scholarly journals A ficção científica de acordo com os Futurians

2021 ◽  
Vol 8 (1) ◽  
pp. 204
Author(s):  
Andreya Susane Seiffert
Keyword(s):  
New York ◽  

The Futurian Society of New York, ou simplesmente The Futurians, foi um grupo de fãs e posteriormente escritores e editores de ficção científica, que existiu de 1938 a 1945. O período é geralmente lembrado pela atuação do editor John Cambpell Jr. à frente da Astounding Science Fiction. A revista era, de fato, a principal pulp à época e moldou muito do que se entende por ficção científica até hoje. Os Futurians eram, de certa forma, uma oposição a Campbell e seu projeto. Três membros do grupo viraram editores também e foram responsáveis por seis revistas pulps diferentes, em que foram publicadas dezenas de histórias com autoria dos Futurians. Esse artigo analisa parte desse material e procura fazer um pequeno panorama de como os Futurians pensaram e praticaram a ficção científica no início da década de 1940.

Author(s):  
Robert Markley

Kim Stanley Robinson is the first full-length study of one of the most widely read and influential science-fiction writers of our era. In dicussing eighteen of his novels published since 1984 and a selection of his short fiction, this study explores the significance of his work in reshaping contemporary literature. Three of the chapters are devoted to Robinson’s major trilogies: the Orange County trilogy (1984-90), the Mars trilogy (1992-96), and the Science in the Capital trilogy (2004-07). Two other chapters consider his groundbreaking alternative histories, including “The Lucky Strike” (1984), The Years of Rice and Salt (2002), and Shaman (2014), and his future histories set among colonies in the solar system, notably Galileo’s Dream (2009) and 2312 (2012). The concluding chapter examines Robinson’s most recent novels Aurora (2015) and New York 2140 (2017). In interviews, Robinson describes his fiction as weaving together, in various combinations, Marxism, ecology, and Buddhist thought, and all of his novels explore how we might imagine forms of utopian political action. His novels—from the Mars trilogy to New York 2140—offer a range of possible futures that chart humankind’s uneven progress, often over centuries, toward the greening of science, technology, economics, and politics. Robinson filters our knowledge of the past and our imagination of possible futures through two superimposed lenses: the ecological fate of the Earth (or other planets) and the far-reaching consequences of moral, political, and socioeconomic decisions of individuals, often scientists and artists, caught up in world or solar-systemic events. In this respect, his fiction charts a collective struggle to think beyond the contradictions of historical existence, and beyond our locations in time, culture, and geography.


Also received - Report of the Department of Antiquities, Cyprus, 2001. vi+441 pages, figures, tables. 2001. n.p.: Department of Antiquities of Cyprus; ISSN 0070-2374 hardhack. - Miles Russell (ed.). Digging holes in popular culture: archaeology and science fiction (Bournemouth University School of Conservation Sciences Occasional Paper 7). xvii+174 pages, 39 figures, 1 table. 2002. Oxford: Oxbow; 1-84217-063-5 paperback £18 & US$29. - Martha C. Nussbaum & Juha Sihvola (ed.). The sleep of reason: erotic experience and sexual ethics in ancient Greece & Rome. viii+457 pages. 2002. Chicago: University of Chicago Press; 0-226-60915-4 paperback £18.50 & $26. - Laura K. McClure. Sexuality and gender in the Classical wor1d: readings and sources. xiii+318 pages, 9 figures. 2002. Oxford & Malden (MA): Blackwell; 0-631-22588-9 hardback £55 & $62.95,0-631-22589-7 paperback £15.99 & $27.95. - Luciano Floridi. Sextus Empiricus: the transmission and recovery of Pyrrhonism. xvi+150 pages, 5 figures, 4 tables. 2002. New York (NY): Oxford University Press; 0-19-514671-9 hardback £35. - David McKnight. From hunting to drinking: the devastating effects ojalcohol on an Australian Aboriginal community. xiv+239 pages, 1 figure, 21 plates, 2 tables. 2002. London: Routledge; 0-415-27150-9 hardback, 0-415-27151-7 paperback. - Ralph Barker. The Royal Flying Corps in World War I. xx+507 pages, illustrations. 2002. London: Robinson; 1-84119-470-0 paperback £9.99. - Paul Doherty. The godless mun: a mystery of Alexander the Greut. xii+303 pages, 1 map. 2002. London: Constable; 1-84119-496-4 hardback £16.99.

Antiquity ◽  
2002 ◽  
Vol 76 (293) ◽  
pp. 884-884
Author(s):  
N. James

2016 ◽  
Vol 3 ◽  
pp. CXXXVII-CXLV
Author(s):  
Robert Walter-Jochum
Keyword(s):  
New York ◽  

This contribution offers a review of:Steven Hrotic: Religion in Science Fiction. The Evolution of an Idea and the Extinction of a Genre.London/New York: Bloomsbury Academic, 2016. 225 pages, £28.99, ISBN (paperback): 9781474273176.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
David Sulz

