scholarly journals Błędni rycerze Juliusza Słowackiego — Zawisza Czarny i Beniowski

2017 ◽  
Vol 56 ◽  
pp. 33-49
Author(s):  
Jakub Rawski

Knights-errant by Juliusz Słowacki — Zawisza the Black and Beniowski„Zawisza the Black” and „Beniowski” drama there are one of poorly discussed works by Juliusz Słowacki. The unfinished dramas by the poet, dating from the late, mystical phase of his literature, opens awide field of research. It appears advisable to place the thesis of apossible inspi­ration Słowacki „Don Quixote” by Miguel de Cervantes Saavedra when writing drama „Zawisza the Black” and „Beniowski” drama. Spanish novel, which is amockery of chivalric romances and epics, perhaps, has become for author of „Kordian” point of reference for the creation of the world presented these works. Exemplification of these claims is to analyse „Zawisza the Black”, whose title character is seen as knight-errant possessed by madness and unhappy love, like the character of „Don Quixote”. Reinterpretation of the conditions of polish culture made by Słowacki based on demythologization the most famous knight.

Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the early modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of the Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547–1616). This volume contains seven sections, exploring in depth Cervantes’s life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. This handbook explores his famous novel Don Quixote, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.


2020 ◽  
Vol 64 (1) ◽  
pp. 3-23
Author(s):  
Adam Pisarek

This article concerns “living zones of the imagination”—areas of social life in which intensive “interpretive labor” is underway. Thanks to these zones, it is possible to engage in universally accepted exercises that enable a person to “see the world through the eyes of another person” and that yet do not disturb the current socio-cultural order. They provide an important basis for understanding among people, for harmonizing meanings in the sphere of social realities, and for integration that goes beyond certain permanent boundaries and hierarchies. The basic aim of the article is to prove that hospitality, understood as a value in Polish culture, could contribute to a considerable degree to the creation of such zones. The author analyzes the zones’ character, function, and meaning, paying attention to how they resist the expansion of bureaucratic ways of organizing social life. He also draws attention to the influence that an axio-normative pattern could havewithin specific models of behavior and cultural practices.


PMLA ◽  
1923 ◽  
Vol 38 (2) ◽  
pp. 401-411
Author(s):  
Philip Stephan Barto

The Don Quixote of Miguel de Cervantes Saavedra was written (1606-1615) in ridicule of the chivalric romance at that time so overwhelmingly popular. The sickening exaggeration of these latter-day tales of knighthood apparently not only cloyed Cervantes but excited his sense of the ludicrous as well, giving him the idea of turning upon this type of story his powers of subtle satire. Since Cervantes was a man of by no means great academic erudition, what he knew of the background of knightly romance he had doubtless secured in the everyday way of popular reading. Certain high lights must naturally enough have struck his attention in his perusal of current tales of chivalry, and such came in for especial attention in his Don Quixote. Each episode of the book has, indeed, its more serious counterpart in the literary background which inspired Cervantes to his task.


2020 ◽  
Vol 86 (6) ◽  
Author(s):  
Raúl Carrillo-Esper ◽  
Ricardo Cabello-Aguilera ◽  
Juan A. Díaz Ponce-Medrano ◽  
Dulce M. Carrillo-Córdova

Elements ◽  
2006 ◽  
Vol 2 (1) ◽  
Author(s):  
Emily Cersonsky

"I am lying." It might be said that this statement is, implicitly, the single real truth of the fiction-forming author, and its complications are both the emblem and bane of all novels. In his epic <em>Don Quixote</em>, Miguel de Cervantes exploits the problem of making lies real by intricately waving together such disparate elements as autobiography and high fantasy within the unreliably unreliable voices of several subjective storytellers. And his conclusion, it seems, is Don Quixote himself, a man who combats the protean strangeness of the world by replacing it with a deliberate reality of his own. At the cusp of the European Renaissance, Cervantes' Don Quixote makes the choice which will become a necessity for post-Cartesian thinkers, namely, a personal determination, an authorship of "the real" in a world where inconsistencies and subjectivities constantly threaten to chain the truth-seeking man, like Prometheus, to the confusion of the liar's paradox.


1999 ◽  
Vol 44 ◽  
pp. 1-19 ◽  
Author(s):  
Robert L. Fowler

Genealogy was important in early Greece. One thinks readily of aristocratic lineages proudly recited by Homeric heroes, and the family lore carefully recorded by epinician poets; but passing remarks are even more revealing. In the seventh book of theIliadNestor tells of an embassy he once led north to Phthia, where he hoped to enlist the aid of Peleus' mighty son in the coming campaign. Welcoming his Argive guests, Peleus asks eagerly about their ‘ancestry and descent’, and hears the answers with much pleasure:In Peleus' part of the country southerners were not often seen. He seeks by his questions to relate the unknown to the known; he is hoping that somewhere in the pedigree a familiar name will turn up to give him a point of reference. Genealogy gives him his bearings. For those within the system a genealogy is a map. They can read its signs. To the names are attached stories, thousands of them; collectively they gave the listeners their sense of history and their place in the world. Hence Peleus' great pleasure in hearing the answers. Centuries later, the Greeks were no different; the sophist Hippias says that the crowds at Olympia like to hear nothing better than his recitations of genealogies.


1937 ◽  
Vol 5 (3) ◽  
pp. 271
Author(s):  
J. P. Wickersham Crawford ◽  
Rodolfo Schevill ◽  
Adolfo Bonilla

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