only a breaking down of the old aristocratic indifference to the lower classes of society during the Restoration, but the establishment of a new ethical theory; literature displayed a broader human interest and assigned a new reason for its sympathy. It is usually assumed that the difference is due principally to the influx of French philosophy. This assumption at least minimizes the importance of a development which had taken place in the literature of England itself before the general interest in Rousseau. (The change, especially in poetry, is to be traced largely, I think, to the Characteristics (1711) of Lord Shaftesbury, whose importance as a literary influence in England has never been duly recognized. It has long since been established that his system of philosophy constitutes a turning-point in the history of pure speculation, especially in ethics; it has more recently been shown also that he is responsible for many of the moral ideas which inform the popular literature of Germany from Haller to Herder. But his influence upon the popular writers of his own country has received scant notice.


2016 ◽  
Vol 24 (2) ◽  
pp. 154-175 ◽  
Author(s):  
Alex Feldman

Foucault famously divided the history of twentieth-century French philosophy between a “philosophy of experience” and a “philosophy of the concept,” placing Bergson in the former camp and his teacher Canguilhem in the latter. This division has shaped the Anglophone reception of Canguilhem as primarily a historian and philosopher of biology. Canguilhem, however, was also a philosopher of life and a careful reader of Bergson. The recently-begun publication of Canguilhem’s Œuvres complètes has revealed the depth of this engagement, and a re-reading of Canguilhem’s final major statement on Bergson, the 1966 essay “The Concept and Life,” has thus become necessary. The basic problem of that essay is the relationship between knowledge and life in the history of biology and philosophy, with a special place for Bergson. Canguilhem’s strong criticism of him turns, however, on a misquotation. In claiming that Bergson fails to account for the struggle of the living being to maintain a species form, Canguilhem misconstrues the crucial Bergsonian distinction between vital order and geometrical identity; he thus misses the importance that Bergson accords to general biological tendencies, rather than to the generality of the species. Despite the differences on display in the 1966 essay, it will be argued that Canguilhem’s earlier remarks on Bergson show a surprising convergence in the underlying aim of each thinker’s biological philosophy: the call for a new ontology that grasps the ordered and intelligible character of life without relying on a principle of identity.


2014 ◽  
Vol 22 (2) ◽  
pp. 137-140
Author(s):  
Bernard Harbaš
Keyword(s):  

A review of Ian James, The New French Philosophy (Cambridge: Polity Press, 2012).


Author(s):  
Giulia Cosio

In this article, the author wishes to give an overview of the thought and work of Tzvetan Todorov, a Bulgarian philosopher who emigrated to France in 1963. Distinguished representative of the contemporary intellectual scene, his figure remains elusive, due to the multidisciplinary nature of his approach and the variety of themes he touchs. Former member of French structuralism, Todorov deviates gradually from the blueprint of structuralist thought to achieve a neo-humanism that finds echoes in contemporary French philosophy. This study intends to chart the parable of this personal and intellectual path, and to explain the peculiarities of this style. The attention to the central event of alterity in the constitution of human nature is framed in Todorov’s works through an original writing method (the exemplary history and the dialogical critic of thought) and a strong ethical reflection full of suggestions coming from several disciplines.


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