Card, Orson S. Pathfinder. New York: Simon Pulse, 2010. Print. Two warnings are in order before you read the first line. It is long (657 pages) and just the first in a series. Warnings are offered because the story is so completely engrossing that your sense of time will be altered. While you are in the story, time will speed up or slow down with the pace of the story and you will want to linger in some passages to figure out what is going on but speed through others to find out what will happen. When you are away from the story, your sole thought will be how to get back to it. Hours will pass in seeming minutes and minutes will linger for hours. And, as you approach the last few pages with the disappointment that comes when a great story ends but the satisfaction that all the loose ends will be tied up, a twist gets thrown in to make you desperate for the story to continue. These are the likely reactions for those who love science-fiction fantasy stories set in a future that is more like the past, with multiple story lines that converge and diverge, and characters who discover they have abilities that seem far-fetched yet somehow possible if only we knew a few secrets and had the will-power to practice them. This is a story about time travel and intrigue where people are not simply good or bad; in fact, each character is both with the ultimate judgment falling on the reader. The typeface splits the novel into two strands. In one, Ram and the expendables control a spaceship filled with sleeping human colonists that “make a daring leap into theoretical physics” to colonize another earth-like planet. The jump into the fold creates nineteen ships moving backward (yet forward) through time. In the other strand, thirteen-year-old Rigg is thrust from his life in the forest with his father’s dying order for him to find his mother and sister using a bag of nineteen jewels and the name of a banker in the city. Along the way, Rigg collects a trusty band of companions to help him. As expected, they have many adventures which are quite unexpected even for readers of similar novels. Fortunately, all that seemingly useless education from his father in the forest turns out to be very useful after all. The writing is fantastic without a word out of place, the characters are believable whether they are youths or adults, and the author is a master of creating new worlds and new words that are readily understandable. I saw hints of many favourite fantasy/science fiction/historic future adventure stories: Harry Potter, the Hobbit, Hitchhiker’s Guide to the Galaxy, and of course, Orson Scott Card’s own series starting with Ender’s Game. It would be impossible to put an appropriate age on this book as it can be enjoyed (or not) at many different levels – the writing is probably understandable for some starting in grade 5; the cover says “12 and up.” Highly recommended: 4 out of 4 stars Reviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests. 


Author(s):  
Derek C. Maus

Over the course of a career now in its third decade, Colson Whitehead has produced a nine-book oeuvre that has made him one of the foremost 21st-century American literary authors. Born Arch Colson Chipp Whitehead in New York on November 6, 1969, he spent his childhood and adolescence devouring pop culture—in particular, science fiction and horror films. His early years were generally divided between Manhattan and his family’s summer home in Sag Harbor on Long Island. In 1987, he began studying literature at Harvard University, where he befriended poet and editor Kevin Young and other members of the influential Dark Room Collective. After graduation, he spent several years in New York writing for the Village Voice. During this time, he also started working on what eventually became his debut novel, The Intuitionist (New York: Doubleday, 1999). Although his initial readership remained relatively small, Whitehead’s critical reputation grew quickly, with each of his first two books earning rave reviews and literary prizes. The Intuitionist was a finalist for the Hemingway Foundation/PEN Award for debut fiction and his second novel, John Henry Days (New York: Doubleday, 2001), won the Anisfield-Wolf Award, a prize given to exemplary American literary works dealing with racism and diversity. John Henry Days was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award. In 2000, he received the Whiting Award, which supports promising new writers, and then followed that up with a MacArthur Foundation Fellowship (colloquially known as a “Genius Grant”) in 2002 and a Guggenheim Fellowship in 2013. Although his third novel, Apex Hides the Hurt (New York: Doubleday, 2006), was less critically lauded, it nevertheless won the PEN Oakland/Josephine Miles Literary Award, which recognizes outstanding multicultural literature. Over the next decade, Whitehead’s readership began to catch up with his critical acclaim and each of his subsequent five novels has landed on the New York Times bestseller list. The Underground Railroad (New York: Doubleday, 2016) has been his most noteworthy book to date, reaching the top of the New York Times bestseller list, as well as earning him the Pulitzer Prize, the Carnegie Medal, the National Book Award, and public endorsements from Oprah Winfrey and Barack Obama, among others. He followed this success up with a short historical novel, The Nickel Boys (New York: Doubleday, 2019), whose release was accompanied both by considerable fanfare (including Whitehead’s appearance on the cover of Time magazine) and continued critical praise. Although he has gravitated away from the comic-satirical tenor of his earlier work, Whitehead remains both a masterful prose stylist and a pointed social critic.


Author(s):  
Sean Matharoo

Samuel R. Delany is a profoundly influential and award-winning African-American gay author, critic, and teacher, whose many novels, short stories, memoirs, and essays are among the most important of the 20th and 21st centuries. His works have fundamentally altered the terrain of science fiction (SF) due in part to their formally consummate, theoretically sophisticated, materially grounded, and politically radical explorations of difference. These explorations reach an apogee in Dhalgren (1975), a bestselling countercultural classic. Delany is a Science Fiction Writers of America (SFWA) Grand Master. He is also one of SF’s best critics. The courageous humility and pragmatism with which he treats his subjects, when considered alongside the virtuosity with which he writes, gesture at a cosmologically scaled multiplicity, the understanding of which is dependent on biography, a point rendered clear in his exquisite autobiography The Motion of Light in Water (1988). Delany was born in Harlem, New York, on 1 April 1942. He was educated at the prestigious Dalton School and Bronx High School of Science. He spent summers at progressive youth camps. He also briefly attended the City College of New York. Delany has held professorships at University of Massachusetts Amherst, SUNY Buffalo, and Temple University. From 1961 to 1980, he and poet Marilyn Hacker had an open marriage; they have one child. He has been in an open relationship with Dennis Rickett since 1991. He was astoundingly prolific at a prodigal age. He translated Rimbaud’s Le bateau ivre (1871) when he was eighteen. For a time, he lived in a commune in New York, writing songs for the folk-rock band Heavenly Breakfast. He has worked on shrimp boats in Texas. He has written graphic novels and a couple of stories for the Wonder Woman comics. He has written an opera, and he has written and directed a film. He has published pornographic novels that engage thoughtfully with the HIV/AIDS crisis. In short, to borrow a concept he develops in Empire Star (1966), Delany might be described as “multiplex”: even an ephemeral biography such as this one casts light on his singular ability to sustain and synthesize presumably opposed differences into a greater unity.


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